{"id":40796,"date":"2025-07-12T14:04:03","date_gmt":"2025-07-12T14:04:03","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/07\/12\/tanner-usrey-tries-not-to-party-too-hard-on-new-these-days-album\/"},"modified":"2025-07-12T14:04:03","modified_gmt":"2025-07-12T14:04:03","slug":"tanner-usrey-tries-not-to-party-too-hard-on-new-these-days-album","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/07\/12\/tanner-usrey-tries-not-to-party-too-hard-on-new-these-days-album\/","title":{"rendered":"Tanner Usrey Tries Not to Party Too Hard on New &#8216;These Days&#8217; Album"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cPeople say I need a viral moment,\u201d Tannery Usrey says. \u201cBut you know what? That moment happens every time I write a new song, and every time I step onstage. If you chase that viral moment, it\u2019ll eat you to death.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor a decade, Usrey has toured relentlessly, with the music and hard-partying appeal to sustain a career playing clubs and dance halls in his native Texas. Then, one of his songs, \u201cThe Light,\u201d appeared on <em><a href=\"https:\/\/www.rollingstone.com\/tv-movies\/tv-movie-features\/taylor-sheridan-shows-yellowstone-landman-lioness-1235288471\/\">Yellowstone<\/a><\/em> in 2022, and Usrey landed a deal with Atlantic, releasing his 2023 debut album, <em>Crossing Lines<\/em>, in the wake. Suddenly, Usrey felt as though he was on the cusp of a breakthrough and became hellbent on making the most of the opportunity.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHe does that on<em> These Days<\/em>, his second album, released on Friday. It\u2019s a record that finds him assessing not just his songs, but his entire approach to music and touring \u2014\u00a0on <em>These Days<\/em>, Usrey grows up, fast.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt\u2019s about heartbreak, as usual, but the overall theme is more mature than what I\u2019ve been writing about,\u201d Usrey tells <em>Rolling Stone<\/em>. \u201cIt\u2019s about counting the little wins, and that\u2019s why I named it <em>These Days<\/em>. I want to appreciate every little moment, and every day that I make it through, and everybody else makes it through. It\u2019s not all self-destruction anymore, it\u2019s about real stuff.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tUsrey\u2019s voice was what first endeared him to Texas crowds in the early 2010s, when he played acoustic shows with his older brother, Tim. He can sing with a country twang or hold a long blues note, and do both with his extensive vocal range. For <em>These Days<\/em>, Usrey wanted to showcase all that, which led him to tap Dave Cobb to produce.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Tanner Usrey - If You Call Me Again [Official Music Video]\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/bJHz-8QUxLk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI think my voice shows on the record,\u201d Usrey says. \u201c[Cobb is] amazing at capturing voices, and I don\u2019t think I\u2019ve had anything like this yet. I needed to remind everybody else, and myself, \u2018Hey, you can <em>sing<\/em>.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tUsrey was raised on country music but eventually found himself drawn to the songwriting of the Texas and Red Dirt scenes, particularly the raw honesty in the lyrics of <a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/cross-canadian-ragweed-tim-mcgraw-pbr-concert-1235369822\/\">Cross Canadian Ragweed<\/a>, Wade Bowen, and the Randy Rogers Band. He internalized that honestly, writing a string of songs that reflects his life experiences or state of mind. <em>These Days<\/em> is the distillation of years of Usrey refining that approach.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn the track \u201cBetter Weather,\u201d Usrey laments a relationship undone by toxicity, repeating the refrain, \u201cI\u2019m prayin\u2019 for better weather\u201d as though trying to convince himself he\u2019s put the relationship behind him.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI was thinking about the person that got away,\u201d he recalls. \u201cYou self-destruct out of a relationship but you still hope that they\u2019re happy. You lie to them, and you tell them, \u2018I\u2019m good!\u2019 but you still hope that they get the dream that they wanted.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMeanwhile, \u201cDo It to Myself\u201d finds Usrey reckoning with the maturity he was searching for on this album. The song was written while he and Cobb were recording and Usrey caught himself partying just a little too hard.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Tanner Usrey - Do It To Myself [Official Audio]\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/qOtM9YTqWgY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI got the idea while we were in the studio in Savannah,\u201d he says. \u201cMe and [drummer] Chris Powell, the night before, we\u2019d drank about two bottles of tequila, just talking with each other. The next day, Dave says, \u2018Let\u2019s go out on a boat!\u2019 I was seeing double. It felt like I was looking through 3-D glasses. And I was like, \u2018Man, I guess I fucking do it to myself.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTo lean further into personal introspection, Usrey collaborated with songwriters like Aaron Raitiere, Raina Wallace (formerly of the Lowdown Drifters), and Cobb himself \u2014 all writers who have embraced a personal worldview in their writing.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI\u2019ve been reading the Rick Rubin book <em>The Creative Act<\/em>,\u201d Usrey says. \u201cI read that you have to take in everything around you. I\u2019ll be sitting at a restaurant, and I\u2019ll overhear somebody talking, and I\u2019ll take that story in. And I\u2019ll take in myself, and what I\u2019m going through, and what my friends and my family are going through.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn the end, however, Usrey still sees writing and recording new songs as an opportunity to expand his high-energy live show. He is currently in the midst of a short run with Cody Jinks, winning over some of the \u201cHippies and Cowboys\u201d singer\u2019s fans in the process. He also has fall dates on the books opening for Ella Langley, his duet partner on 2023\u2019s \u201cBeautiful Lies.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut the latter half of 2025 will feature Usrey on his own headlining Bad Love Tour, named after a song on <em>These Days<\/em>. He\u2019ll hit venues like Bowery Ballroom in New York and the 40 Watt Club in Athens, Georgia, and is also on the bill of ACL Fest in Austin.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tUsrey describes himself as a \u201croad dog\u201d who\u2019d still be playing 200 dates a year if his team would let him, but he says for all the excitement of releasing a new record, the payoff \u2014 for him \u2014\u00a0happens when he\u2019s onstage.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI just want people to think it\u2019s the best show they\u2019ve been to,\u201d Usrey says. \u201cIt sounds cocky, but that\u2019s what I want: \u2018Damn, that band\u2019s fucking tight. He can sing.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Josh Crutchmer is a journalist and author whose latest books, <\/em><a href=\"https:\/\/neversayneverbook.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>Never Say Never<\/em><\/a><em> and <\/em><a href=\"https:\/\/reddirt-unplugged.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>Red Dirt Unplugged<\/em><\/a><em> are available via Back Lounge Publishing.<\/em><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/tanner-usrey-texas-country-album-these-days-1235383697\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cPeople say I need a viral moment,\u201d Tannery Usrey says. \u201cBut you know what? That moment happens every time I write a new song,&#8230;<\/p>\n","protected":false},"author":5,"featured_media":40797,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-40796","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/40796","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=40796"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/40796\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/40797"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=40796"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=40796"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=40796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}