{"id":38649,"date":"2025-07-03T14:29:42","date_gmt":"2025-07-03T14:29:42","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/07\/03\/kelsey-waldons-every-ghost-album-captures-a-sober-searching-artist\/"},"modified":"2025-07-03T14:29:42","modified_gmt":"2025-07-03T14:29:42","slug":"kelsey-waldons-every-ghost-album-captures-a-sober-searching-artist","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/07\/03\/kelsey-waldons-every-ghost-album-captures-a-sober-searching-artist\/","title":{"rendered":"Kelsey Waldon&#8217;s &#8216;Every Ghost&#8217; Album Captures a Sober, Searching Artist"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn a moment of clarity, <a href=\"https:\/\/www.rollingstone.com\/t\/kelsey-waldon\/\" id=\"auto-tag_kelsey-waldon\" data-tag=\"kelsey-waldon\">Kelsey Waldon<\/a> brushed aside the chaos of New York on a Friday evening.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tShe was in the city on June 20 to release her latest record, <em>Every Ghost<\/em>, in the basement-level concert hall at Hill Country Barbecue. The show was branded as a <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/honky-tonkin-in-queens-new-york-country-music-1235133120\/\">Honky Tonkin\u2019 <\/a><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/honky-tonkin-in-queens-new-york-country-music-1235133120\/\">i<\/a><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/honky-tonkin-in-queens-new-york-country-music-1235133120\/\">n Queens<\/a> event, and it brought out 200 of the city\u2019s diehard country music dancers, dressed to the nines in their boots and belts. But Waldon was having one of those \u201ctypical New York\u201d days that crop up regularly. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tShe and her band, the Muleskinners, missed their soundcheck after trying to take the Holland Tunnel into the city (it wouldn\u2019t allow the trailer they were pulling), and her day was out of sorts even before an interview with <em>Rolling Stone<\/em> in the corner of a barbecue restaurant overlooking a window opened up to Manhattan\u2019s Garment District. When the interview wrapped and she was making her way back downstairs, it abruptly dawned on her that she had just listened to <em>Every Ghost<\/em>, start to finish, for the first time earlier that week.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI cried,\u201d Waldon admits.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWaldon has released seven studio albums \u2014 three on the late John Prine\u2019s Oh Boy Records label \u2014\u00a0in her two-decade career, along with a handful of EPs. But none of them feature the Kentucky native picking at her own wounds the way that <em>Every Ghost <\/em>does.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI care enough about the things I need to care about,\u201d Waldon says. \u201cBut I think you have to go there if you\u2019re gonna write.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Every Ghost<\/em> finds Waldon confronting all the spirits in her life that are haunting her. Or at least every one that fits on the record she recorded at Memphis\u2019s Southern Groove Studios and co-produced with Justin Francis.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI shifted,\u201d she says. \u201cI made a lot of transitions until, one day, there was nothing left to do except make art. It was really therapeutic for me, because I put a lot into it, and I saw a lot of myself, too, and a lot of things I thought I was done with. That\u2019s what a ghost is, though. You think you\u2019re done with this thing, and it comes back to you. After 37 years of life, or however old you are, you find yourself going, \u2018I thought my trauma was over,\u2019 but they have unfinished business, these little ghosts.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThe theme of this album is, the more we learn to live with those ghosts, the more we\u2019re all gonna be alright,\u201d she continues, \u201cbecause they\u2019re not gonna go away.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn the record, Waldon gets into addiction and sobriety, grief, and the trauma in her life that can rightly be called \u201cgenerational.\u201d She wrote eight of the nine songs, save for Hazel Dickens\u2019 \u201cRamblin\u2019 Woman\u201d that ends the album.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn \u201cFalling Down,\u201d she confronts the addiction part head-on, from the opening lament of an empty liquor bottle and its consequences with the lines, \u201cDon\u2019t be surprised if I\u2019m pitchin\u2019 a fit\/because there\u2019s just one thing that I can\u2019t quit.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Kelsey Waldon - &quot;Ghost of Myself&quot; (Official Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/4SJE0kauAKw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt\u2019s a personal allusion. Waldon\u2019s choice of sobriety is a recent one, and she\u2019s still getting used to it.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI never meant for this to become a thing,\u201d she says, \u201cbut I started realizing that the more of us that do it \u2014 a lot of members of my band have the same issues \u2014\u00a0the more it helps\u2026 Now, I still smoke a little J when I need it to get to bed, but I have a very different relationship with that. It doesn\u2019t tap the little angry hillbilly inside of me that still rages.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe haunting ballad \u201cMy Kin\u201d finds Waldon examining her past, and her upbringing. She is a product of a broken home, and it\u2019s what drove her to start playing music as a teenager. But the song is not confrontational in nature. Rather, \u201cMy Kin\u201d is a slow burn of acceptance, as Waldon wraps her mind around the notion that she carries a life filled with trauma and triumph every place she goes.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI\u2019m the best and worst of my kin,\u201d she says. \u201cThis is just me kind of, honestly learning to accept every part of who I am, and not being afraid. I\u2019m just not being scared all the time. Who cares, you know?