{"id":41819,"date":"2025-07-24T10:54:41","date_gmt":"2025-07-24T10:54:41","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/07\/24\/10000-days-the-return-of-a-uk-soul-icon-conner-reeves-exclusive-interview\/"},"modified":"2025-07-24T10:54:41","modified_gmt":"2025-07-24T10:54:41","slug":"10000-days-the-return-of-a-uk-soul-icon-conner-reeves-exclusive-interview","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/07\/24\/10000-days-the-return-of-a-uk-soul-icon-conner-reeves-exclusive-interview\/","title":{"rendered":"10,000 days \u2013 The Return of a UK Soul Icon, Conner Reeves (Exclusive Interview)"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p><\/p>\n<p><em>Back in the late 90\u2019s, Conner Reeves was the UK byword for blue-eyed soul. His 1997 album \u2018Earthbound\u2019 is considered by many to be a modern classic. R&amp;B fans keenly awaited his follow-up but then, nothing.<\/em><\/p>\n<p>Crippling stage fright and significant life events both contributed to this extended absence from the limelight. That and his focus on being a successful songwriter for other artists, including the likes of Joss Stone.<\/p>\n<p>While Conner\u2019s debut album was never officially released in the US, R&amp;B fans may know him from his track \u2018Something Beautiful\u2019 which had previously been selected by Spotify for their \u2018I Love My Neo-Soul\u2019 public playlist.<\/p>\n<p>27 years later (which is roughly 10,000 days), Conner has emerged with the announcement of his sophomore album. With the first single already released and a second one just about to drop, we spend some time to reintroduce or indeed introduce the UK soul institution.<\/p>\n<p><strong>Interview By: Daniel Bamber<\/strong><\/p>\n<p><strong>YouKnowIGotSoul: Welcome back! How does it feel entering into the fray once again?<\/strong><\/p>\n<p>It feels about bloody time, that\u2019s for sure! Maybe I\u2019d say a mixture of excitement and slight trepidation, because one of the main reasons why I stepped away from the fray was stage fright. <\/p>\n<p>We\u2019ve got a show coming up in London supporting Young Gun Silver Fox on October 5th (at Koko in Camden). I don\u2019t know how many people are going to be there, but it\u2019s a 1,500 capacity venue, so I\u2019m like \u201coh God!\u201d. I\u2019ve obviously done it before and did some really big shows in the past, including Party in the Park in front of 100,000, but that\u2019s somehow easier. That\u2019s like a sea of people and you\u2019re quite far away from where the audience starts. However a 1,500 venue \u2013 that\u2019s going to be a lot of close attention.<\/p>\n<p><strong>YouKnowIGotSoul: You\u2019ve been away so long that you make D\u2019Angelo look oversaturated. At which point during your time away did you begin to entertain the idea of releasing new music?<\/strong><\/p>\n<p>Well I\u2019ve never stopped writing. I could always tell the difference between a general coverable song and an artist song. Songs that are for other people \u2013 you try and get them to the people. The artist song pile just started mounting up a bit. <\/p>\n<p>It was always something I imagined would happen at some point. I was always writing songs and it wasn\u2019t like I was just sat there waiting for someone to knock on the door. The songs that were always special to me were the artist songs, and I\u2019ve got dozens of those. <\/p>\n<p>This album only contains ten new songs with six musical segues\/interludes, so we\u2019ve got so many more. I could almost do another album next week. The difference to me though is the goosebump factor. It\u2019s the ones that give you goosebumps. Usually that\u2019s within the melody and the chord structure but often it\u2019s what you can talk about. It\u2019s the subject matter. The kind of real, raw, deep living that I\u2019ve done (and I\u2019m sure many others have too) over the past 27 years informs the album. <\/p>\n<p><strong>YouKnowIGotSoul: With the first single \u2018Bones\u2019 speaking about 10,000 days passing in one frame, how much was it a case of now or never in terms of releasing new music?<\/strong><\/p>\n<p>It was coming to the point of now or never, to be honest. <\/p>\n<p>I\u2019ve crossed over into my 50\u2019s now, which is the weirdest thing. Part of me is like \u201cthat\u2019s just too old \u2013 forget it\u201d but I completely don\u2019t feel like it. You\u2019ve got people like Pharrell and then Madonna\u2019s like the age of my nan (not quite), and then The Rolling Stones are now grandad age. I looked at that and thought \u201chang on a minute, everyone\u2019s still doing it.\u201d Plus, they\u2019re still continuing to have success now that they\u2019re older.<\/p>\n<p>\u2018Bones\u2019 was actually written a couple of years ago. I just picked out \u201810,000 days\u2019 as a line because it sounded like a long time. I never actually had a concept of how long that really was. Then one day I thought about my first album and wondered \u201cwhen did Earthbound actually come out?