{"id":23303,"date":"2025-03-29T21:27:18","date_gmt":"2025-03-29T21:27:18","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/03\/29\/review-silverstein-antibloom-altcorner-com\/"},"modified":"2025-03-29T21:27:18","modified_gmt":"2025-03-29T21:27:18","slug":"review-silverstein-antibloom-altcorner-com","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/03\/29\/review-silverstein-antibloom-altcorner-com\/","title":{"rendered":"REVIEW: Silverstein &#8211; Antibloom &#8211; ALTCORNER.com"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"articleFull\">\n<p><strong>Silverstein<\/strong> have released their latest album <em>Antibloom<\/em>!<\/p>\n<p>The first track <em>Mercy Mercy<\/em> sets the tone for the record. Kicking it off with some relentless drum patterns and vocalist <strong>Shane Told<\/strong>\u2019s\u00a0screams right away, giving the listener no time to prepare. This is also one of the heavier cuts on the record, but with no sacrifice to the catchiness. It has a classic <strong>Silverstein<\/strong> chorus but for me, it\u2019s the heavier hook when <strong>Told<\/strong> belts out \u201c<em>I will slip quietly into my grave<\/em>\u201d that immediately stuck with me.<\/p>\n<p>Next we have singles <em>Don\u2019t Let Me Get Too Low<\/em> and <em>Confession<\/em>. Both of these songs are classic <strong>Silverstein<\/strong> cuts through and through. <em>Don\u2019t Let Me Get Too Low<\/em> is a high energy pop punk tune, which keeps the pace after the first track. It also includes some of that modern metalcore flavour, with a massive breakdown in the bridge. <em>Confession<\/em> slows things down a bit, being an easier but anthemic listen.<\/p>\n<p>Later is <em>Little Fight<\/em>, which sees the band leaning towards their more pop side. It\u2019s a shorter tune that doesn\u2019t overstay it\u2019s welcome. To start it\u2019s got a more upbeat and positive vibe on the instrumental, from both the guitarists <strong>Josh Bradford<\/strong> and <strong>Paul Rousseau<\/strong>\u2019s work but as well as these 80\u2019s style synths to compliment before picking it up back to their pop punk style to end it off.<\/p>\n<p>In the latter half of the record, the band kicks back into their heaviness with cuts <em>I Will Destroy This<\/em> and <em>Stress<\/em>. Both tracks definitely feel like they would be great additions to the bands live set, as they both have the recipe for great crown engagement to sing along to. <em>I Will Destroy This<\/em> tackling the theme of struggling with the idea that all we bring is destruction around us; being stuck in our old habits and being more comfortable in that. <em>Stress<\/em> might be one of the bands heaviest songs in a while; it feels like it was most definitely tailored to be used in a live set. <strong>Told<\/strong> yelling out \u201c<em>Just let me hear some of that stressed out music, turn it up, turn it up<\/em>\u201d. Being only under 3 minutes, it\u2019s all gas, no breaks for the entire runtime.<\/p>\n<p><strong>Silverstein<\/strong> have been on one hell of a stride since <em>Misery Made Me<\/em> a few years ago and <em>Antibloom<\/em> is no exception.<\/p>\n<p>Being this long into their career and releasing arguably some of their best material to date just goes to show how special this band is.<\/p>\n<p>They\u2019ve always done extremely well keeping their sound up to date, and staying with the times. If the second record follows this trend, <strong>Silverstein<\/strong> have a massive year lined up for them.<\/p>\n<p>9\/10<\/p>\n<p><em>Antibloom<\/em> is available everywhere now via UNFD<\/p>\n<\/p><\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/altcorner.com\/reviews\/review-silverstein-antibloom\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Silverstein have released their latest album Antibloom! The first track Mercy Mercy sets the tone for the record. Kicking it off with some relentless&#8230;<\/p>\n","protected":false},"author":7,"featured_media":23304,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37],"tags":[],"class_list":["post-23303","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-at","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/23303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=23303"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/23303\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/23304"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=23303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=23303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=23303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}