{"id":40730,"date":"2025-07-11T14:40:50","date_gmt":"2025-07-11T14:40:50","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/07\/11\/review-giveons-old-school-rb-heartbreak\/"},"modified":"2025-07-11T14:40:50","modified_gmt":"2025-07-11T14:40:50","slug":"review-giveons-old-school-rb-heartbreak","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/07\/11\/review-giveons-old-school-rb-heartbreak\/","title":{"rendered":"Review: Giv\u0113on\u2019s Old-School R&#038;B Heartbreak"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWith his oaky baritone, Giv\u0113on often sounds like he teleported to us from the 1970s. In the rapid-fire internet age, his love songs \u2014 frequently lost-love songs \u2014 are unhurried. At his best, he\u2019s like a barrel-\u00adaged cognac \u2014 warm, earthy, and mature. Still, when he rose to prominence at around the age of 25 about five years ago, in a landscape where more modern, edgy alternative R&amp;B dominated, he allowed his steady, soulful production to ride on top of subtle rap drums; across his debut EP, <em>Take Time,<\/em> and album, <em>Give or Take,<\/em> he even dipped into cloudy MC cadences, too.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNow, on his sophomore LP, and well established as a singular voice, there\u2019s nothing \u201calternative\u201d about his musical approach. <em>Beloved<\/em> is almost barren of the hip-hop flourishes that peppered his earlier work, and instead leans all the way into the orchestral R&amp;B of another time, lush with searing strings and the crash of real hi-hats. Rich and authentic, <em>Beloved<\/em> feels indebted to Al Green, Philly soul, the Jackson 5, and Blaxploitation soundtracks.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDemonstrating the most robust control of his instrument yet, Giv\u0113on offers a stunning, panoramic view of romantic relationships in their toughest places. He\u2019s always been a real yearner, taking cues from the \u201cBlack women heartbreak music\u201d he\u2019s said he was raised on by his mother \u2014 singers like Anita Baker and Mary J. Blige.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTrue to form, much of Beloved lives at the end of the road romantically, where songs like \u201cTwenties,\u201d \u201cMud,\u201d and \u201cStrangers\u201d ache with defeat. \u201cYes, I\u2019m taking this hard,\u201d he proclaims in a pained, zigzag riff on \u201cStrangers,\u201d after learning his ex is finally seeing someone else. By \u201cNumb,\u201d he\u2019s unable to feel at all. When he admits, \u201cI\u2019ve been here before,\u201d over angelic background coos, it\u2019s a cunning recognition that a heartbroken Giv\u0113on is one his listeners are all too familiar with, though this version is the most visceral yet.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAnd though in these gut-wrenching moments, Giv\u0113on is the victim \u2014 even telling an old flame who has tried to play that same role, \u201cYou run my name through the mud\/Wipe that dirt off your shoes.\u2026 You be lying to yourself so much it sounds true\u201d \u2014 he complicates\u00a0 his reliability as a narrator, too, adding more nuance to his romantic persona.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn tracks like \u201cDiamonds for Your Pain (Interlude)\u201d and \u201cKeeper,\u201d he\u2019s slyly working his way out of the doghouse, telling a girl on the former, \u201cPrettier than I remember\/Haven\u2019t seen you since December\/You know I come around every summertime, swimming in your teardrops.\u201d (There\u2019s sharp imagery like this all over the album, building on the cinematic soundscapes acclaimed producers like Jeff Gitty and Jahaan Sweet have created with Giv\u0113on.) And though the groovy \u201cAvalanche\u201d is only sung from a place of promise and not repair, a naivete that could also prove unproductive peeks through. \u201cIntuition says we\u2019re way too young to start a family\/But I\u2019ve been thinking about forever, my dear,\u201d he beams, delusionally.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Beloved<\/em> especially shines when it embraces how complicated heartache can be, like the songs where Giv\u0113on or the object of his affection linger in limbo. On \u201cBackup Plan,\u201d he watches anxiously as his lover quietly contemplates leaving him; on \u201cBleeding,\u201d he\u2019s a suitor tiptoeing around the shards of a woman\u2019s broken heart, knowing she\u2019s still fixated on her ex. He\u2019s more hopeful on \u201cI Can Tell,\u201d where he\u2019s proudly making his case as a better man than the one he\u2019s \u00adtrying to get some young woman to leave behind.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFittingly, the album ends with Giv\u0113on as part of a couple who seem committed to surmounting conflict together, a buoyant reminder that, even in his world, not all snags precipitate a breakup. \u201cI\u2019ll even let you run me down to the ground\/Watching you while you run your mouth\/I stick around,\u201d he sings brightly. \u201cI love you \u2019cause you love me\/Through the good, bad, and ugly.\u201d\u00a0<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/giveon-beloved-review-1235383468\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>With his oaky baritone, Giv\u0113on often sounds like he teleported to us from the 1970s. In the rapid-fire internet age, his love songs \u2014&#8230;<\/p>\n","protected":false},"author":5,"featured_media":40731,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-40730","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/40730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=40730"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/40730\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/40731"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=40730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=40730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=40730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}