{"id":38793,"date":"2025-07-06T01:18:02","date_gmt":"2025-07-06T01:18:02","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/07\/06\/ozzy-osbourne-black-sabbaths-back-to-the-beginning-concert-review\/"},"modified":"2025-07-06T01:18:02","modified_gmt":"2025-07-06T01:18:02","slug":"ozzy-osbourne-black-sabbaths-back-to-the-beginning-concert-review","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/07\/06\/ozzy-osbourne-black-sabbaths-back-to-the-beginning-concert-review\/","title":{"rendered":"Ozzy Osbourne, Black Sabbath&#8217;s Back to the Beginning: Concert Review"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cLet the madness begin!\u201d bellowed a mischievous\u00a0<a href=\"https:\/\/www.rollingstone.com\/t\/ozzy-osbourne\/\" id=\"auto-tag_ozzy-osbourne\" data-tag=\"ozzy-osbourne\">Ozzy Osbourne<\/a>\u00a0from his bat-and-skull encrusted throne in front of a sold-out Villa Park in Birmingham, England. The Prince of Darkness had finally taken to the stage after a marathon of legendary metal bands paid homage to his life and work throughout the day for his and <a href=\"https:\/\/www.rollingstone.com\/t\/black-sabbath\/\" id=\"auto-tag_black-sabbath\" data-tag=\"black-sabbath\">Black Sabbath<\/a>\u2018s <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/black-sabbath-original-members-reunite-ozzy-osbourne-final-concert-1235257226\/\">Back to the Beginning<\/a> concert on Saturday, July 5.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe Summer of Sabbath had been in full flow in Birmingham for weeks now, though. The proud home city of heavy metal rolled out the purple carpet for its most famous sons\u2019 homecoming<strong>.\u00a0<\/strong>Boozers were decked with purple balloons and flags; murals were everywhere you looked; people donned Ozzy outfits, flooding the streets with battered T-shirts and denim jackets. It felt like a World Cup final for the metal fans who flooded in from every corner of the planet<strong>.\u00a0<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThat carnival atmosphere hit the moment you stepped out of New Street Station, where fans gathered around the nearby Black Sabbath Bridge mural, which Osbourne and the band duly signed earlier in the week. We met one fan from London, who said he was on a Sabbath pilgrimage before the gates opened later in the day. \u201cI\u2019m going around the city doing all of the sites like The Crown where they played their first ever show, the various exhibitions and Ozzy the Bull!\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThis of course was before you even made your way to Villa Park, the historic football ground housed in the working class suburb which was once home to the band\u2019s four members.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tUpon arrival, we were greeted by rumbles of\u00a0distortion and a giant inflatable Ozzy who watched over his parish. Heading into the stadium, Cody Holl, a fan who traveled from Pennsylvania, was in a state of giddy delirium. \u201cIt\u2019s Black Sabbath\u2019s last Sabbath,\u201d Holl said. \u201cI\u2019ve never seen them before and I told myself after that 2017 tour, I\u2019m going no matter what, I just had to be here.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe heavy metal royalty who graced the stage throughout the day were clearly struck by a similar sense of awe, that\u2019s perhaps because Black Sabbath have shaped and influenced each and every one of them, from openers Mastadon right through to thrash veterans Anthrax and Lamb of God. The latter delivered an early standout moment with a cover of \u201cChildren of the Grave,\u201d which drew a gaping circle pit that formed on the pitch.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe day was packed with such moments: For those lucky enough to get a ticket to the sold-out bash, the main challenge presented was bottling it all up.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tEven on this star-studded lineup though, there was always room for surprise as Yungblud joined the day\u2019s first supergroup set for a cover of \u201cChanges.\u201d Stomping onstage with spit and venom, he dedicated the band\u2019s most heartfelt song to the late Liverpool striker Diogo Jota, who was killed in a car crash. \u201cWe\u2019d all collectively like to dedicate this next song to Diogo Jota. God bless Black Sabbath and God bless Ozzy Osbourne,\u201d he declared before a heartfelt rendition that stopped the stadium in its tracks.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAmid the palpable emotion there was also scope for the ridiculous as Blink-182\u2019s Travis Barker, Red Hot Chili Pepper\u2019s Chad Smith, and Tool\u2019s Danny Carey indulged in a drum-off fronted by Rage Against the Machine\u2019s Tom Morello. That was before Billy Corgan and Judas Priest guitarist KK Downing entered the fray and tore into \u201cBreaking the Law.