\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tReleasing the record in Manhattan sounded fun to Waldon. The two New York-based DJs behind Honky Tonkin\u2019 in Queens, Charles Watlington and Johnny Nichols \u2014\u00a0DJ Moonshine and DJ Prison Rodeo, respectively \u2014 offered Waldon a spot on a riverboat cruise for the occasion. But she preferred a landlocked saloon. Hill Country Barbecue\u2019s concert room \u2014\u00a0with its low ceilings, small stage, and hardwood floors and walls \u2014 is small enough to feel intimate but large enough to accommodate the two-steppers and line dancers that always show up to Honky Tonkin\u2019 in Queens events, and it made sense for Waldon. That same atmosphere spurred Charley Crockett to release his <em>$10 Cowboy<\/em> record at Honky Tonkin\u2019 in Queens in spring 2024. Like Crockett, Waldon is a classic fit for the event\u2019s hard country vibe.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tShe took the stage after Olivia Ellen Lloyd, a Brooklyn-based singer-songwriter, played an hour-long set that mixed original tunes with traditional country covers. Lloyd is a fan of Waldon\u2019s and aims to lock down opening spots when Waldon is playing in her area.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cEvery time Kelsey comes through the Northeast, I ask to open for her,\u201d Lloyd tells Rolling Stone. \u201cHer music inspires me so much, and so does her determination and grit. Kelsey is the real friggin\u2019 deal, and it\u2019s always a dream to get to play music with her.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn summer 2019, Waldon opened for Prine at a pop-up show in Manhattan\u2019s Webster Hall after weather canceled a festival the two were slated to play. It ended up being Prine\u2019s last New York show; Waldon joined him to sing \u201cIn Spite of Ourselves,\u201d \u201cUnwed Fathers,\u201d and \u201cParadise.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWaldon\u2019s <em>Every Ghost <\/em>show may have lacked the gravity of that 2019 concert, but it was magical in its own way.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cEverything that I ever wanted to happen is happening,\u201d she says. \u201cObviously, there\u2019s always more that we want, but everything we set out to do \u2014 even if that means packing out a small club \u2014 we\u2019re doing it.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHer 90-minute set, backed by the Muleskinners, showcased all nine songs on <em>Every Ghost<\/em>. She walked on in a long black coat embroidered with red roses and musical notes to kick it off with \u201cGhost of Myself\u201d as fans wanting to get as close to her as possible crowded the dancers off the floor. The disruption for the two-steppers was brief, and the dancing resumed in the second song, \u201cLet It Lie,\u201d and lasted the rest of the night.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBeyond <em>Every Ghost<\/em>, the setlist spanned Waldon\u2019s entire catalog and reminded fans of her Kentucky roots at nearly every turn. Before she started playing \u201cBackwater Blues,\u201d Waldon paid tribute to the devastating floods that Kentucky endured in April. \u201cThe water, personally, ruined a lot of shit in our lives, but I\u2019m still proud to be from flood country,\u201d she boasted from the stage.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen the show ended, Waldon\u2019s time in Manhattan did the same. She had a show in Philadelphia the next night, and suddenly another tour was under way. She\u2019ll tour this record through the summer and likely be on the road the rest of the year \u2014\u00a0including her Ryman Auditorium debut on November 15 opening for 49 Winchester.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor the moment, Waldon is simply glad to have <em>Every Ghost<\/em> off her chest. There\u2019s not a lot of time in her world right now for pondering where she takes it from here.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI think all of us kind of wonder what\u2019s next,\u201d Waldon says. \u201cIt feels scary for a lot of people out there right now. But you know what? The only way through is through. I\u2019m definitely not in it for the money, but I am thankful that I do make a little more now, so I can at least make it work.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cSo much has happened,\u201d she continues. \u201cI was in the Country Music Hall of Fame last year. I feel like we\u2019re playing some of the biggest festivals out there. Everyone tells me that I\u2019m killing it, but I\u2019m so in the middle of it that I don\u2019t think I can see it unless I zoom out. At the humble, lowest level, I just want to be able to treat my band well and keep getting to where it\u2019s a little easier. That\u2019s all I want.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Josh Crutchmer is a journalist and author whose latest books, <\/em><a href=\"https:\/\/neversayneverbook.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>Never Say Never<\/em><\/a><em> and <\/em><a href=\"https:\/\/reddirt-unplugged.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>Red Dirt Unplugged<\/em><\/a><em> are available via Back Lounge Publishing.<\/em><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/kelsey-waldon-every-ghost-album-1235378089\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In a moment of clarity, Kelsey Waldon brushed aside the chaos of New York on a Friday evening. She was in the city on&#8230;<\/p>\n","protected":false},"author":5,"featured_media":38650,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-38649","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/38649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=38649"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/38649\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/38650"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=38649"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=38649"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=38649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}