{"id":41159,"date":"2025-07-16T20:09:21","date_gmt":"2025-07-16T20:09:21","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/07\/16\/asap-rocky-drake-and-more-dropped-in-one-week-who-did-best\/"},"modified":"2025-07-16T20:09:21","modified_gmt":"2025-07-16T20:09:21","slug":"asap-rocky-drake-and-more-dropped-in-one-week-who-did-best","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/07\/16\/asap-rocky-drake-and-more-dropped-in-one-week-who-did-best\/","title":{"rendered":"ASAP Rocky, Drake, and More Dropped in One Week. Who Did Best?"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe weekend of July 4 was relatively stacked with hip-hop releases from stars who have been beloved in the genre for years, but data from Luminate and Billboard reveal that few of them made the kind of impact they\u2019d once been capable of. <a href=\"https:\/\/www.rollingstone.com\/t\/drake\/\" id=\"auto-tag_drake\" data-tag=\"drake\">Drake<\/a> fired shots at fake friends on \u201c<a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/drake-new-song-what-did-i-miss-iceman-1235379348\/\">What Did I Miss?<\/a>\u201d, <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/asap-rockys-album-dont-be-dumb-what-we-know-1235385029\/\">ASAP Rocky<\/a> dropped \u201cPray4DaGang,\u201d singer <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/brent-faiyaz-peter-pan-tony-soprano-new-singles-1235378908\/\">Brent Faiyaz <\/a>played the roles of \u201cPeter Pan\u201d and \u201cTony Soprano\u201d with a double single release, <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/logic-talks-suicide-prevention-hit-coping-with-anxiety-star-wars-fandom-205328\/\">Logic<\/a> produced his own single \u201cThe Adventures of Cocaine Larry,\u201d and <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/chance-the-rapper-black-star-line-interview-1234661480\/\">Chance The Rapper<\/a> enlisted <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/smino-interview-brooklyn-museum-1234637645\/\">Smino<\/a> and <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/lil-wayne-carter-vi-super-bowl-fatherhood-1235313603\/\">Lil Wayne<\/a> for \u201cTree.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tYet, only one song cracked the Billboard Hot 100: Drake\u2019s \u201cWhat Did I Miss?\u201d, which landed at Number Two. It was the only one to chart on Luminate\u2019s list of the 100 most-streamed songs of the week, too, per a report shared with <em>Rolling Stone<\/em> (and it was Number One there). Even on hip-hop specific charts, things didn\u2019t look much better for the rest of the gang. Only <a href=\"https:\/\/www.rollingstone.com\/t\/brent-faiyaz\/\" id=\"auto-tag_brent-faiyaz\" data-tag=\"brent-faiyaz\">Brent Faiyaz<\/a>\u2019s tracks managed to grab spots on the <a href=\"https:\/\/www.billboard.com\/charts\/r-b-hip-hop-songs\/\" target=\"_blank\">Hot R&amp;B\/Hip-Hop Songs<\/a> chart (\u201cPeter Pan\u201d at 47 and \u201cTony Soprano\u201d at 28) in addition to Drake, and the Canadian rapper was the only one to make the Hot Rap Songs chart, too.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNotably, all of these artists are millennials who were stalwarts in what\u2019s known as the <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/blog-era-rap-podcast-interview-1234719834\/\">Blog Era<\/a>, the period between (very) roughly 2005 and 2015, kickstarted by the emergence of tastemaking rap blogs like NahRight, 2DopeBoyz, and Miss Info in the time of lawless filesharing and capped by the rise of streaming platforms like Spotify that radicalized the way music was made and monetized. Many of the biggest names in rap \u2014 and entertainment at large \u2014 today earned their stripes during the Blog Era. That includes many of these artists who dropped last week, as well as notable figures like Kendrick Lamar, J. Cole, Nicki Minaj, and Kanye West.