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe extravaganza rolled on with more legends including Alice in Chains, Gojira, Pantera, and Tool, who all seized their respective 30-minute sets. As the sun dipped under the clouds, Slayer took to the stage and produced the day\u2019s biggest moshpit so far, the kind that felt like dicing with death when entering as they shredded through genre-defining epics like \u201cReign in Blood\u201d and \u201cAngel of Death.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/metallica-guns-n-roses-cover-black-sabbath-final-concert-1235379387\/\">Guns N\u2019 Roses teed up the home stretch towards Metallica<\/a>, Osbourne, and Sabbath. Having headlined this very venue themselves but a week prior, the rock giants were clearly loving life as they covered \u201cSabbath Bloody Sabbath\u201d before the iconic guitar intro of \u201cWelcome to the Jungle.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOne of the most profound tributes to Sabbath came from Metallica\u2019s James Hetfield as he surveyed the thousands ahead of him. \u201cWithout\u00a0Sabbath there would be no Metallica, thank you boys for giving us a purpose in life,\u201d he said before unleashing a career-spanning run of the band\u2019s biggest anthems.\u00a0\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAfter a strobing montage of his glory days, Osbourne took to the stage and shot straight from the hip. \u201cIt\u2019s so good to be on this fucking stage you have no idea,\u201d he said before questioning, \u201cHave you had a good day today?\u201d before the ominous organ intro of \u201cMr. Crowley.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOsbourne was trembling with emotion as he sang the ballad \u201cMama I\u2019m Coming Home,\u201d and the sense of meaning was almost unprecedented as he was back where it all began over 50 years ago.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAfter a riotous rendition of \u201cCrazy Train,\u201d he departed and returned for a condensed set with Black Sabbath, who arrived to the rain and church bell tolls of \u201cWar Pigs.\u201d It was pure theater as Osbourne clutched the microphone stand with OZZY tattooed upon his knuckles and sang that opening line that still speaks to the world today:\u00a0\u201cGenerals gathered in their masses\u2026\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThough confined to his chair, Osbourne writhed and wriggled like a man summoning every last inch of the hell-raising spirit still in him as he bowed out with \u201cIron Man\u201d and \u201cParanoid.\u201d \u201cGo fucking crazy, it\u2019s the last song,\u201d he said before the latter and boy did the masses oblige.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor all the false farewells and goodbyes in his career, there was something so final about this one that added a crushing poignancy to the night.\u00a0\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe great tragedy is that so often such legends die before celebrations on this level can take place, yet by some great miracle or divine intervention Ozzy Osbourne was here to take his final bow with his own tribe.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Ozzy Osbourne Set List<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI Don\u2019t Know\u201d<br \/>\u201cMr. Crowley\u201d<br \/>\u201cSuicide Solution\u201d<br \/>\u201cMama, I\u2019m Coming Home\u201d<br \/>\u201cCrazy Train\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Black Sabbath Set List<\/strong><\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWar Pigs\u201d<br \/>\u201cN.I.B.\u201d<br \/>\u201cIron Man\u201d<br \/>\u201cParanoid\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>This story was originally published on <\/em><a href=\"https:\/\/www.rollingstone.co.uk\/music\/black-sabbaths-back-to-the-beginning-review-photos-ozzy-osbourne-51771\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Rolling Stone UK<\/a>.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-live-reviews\/ozzy-osbourne-black-sabbath-back-to-the-beginning-concert-1235379405\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cLet the madness begin!\u201d bellowed a mischievous\u00a0Ozzy Osbourne\u00a0from his bat-and-skull encrusted throne in front of a sold-out Villa Park in Birmingham, England. The Prince&#8230;<\/p>\n","protected":false},"author":5,"featured_media":38794,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-38793","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/38793","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=38793"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/38793\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/38794"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=38793"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=38793"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=38793"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}