{"id":38907,"date":"2025-07-07T23:08:44","date_gmt":"2025-07-07T23:08:44","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/07\/07\/drakes-iceman-era-could-falter-if-too-focused-on-beef\/"},"modified":"2025-07-07T23:08:44","modified_gmt":"2025-07-07T23:08:44","slug":"drakes-iceman-era-could-falter-if-too-focused-on-beef","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/07\/07\/drakes-iceman-era-could-falter-if-too-focused-on-beef\/","title":{"rendered":"Drake\u2019s \u2018Iceman\u2019 Era Could Falter if Too Focused on Beef"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/drake\/\" id=\"auto-tag_drake\" data-tag=\"drake\">Drake<\/a>\u2019s <em>Iceman<\/em> era is officially here. After months of dropping social media hints, the rap icon officially commenced the rollout of his next album with a July 4th live stream where he strolled through his native Toronto in an Ice truck. During the ride, he soft-launched a song fans are calling \u201cSupermax,\u201d where he raps about venting on side-switchers with journalist Taylor Rooks. And before that, he fully debuted \u201dWhat Did I Miss,\u201d a classic contemptuous Drake number where he\u2019s melodically airing grievances and calling out those who seemingly flipped on him during his tussle with Kendrick. The record is strong, but it feels a year late, not to mention the odd optics of dropping a gun-laden video while pursuing a lawsuit where he claimed \u201cNot Like Us\u201d caused him mental anguish.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDrake\u2019s brand is Scorpio scorn, but he can\u2019t convincingly pull that card right now because the current incongruity between his stage persona and Aubrey Graham the litigant is hard to ignore. That\u2019s why leaning all the way into vengeance could be a major misfire on his part.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTo be clear, \u201cWhat Did I Miss\u201d feels like Drake in full form. He sounds invigorated, comfortably in his wheelhouse, and offers fans some IG caption fodder. Contrary to skeptical critique of the track, the title isn\u2019t him feigning absence; it\u2019s about the all-too-common feeling of wondering what signs we ignored in friends who hurt us. He rhymes, \u201cI saw bro went to Pop Out with them, but been dick riding gang since \u2018Headlines,\u201d which most people feel was a line aimed at LeBron James or DeMar DeRozan, two (former) friends who attended Kendrick Lamar\u2019s Pop Out concert. DeRozan was onstage while his Compton comrade performed \u201cNot Like Us\u201d five times and appeared in the music video for the diss track. The Sacramento Kings\u2019 small forward <a href=\"https:\/\/www.sacbee.com\/sports\/nba\/sacramento-kings\/article290141429.html\" rel=\"nofollow\" target=\"_blank\">told reporters<\/a> last July that Kendrick was \u201clike family,\u201d and he still considered himself friends with Drake, likening the rap beef to Jordan vs. Kobe playing one-on-one.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"What Did I Miss?\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/Lx4gPURH35g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut Jordan vs. Kobe would have been a game, not a war of words where Drake claimed that Kendrick assaulted his wife (who had a child with Dave Free), or where Kendrick claimed Drake was a vice-possessed pedophile. Like Jordan probably would, Drake took DeRozan\u2019s \u201cNot Like Us\u201d proximity personally, telling a Canadian sports broadcaster during a Raptors game that, \u201cIf you ever put a DeRozan banner up, I\u2019ll go up there and pull it down myself,\u201d and screaming \u201cfuck outta here pussy\u201d at him after the game. Drake is right to feel a way toward DeRozan and LeBron, another friend whom he has a tattoo of. If they\u2019re his real friends, it would seem like they wouldn\u2019t want any proximity to songs created to destroy him. Drake spoke on his dismay with LeBron, hinting at skeletons in his closet on the January freestyle \u201cFighting Irish,\u201d but the track disappeared the same day.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWhat Did I Miss\u201d is the official, on-the-record grievance against both players. It would have been harder to deny <em>last<\/em> summer, when he and Kendrick\u2019s beef was still fresh, and fans wanted to know how he felt about what transpired. But instead, he jumped on a remix to \u201cWah Gawn Delilah,\u201d a joke track that feels like he was punch drunk after being embarrassed in front of the world. Essentially, one\u2019s appreciation for \u201cWhat Did I Miss\u201d depends on how long they think it\u2019s appropriate to hold a grudge. To some, his grievances are universal and justifiable. But for others, the song feels like too little, too late. To quote battle rap great Hollow Da Don, \u201cthat beef\u2019s so old it got e.coli,\u201d which is why Drake prepping to devote an album era to it an entire year after the last overt diss song feels obsessive.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe \u201cWhat Did I Miss\u201d video, which depicts guns neatly strewn out by a pool, is a reference to artist <a href=\"https:\/\/www.gabrielegalimberti.com\/the-ameriguns\/\" rel=\"nofollow\" target=\"_blank\">Gabriele Galimberti\u2019s <em>Ameriguns<\/em> photo series<\/a>, where he captured Americans and their immense gun collections all over the country. The visage fits the tone of war-ready lyrics like \u201cniggas get punched in the face on some TLC shit, on the dead guys.