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<br \/>So, why does it matter that no one but Drake seemed to permeate the mainstream last week? Because, in this new era, <a href=\"https:\/\/www.nytimes.com\/2020\/12\/25\/arts\/music\/pop-music-superfans-stans.html\" rel=\"nofollow\" target=\"_blank\">stans<\/a> have decided it does. Across pop music, warring fan bases lob streaming and sales statistics at each other online to prove the relevance of their fave \u2013 or the irrelevance of their rivals. Several <a href=\"https:\/\/x.com\/Kurrco\/status\/1941886090433958184\" rel=\"nofollow\" target=\"_blank\">hip-hop<\/a> focused <a href=\"https:\/\/x.com\/nfr_podcast\/status\/1941886426175394019\" rel=\"nofollow\" target=\"_blank\">X<\/a> pages noted that despite <a href=\"https:\/\/www.rollingstone.com\/t\/asap-rocky\/\" id=\"auto-tag_asap-rocky\" data-tag=\"asap-rocky\">ASAP Rocky<\/a> dropping \u201cPray4DaGang\u201d as an Apple Music exclusive for the first 24 hours of its release starting July 4, it didn\u2019t seem to crack Apple\u2019s Top 200 songs chart, including one belonging to controversial streamer and Drake ally <a href=\"https:\/\/x.com\/AkademiksTV\/status\/1941964786020888745\" rel=\"nofollow\" target=\"_blank\">Akademiks<\/a>, which taunted the Harlem rapper. While it\u2019s less surprising that long-cooled acts like <a href=\"https:\/\/www.rollingstone.com\/t\/chance-the-rapper\/\" id=\"auto-tag_chance-the-rapper\" data-tag=\"chance-the-rapper\">Chance the Rapper<\/a>, Logic, and even the legendary Lil Wayne (whose latest album, <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/lil-wayne-tha-carter-vi-review-1235359341\/\"><em>Tha Carter VI<\/em><\/a> was met <a href=\"https:\/\/pitchfork.com\/reviews\/albums\/lil-wayne-tha-carter-vi\/\" rel=\"nofollow\" target=\"_blank\">harshly<\/a> by many <a href=\"https:\/\/www.billboard.com\/music\/rb-hip-hop\/billboard-unfiltered-lil-wayne-tha-carter-vi-review-1235996828\/\" target=\"_blank\">critics<\/a>) didn\u2019t quite breakthrough, ASAP Rocky\u2019s quiet return is more jarring.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tYet, it\u2019s just another signal of the changing of the guard as more niche music communities thrive, TikTok virality constantly thrusts new acts to the forefront, and monoculture erodes. Think about it: Kanye West is all but a <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/kanye-west-antisemitism-backlash-1234617665\/\">pariah<\/a>, Nicki Minaj garners more headlines for her <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/nicki-minaj-posts-megan-thee-stallion-jay-z-roc-nation-1235382132\/\">social media tirades<\/a> than her raps, and even as Drake sits atop the charts and headlines <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/drake-performance-wireless-festival-lauryn-hill-21-savage-1235384643\/\">festivals<\/a>, his <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/kendrick-drake-beef-one-year-later-1235328386\/\">reputation<\/a> has been deeper in the pits than ever before. In 2018, The <em>New York Times<\/em>\u2019 Nitsuh Abebe <a href=\"https:\/\/www.nytimes.com\/interactive\/2018\/03\/08\/magazine\/25-songs-future-of-music.html#\/intro\" rel=\"nofollow\" target=\"_blank\">asserted<\/a> that these greats were falling. \u201cWhen it comes to pop, \u2018people born around 1990\u2019 are already done for,\u201d he wrote. \u201cIt is a testament to their influence that popular music has already spent a decade doggedly attached to the same stars who took over the charts during this group\u2019s teen years [\u2026] It has been an impressive run. Now it feels as if that run is ending.\u201d<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/the-blog-era-rap-stars-hot-100-1235387272\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The weekend of July 4 was relatively stacked with hip-hop releases from stars who have been beloved in the genre for years, but data&#8230;<\/p>\n","protected":false},"author":5,"featured_media":41160,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-41159","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/41159","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=41159"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/41159\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/41160"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=41159"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=41159"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=41159"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}