{"id":40871,"date":"2025-07-14T12:46:29","date_gmt":"2025-07-14T12:46:29","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/07\/14\/10-multiple-one-hit-wonders\/"},"modified":"2025-07-14T12:46:29","modified_gmt":"2025-07-14T12:46:29","slug":"10-multiple-one-hit-wonders","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/07\/14\/10-multiple-one-hit-wonders\/","title":{"rendered":"10 Multiple One-Hit Wonders"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>One-hit wonders get a bad rap. After all, countless musical acts spend their entire careers in search of a single Top 40 song.<\/p>\n<p>Fewer still are lucky enough to become one-hit wonders more than once. This is distinct from <a href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/love-me-two-times-20-greatest-two-hit-wonders-of-all-time-12752\/\" target=\"_blank\">two-hit wonders<\/a>, where the same artist climbs the Billboard charts again. Instead, they made multiple appearances on the official Billboard Top 40, with different bands or also as a solo act. <\/p>\n<p>Several notable figures have gotten close. <a href=\"https:\/\/ultimateclassicrock.com\/tags\/dave-mason\/\">Dave Mason<\/a> almost reached the Top 10 with <a href=\"https:\/\/ultimateclassicrock.com\/fleetwood-mac-solo-songs\/\">1977&#8217;s &#8220;We Just Disagree<\/a>&#8221; after playing early sessions and the first concert by <a href=\"https:\/\/ultimateclassicrock.com\/tags\/derek-and-the-dominos\/\">Derek and the Dominos<\/a>. By the time &#8220;Layla&#8221; hit, however, Mason was long gone. Tom Cochrane created a No. 6 solo smash in 1991 with &#8220;Life is a Highway&#8221; after leading Red Rider on &#8220;Lunatic Fringe.&#8221; But that 1981 classic-rock radio staple somehow never reached the Billboard Top 40. <\/p>\n<p><strong>READ MORE:<\/strong> <a href=\"https:\/\/ultimateclassicrock.com\/one-hit-wonders\/\">40 Biggest One-Hit Wonders<\/a><\/p>\n<p>Patty Smythe only had one hit with Scandal, 1984&#8217;s No. 7 smash &#8220;The Warrior,&#8221; before soaring to No. 2 in 1992 with &#8220;Sometimes Love Just Ain&#8217;t Enough,&#8221; a duet with <a href=\"https:\/\/ultimateclassicrock.com\/tags\/don-henley\/\">Don Henley<\/a>. Many forget, however, that Smythe&#8217;s follow-up solo single &#8220;No Mistakes&#8221; also reached the Top 40. <\/p>\n<p>Oddest of all might be Benny Mardones, who was also a repeat one-hit wonder \u2013 but <a href=\"https:\/\/soundday.wordpress.com\/2023\/11\/09\/november-9-the-one-hit-wonder-guy-who-was-that-twice\/\" target=\"_blank\">with the same song<\/a>. &#8220;Into The Night&#8221; rose to No. 11 in 1980 and then returned to the charts as a No. 20 hit in 1989. <\/p>\n<p>Still, as the following list of 10 Multiple One-Hit Wonders shows, others seemed to have a knack for out-of-the-blue earworms. One of them scored a lone group hit and then a lone solo hit in successive years. A pair of singers sang on the only high-charting singles from two different acts in the same year \u2013 and one was part of an unbelievable five stand-alone Top 40 songs. <\/p>\n<p>Here&#8217;s a look back at 10 Multiple One-Hit Wonders: <\/p>\n<p>\u00a0<br \/><strong>No. 10. DAN BAIRD<\/strong><br \/>Georgia Satellites <\/p>\n<div class=\"single-post-image \">\n<figure class=\"img-tag has-sizer aligncenter\" style=\"max-width:1600px\">\n<p><span class=\"visually-hidden\">YouTube \/ Countdown<\/span><\/p><figcaption>YouTube \/ Countdown<\/figcaption><\/figure>\n<\/div>\n<p>Dan Baird was frontman as the <a href=\"https:\/\/ultimateclassicrock.com\/tags\/georgia-satellites\/\">Georgia Satellites<\/a> soared to No. 2 with their <a href=\"https:\/\/ultimateclassicrock.com\/georgia-satellites-surprised-big-hit\/\">debut single<\/a> &#8220;Keep Your Hands to Yourself&#8221; in 1987. They never got any higher than No. 45 afterward. Baird left in 1990 and <a href=\"https:\/\/elpee.jp\/single\/I%20Love%20You%20Period\/Dan%20Baird\/\" target=\"_blank\">hit three years later<\/a> as a solo artist with the No. 26 single &#8220;I Love You Period.