\u201d But it\u2019s impossible to ignore that the bars are coming from someone who\u2019s currently suing UMG, claiming the \u201cNot Like Us\u201d song was defamation that\u2019s caused him \u201cemotional distress,\u201d as his filing stated. Just last week, during a lawsuit-dismissal hearing, Drake\u2019s lawyer, Michael Gottlieb, told Judge Jeannette N. Vargas that, \u201cthere were 3 attacks on [Drake\u2019s] home\u201d after \u201cNot Like Us\u2019\u201d release. One of the attacks was a May 7 shooting. There\u2019s no evidence that the incident had anything to do with Kendrick; the mere implication is dangerous. The contradiction of toting guns during an open lawsuit is at the heart of Kendrick Lamar\u2019s \u201cEuphoria\u201d assertion that, \u201cI don\u2019t like Drake when he act tough.\u201d The Toronto artist has sold music fans many ideas in his three decade run, but rapping bars like, \u201cwhat\u2019s the get-back for niggas? It\u2019s TBD\u201d with an open lawsuit is the most tenuous of tightropes.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDrake taking on the jaded \u201cIceman\u201d persona feels hollow even beyond the context of the Kendrick beef. The term may be a reference to serial killer Richard \u201cIceman\u201d Kuklinski or MMA fighter Chuck \u201cThe Iceman\u201d Liddell. But, to anyone familiar with Drake\u2019s on-record vengefulness, it also feels like an admission that the perceived betrayal and hate he\u2019s experienced have made him cold. Running with that nickname, however, ignores the reality that much of the shift in Drake\u2019s public perception is self-inflicted. No one made him alienate his previous core fanbase of Black women. He\u2019s the one that took unprovoked shots at women like Rihanna, and Megan Thee Stallion, said \u201cfree Tory Lanez\u201d on social media, and used Halle Berry as his \u201cSlime You Out\u201d song art despite her asking him not to. His music never grew as those fans did, who view his misogynistic lyrics and associations with people like Chris Brown and accused human trafficker Baka Not Nice in a new light. All of this is why when Kendrick started his onslaught, he was riding the momentum of Drake\u2019s longtime fans souring on him. If Drake is the Iceman, it\u2019s because he figuratively walked in the freezer.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSome have compared \u201cWhat Did I Miss\u201d to Jay-Z\u2019s \u201cBlueprint 2,\u201d the eponymous track of the Brooklyn rapper\u2019s first post-\u201dEther\u201d album. Dropped 11 months after Nas\u2019 legendary Jay-Z takedown, he pleas with hip-hop fans to rethink the \u201cL\u201d they gave him in their momentous back-and-forth. He references his charitable streak, while surmising Nas is the type of guy \u201cdepositin\u2019 checks \/ They put in they pocket, all you get in return is a lot of lip.\u201d He downplays Nas\u2019 substance, rhyming, \u2018Cause you don\u2019t understand him, it don\u2019t mean that he nice \/ It just means you don\u2019t understand all the bullshit that he write,\u201d framing him as a hypocrite by asking, \u201cis it Oochie Wally Wally or is it One Mic?\u201d He also raps, \u201dSince I will not lose, they try to help him cheat,\u201d which sounds like a line Drake could\u2019ve used on \u201cWhat Did I Miss?\u201d Both Jay-Z and Drake, two proud men, couldn\u2019t help but drop post-defeat missives, even if neither had any shot of changing cultural perception. It\u2019s worth noting that \u201cBlueprint 2\u201d is the title track of an album that sits near the bottom of Jay-Z\u2019s catalog for most of his fans. Drake may want to avoid repeating history.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tEverything Drake and Kendrick have dropped since their beef has been put under a microscope. Fans scour their lyrics for possible references to the other. No matter what they do, they\u2019ll be pitted against each other for the rest of time. Their post-beef careers will offer a particular demand for greatness that few artists are blessed (or cursed) with. But instead of leaning into acknowledging the beef, maybe Drake should explore a hard reset for his next solo album. Calling out former friends and throwing sneak shots at Kendrick over the course of a project won\u2019t placate anyone but OVO stans, and it won\u2019t win back the fans he\u2019s lost over the past several years. There\u2019s a cultural perception that the Drake era is over after \u201cNot Like Us.\u201d The multi-talented artist may not want to feed into that idea and instead deliver a project that exudes his versatility rather than his bitterness. For Drake, going forward, it seems that cultivating goodwill through good music is a more effective strategy than feeding sour grapes.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/drake-what-did-i-miss-essay-1235380041\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Drake\u2019s Iceman era is officially here. After months of dropping social media hints, the rap icon officially commenced the rollout of his next album&#8230;<\/p>\n","protected":false},"author":5,"featured_media":38908,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-38907","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/38907","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=38907"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/38907\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/38908"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=38907"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=38907"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=38907"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}