{"id":21829,"date":"2025-03-16T22:42:14","date_gmt":"2025-03-16T22:42:14","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/03\/16\/lady-gagas-mayhem-bows-at-number-one\/"},"modified":"2025-03-16T22:42:14","modified_gmt":"2025-03-16T22:42:14","slug":"lady-gagas-mayhem-bows-at-number-one","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/03\/16\/lady-gagas-mayhem-bows-at-number-one\/","title":{"rendered":"Lady Gaga\u2019s \u2018Mayhem\u2019 Bows at Number One"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/lady-gaga\/\" id=\"auto-tag_lady-gaga\" data-tag=\"lady-gaga\">Lady Gaga<\/a>\u2019s <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/lady-gaga-mayhem-review-1235291651\/\">Mayhem<\/a> <\/em>debuts at Number One on the Billboard 200 albums chart, <a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/lady-gaga-mayhem-debuts-number-one-billboard-200-chart-1235923158\/\" target=\"_blank\">per the publication<\/a>. It\u2019s the star\u2019s seventh time topping the chart and it also marks Gaga\u2019s largest debut via streaming of her career.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Mayhem<\/em> bows at Number One with 219,000 equivalent album units earned in the U.S., according to Luminate. Of those units, 80,500 come from streaming \u2014 the equivalent of more than 108 million on-demand official streams of the album\u2019s songs \u2014 with the album debuting at Number One on the Top Streaming Albums chart as well.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe album marks Gaga\u2019s seventh Number One-bowing album on the Billboard 200 chart. Gaga has debuted at Number One previously with 2020\u2019s <em>Chromatica<\/em>, the 2018 soundtrack to <em>A Star Is Born<\/em> with Bradley Cooper, 2016\u2019s <em>Joanne<\/em>, 2014\u2019s <em>Cheek to Cheek <\/em>with Tony Bennett, 2013\u2019s <em>Artpop<\/em>, and 2011\u2019s <em>Born This Way<\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Mayhem<\/em> also earned the biggest week of 2025 for an album by a woman. It\u2019s also the largest debut album by a woman in more than six months. Sabrina Carpenter\u2019s <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/sabrina-carpenter-short-n-sweet-review-1235087704\/\">Short n\u2019 Sweet<\/a><\/em>, which bowed with 362,000 units on Sept. 7, 2024, was the last big-selling woman-led debut (<em>Short n\u2019 Sweet<\/em> appears at Number Six this week).<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Mayhem<\/em>\u2019s first week sales were boosted by a bevy of editions, including 14 vinyl variants, four CD editions, a cassette tape, and a deluxe CD box set, plus downloadable offerings of both the standard and deluxe album versions. Vinyl comprised 74,000 of <em>Mayhem<\/em>\u2019s opening-week sales.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tElsewhere on the charts, Kendrick Lamar\u2019s <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/kendrick-lamar-gnx-review-1235179205\/\">GNX<\/a> <\/em>moves down a notch to Number Two with a bit more than 81,000 units earned. Drake and PartyNextDoor\u2019s <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/drake-with-ome-exy-ongs-4-u-review-1235271531\/\">$ome $exy $ongs 4 U<\/a><\/em> falls to Number Three with 79,000 units earned, SZA\u2019s <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/review-sza-sos-review-1234642441\/\">SOS<\/a> <\/em>remains at Number Four with 69,000 units earned, and Tate McRae\u2019s <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/tate-mcrae-so-close-to-what-review-1235275458\/\">So Close to What<\/a> <\/em>rounds out the Top Five with 63,000 units earned.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn other chart news, Jennie\u2019s first solo studio album, <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/jennie-ruby-review-1235291125\/\">Ruby<\/a><\/em>, enters the Billboard 200 at Number Seven, with 56,000 units earned.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/lady-gaga-mayhem-number-one-album-1235297471\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lady Gaga\u2019s Mayhem debuts at Number One on the Billboard 200 albums chart, per the publication. It\u2019s the star\u2019s seventh time topping the chart&#8230;<\/p>\n","protected":false},"author":5,"featured_media":21830,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-21829","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/21829","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=21829"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/21829\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/21830"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=21829"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=21829"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=21829"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}