&#8221;<\/p>\n<p>\u00a0<\/p>\n<p><strong>No. 9. RON DANTE<\/strong><br \/>The Archies \/ The Cuff Links<\/p>\n<div class=\"single-post-image \">\n<figure class=\"img-tag has-sizer aligncenter\" style=\"max-width:1600px\">\n<p><span class=\"visually-hidden\">YouTube \/ PS Cesar<\/span><\/p><figcaption>YouTube \/ PS Cesar<\/figcaption><\/figure>\n<\/div>\n<p>The Archies were a studio invention created around singer Ron Dante by writers and producers Paul Vance and Lee Pockriss. When the &#8220;band&#8221; reached No. 1 with &#8220;Sugar Sugar&#8221; in the summer of 1969, Vance and Pockriss created another mock group called the Cuff Links. Dante sang the calorie-free &#8220;Tracy&#8221; into the Top 10 that October amid very, very different sounds: At the top of the charts, the <a href=\"https:\/\/ultimateclassicrock.com\/tags\/the-temptations\/\">Temptations<\/a>&#8216; tough R&amp;B hit &#8220;I Can&#8217;t Get Next To You&#8221; was spending its second week at No. 1.<\/p>\n<p>\u00a0<\/p>\n<p><strong>No. 8. LIMAHL<\/strong><br \/>Kajagoogoo<\/p>\n<div class=\"single-post-image \">\n<figure class=\"img-tag has-sizer aligncenter\" style=\"max-width:1599px\">\n<p><span class=\"visually-hidden\">Daily Express \/ Hulton Archive, Getty Images<\/span><\/p><figcaption>Daily Express \/ Hulton Archive, Getty Images<\/figcaption><\/figure>\n<\/div>\n<p>Limahl sang lead vocal on two one-hit wonders: Kajagoogoo&#8217;s debut single &#8220;Too Shy&#8221; went to No. 5 on the Billboard singles chart in the summer of 1983. In September of the following year, Limahl released &#8220;The NeverEnding Story,&#8221; a No. 17 solo hit that served as the title song for a contemporary film. <\/p>\n<p>\u00a0<\/p>\n<p><strong>No. 7. TONY BURROWS<\/strong><br \/>Edison Lighthouse \/ Brotherhood of Man<\/p>\n<div class=\"single-post-image \">\n<figure class=\"img-tag has-sizer aligncenter\" style=\"max-width:1600px\">\n<p><span class=\"visually-hidden\">YouTube \/ Demon Music Group<\/span><\/p><figcaption>YouTube \/ Demon Music Group<\/figcaption><\/figure>\n<\/div>\n<p>Tony Burrows got off to a fast start in 1970, scoring one-off hits with the Brotherhood of Man&#8217;s No. 13 single &#8220;United We Stand&#8221; in January and then with Edison Lighthouse&#8217;s No. 5 smash &#8220;Love Grows (Where My Rosemary Goes)&#8221; in February. He wasn&#8217;t done. Burrows then sang the White Plains&#8217; &#8220;My Baby Loves Lovin'&#8221; to No. 13 in June and the Pipkins&#8217; novelty song &#8220;Gimme Dat Ding&#8221; to No. 9 in July. Incredibly, that&#8217;s Burrows on the First Class&#8217; October 1974 one-hit wonder &#8220;Beach Baby,&#8221; too. <\/p>\n<p>\u00a0<\/p>\n<p><strong>No. 6. PHIL SEYMOUR<\/strong><br \/>Dwight Twilley Band<\/p>\n<div class=\"single-post-image \">\n<figure class=\"img-tag has-sizer aligncenter\" style=\"max-width:1600px\">\n<p><span class=\"visually-hidden\">YouTube \/ Awards Show Network<\/span><\/p><figcaption>YouTube \/ Awards Show Network<\/figcaption><\/figure>\n<\/div>\n<p>Phil Seymour and Dwight Tilley arrived in Los Angeles from their native Oklahoma in 1974 calling themselves Oister before a label rep suggested a name change to the Dwight Twilley Band. They reached the Top 20 together with 1975&#8217;s &#8220;I&#8217;m on Fire,&#8221; but by 1977 the increasingly overlooked Seymour was gone. He re-emerged on the charts in 1981, peaking under his own name at No. 22 with &#8220;Precious to Me.&#8221;<\/p>\n<p>\u00a0<\/p>\n<p><strong>No. 5. JAY FERGUSON<\/strong><br \/>Jo Jo Gunne \/ Spirit<\/p>\n<div class=\"single-post-image \">\n<figure class=\"img-tag has-sizer aligncenter\" style=\"max-width:1600px\">\n<p><span class=\"visually-hidden\">YouTube \/ TopPop<\/span><\/p><figcaption>YouTube \/ TopPop<\/figcaption><\/figure>\n<\/div>\n<p>Jay Ferguson is probably best remembered for 1977&#8217;s <a href=\"https:\/\/www.youtube.com\/watch?v=Ny8aOB9iP3A\" target=\"_blank\">Top 10 smash &#8220;Thunder Island<\/a>&#8221; but he also had another low-charting solo hit in 1979 with &#8220;Shakedown Cruise.&#8221; His one-hit wonders were with earlier groups. First, he helped <a href=\"https:\/\/ultimateclassicrock.com\/tags\/spirit\/\">Spirit<\/a> to their best chart finish when they reached No. 25 with &#8220;I Got a Line on You&#8221; in 1968. Ferguson then became a two-time one-hit wonder in 1972 as Jo Jo Gunne nearly matched his previous high with the No. 27 single &#8220;Run Run Run.&#8221;<\/p>\n<p>\u00a0<\/p>\n<p><strong>No. 4. DWIGHT TWILLEY<\/strong><br \/>Dwight Twilley Band<\/p>\n<div class=\"single-post-image \">\n<figure class=\"img-tag has-sizer aligncenter\" style=\"max-width:1600px\">\n<p><span class=\"visually-hidden\">YouTube \/ Awards Show Network<\/span><\/p><figcaption>YouTube \/ Awards Show Network<\/figcaption><\/figure>\n<\/div>\n<p>Dwight Twilley should have had more momentum in the wake of his split with Phil Seymour, considering they&#8217;d hit in 1975 with &#8220;I&#8217;m on Fire&#8221; as the Dwight Tilley Band. But his lone solo hit arrived three years after Seymour&#8217;s when &#8220;Girls&#8221; reached No. 16 (with some help from <a href=\"https:\/\/ultimateclassicrock.com\/tags\/tom-petty\/\">Tom Petty<\/a>) in 1984. <\/p>\n<p>\u00a0<\/p>\n<p><strong>No. 3. JD SOUTHER<\/strong><br \/>Souther-Hillman-Furay Band<\/p>\n<div class=\"single-post-image \">\n<figure class=\"img-tag has-sizer aligncenter\" style=\"max-width:1600px\">\n<p><span class=\"visually-hidden\">Koh Hasebe \/ Shinko Music, Getty Images<\/span><\/p><figcaption>Koh Hasebe \/ Shinko Music, Getty Images<\/figcaption><\/figure>\n<\/div>\n<p>JD Souther&#8217;s only solo hit was &#8220;You&#8217;re Only Lonely,&#8221; which got to No. 7 in 1979. By then, he&#8217;d already <a href=\"https:\/\/ultimateclassicrock.com\/j-d-souther-dead\/\">co-written a slew<\/a> of <a href=\"https:\/\/ultimateclassicrock.com\/tags\/eagles\/\">Eagles<\/a> songs, while also reaching No. 27 in 1974 with &#8220;Fallin&#8217; in Love&#8221; alongside members of the <a href=\"https:\/\/ultimateclassicrock.com\/tags\/the-byrds\/\">Byrds<\/a> and <a href=\"https:\/\/ultimateclassicrock.com\/tags\/buffalo-springfield\/\">Buffalo Springfield<\/a> in the the Souther-Hillman-Furay Band.<\/p>\n<p style=\"text-align:center\"><strong>Listen to Don Felder on the &#8216;UCR Podcast&#8217;<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><strong>No. 2. BRYAN FERRY<\/strong><br \/>Roxy Music<\/p>\n<div class=\"single-post-image \">\n<figure class=\"img-tag has-sizer aligncenter\" style=\"max-width:1600px\">\n<p><span class=\"visually-hidden\">Keystone, Getty Images<\/span><\/p><figcaption>Keystone, Getty Images<\/figcaption><\/figure>\n<\/div>\n<p><a href=\"https:\/\/ultimateclassicrock.com\/tags\/bryan-ferry\/\">Bryan Ferry<\/a> somehow only managed one Top 40 hit \u2013 1976&#8217;s &#8220;Love is the Drug&#8221; \u2013 with <a href=\"https:\/\/ultimateclassicrock.com\/tags\/roxy-music\/\">Roxy Music<\/a>. He&#8217;d have to wait more than a decade to score his lone solo smash with 1988&#8217;s &#8220;Kiss and Tell.&#8221; They had remarkably similar chart runs: Ferry got to No. 30 the first time and No. 31 the second. <\/p>\n<p>\u00a0<\/p>\n<p><strong>No. 1. PAUL RODGERS<\/strong><br \/>Free \/ The Firm<\/p>\n<div class=\"single-post-image \">\n<figure class=\"img-tag has-sizer aligncenter\" style=\"max-width:1080px\">\n<p><span class=\"visually-hidden\">Hulton Archive, Getty Images<\/span><\/p><figcaption>Hulton Archive, Getty Images<\/figcaption><\/figure>\n<\/div>\n<p>Before he was the lead singer of <a href=\"https:\/\/ultimateclassicrock.com\/tags\/bad-company\/\">Bad Company<\/a>, <a href=\"https:\/\/ultimateclassicrock.com\/tags\/paul-rodgers\/\">Paul Rodgers<\/a> fronted Free for their only high-charting song, 1970&#8217;s No. 4 smash &#8220;All Right Now.&#8221; He scored another one-hit wonder with the <a href=\"https:\/\/ultimateclassicrock.com\/tags\/the-firm\/\">Firm<\/a> in 1985, while Bad Company was on hiatus, with the No. 28 single &#8220;Radioactive.&#8221; Despite superstar help from <a href=\"https:\/\/ultimateclassicrock.com\/tags\/led-zeppelin\/\">Led Zeppelin<\/a> guitarist <a href=\"https:\/\/ultimateclassicrock.com\/tags\/jimmy-page\/\">Jimmy Page<\/a>, the Firm never got <a href=\"https:\/\/ultimateclassicrock.com\/the-firm-mean-business\/\">higher than No. 61<\/a> again.  <\/p>\n<p style=\"text-align:center\"><strong>Listen to Bad Company&#8217;s Simon Kirke on the &#8216;UCR Podcast&#8217;<\/strong><\/p>\n<p>\u00a0<\/p>\n<div class=\"photogallery-wrapper blog-photogallery \">\n<h2 class=\"photogallery-title\">Classic Rock&#8217;s 20 Worst Mistakes<\/h2>\n<div class=\"photogallery-description\">\n<p>Counting down the worst things that ever happened in classic rock.<\/p>\n<\/div>\n<p class=\"photogallery-credit\">Gallery Credit: <a href=\"https:\/\/ultimateclassicrock.com\/author\/nickderiso\/\" target=\"_blank\">Nick DeRiso<\/a><\/p>\n<\/div>\n<p style=\"text-align:center\"><strong>They Hated Their Own Albums<\/strong><\/p>\n<\/div>\n<p><script src=\"https:\/\/ultimateclassicrock.com\/rest\/carbon\/api\/scripts.js?mver=159&#038;gver=6&#038;bid=295&#038;urls[]=https%3A%2F%2Fbtloader.com%2Ftag%3Fo%3D5642230212591616%26upapi%3Dtrue&#038;urls[]=https%3A%2F%2Fcdn.p-n.io%2Fpushly-sdk.min.js%3Fdomain_key%3DmxuuNIMSzp6MHphJEoAGlLFQ3qmwQguzkGZl&#038;urls[]=https%3A%2F%2Ftownsquare.media%2Fpublic%2Fresources%2Fjs%2Fpubcid.min.js&#038;urls[]=https%3A%2F%2Fplatform.twitter.com%2Fwidgets.js&#038;urls[]=https%3A%2F%2Fapis.google.com%2Fjs%2Fplatform.js&#038;urls[]=https%3A%2F%2Fconnect.facebook.net%2Fen_US%2Fsdk.js&#038;urls[]=https%3A%2F%2Fassets.pinterest.com%2Fjs%2Fpinit.js\" type=\"text\/javascript\" async defer data-osano=\"ESSENTIAL\"><\/script><br \/>\n<br \/><br \/>\n<br \/><a href=\"https:\/\/ultimateclassicrock.com\/multiple-one-hit-wonders\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>One-hit wonders get a bad rap. After all, countless musical acts spend their entire careers in search of a single Top 40 song. Fewer&#8230;<\/p>\n","protected":false},"author":3,"featured_media":40872,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-40871","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rock","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/40871","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=40871"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/40871\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/40872"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=40871"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=40871"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=40871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}