\u201d. I knew it was 1997 but wasn\u2019t sure of the exact date. Somebody online told me the UK release date and I added 10,000 days to that. Funnily enough it came to around mid-summer this year, just as the album was being finished. I thought \u201cthat\u2019s so nuts!\u201d I mean, what are the chances of that?<\/p>\n<p><iframe loading=\"lazy\" title=\"Conner Reeves - &#039;Bones&#039; (Official Lyric Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/UduEoyxAhSg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong>YouKnowIGotSoul: \u2018Bones\u2019 definitely showcases that famous Conner Reeves vocal, which hasn\u2019t weakened at all over the past 27 years. However, there\u2019s also a folksy influence with this song. Can we expect a multitude of musical influences in the new album?<\/strong><\/p>\n<p>There\u2019s definitely a whole range.<\/p>\n<p>The first album (Earthbound) was a bit like that. There was a gospel song, there was pop-style stuff, there was epic stuff and there was a piano ballad. So I felt like the first album had a bit of a range. It wasn\u2019t all in the same lane but let\u2019s say it was all in the same swimming pool, if you know what I mean. And the new album is similar in that way.<\/p>\n<p>I\u2019d say that the new album is a body of work rather than just having three hit singles and the rest being stuffing or filler. That\u2019s not what this is. This is an entire journey that\u2019s woven together with these little interludes between the songs. My manager calls them \u2018palate cleansers\u2019, almost like a sorbet between different dishes.<\/p>\n<p><strong>YouKnowIGotSoul: \u2018The Sweetest Invasion\u2019 makes up the double A-side with \u2018Bones\u2019. Can you give us a little insight into the inspiration behind this song and its sultry style?<\/strong><\/p>\n<p>Growing up in Peckham (in South London), on Sundays was when the front room was filled with my parents\u2019 record collection. They worked really hard so that was the day that their music was the focus of attention. The Stylistics were a huge part of that and they have some really big records that start with a sitar at the front of the track. I wanted to do something that went through a progression and developed. Deliberately, I made the song quite in your face as an homage to The Stylistics. That\u2019s the sitar that you hear on \u2018The Sweetest Invasion\u2019 that creates that sultry sound.<\/p>\n<p>The song is really important to me. I used to send songs to my managers to get feedback. One of my managers, God rest his soul, has since died a couple of years ago. I\u2019d sent him this song and when he came back to me he\u2019d simply wrote \u2018STUNNING! STUNNING! STUNNING!\u2019 He wasn\u2019t the type of guy to over-egg the omelet, so that was my single best review ever. Knowing that was his single favorite song, I really wanted to make it sound special.<\/p>\n<p><strong>YouKnowIGotSoul: The new album is called \u2018Ten Thousand Days and the Church of the Restoration\u2019. While we\u2019ve covered the first part of the title, can you explain \u2018the church of the restoration\u2019?<\/strong><\/p>\n<p>A lot of the album interludes that I was talking about are snippets or shortened versions of fully-formed songs that I have in the vault. They give the album a lot more color and range from comedy elements to serious and dramatic, religious choral stuff that I\u2019ve done. One of these segues is called \u2018Restore Me\u2019 which to me sums up the entire project as a whole. When you hear that, everything will make sense as to what this album is all about.<\/p>\n<p>When you see the album cover (which I\u2019m so excited about), it pictures the middle of a dilapidated cathedral or church. That \u2018Restore Me\u2019 interlude links to the album cover as a visual representation.<\/p>\n<p><strong>YouKnowIGotSoul: You previously talked about the amount of songs you\u2019ve written over the years. Do you have any songwriting influences?<\/strong><\/p>\n<p>To this day it\u2019s still a miracle to me that I had a friendship with Rod Temperton. <\/p>\n<p>Growing up and reading the credits on record sleeves \u2013 that\u2019s all that mattered to me on an album. Who wrote the song \u2013 that was always the thing. I saw this name kept cropping up; \u2018Rod Temperton\u2019. And I thought \u201cthat must be some big, cool dude from LA\u201d or whatever. Over time I realized he was actually from Hull in the north of England!<\/p>\n<p>By amazing events, the universe working in my favor, the law of attraction or whatever it may be, I ended up becoming somebody who spent a lot of time with him.<\/p>\n<p>I once said to Rod \u201chow many songs do you write in a year?\u201d. He replied \u201cabout twelve.\u201d I was shocked and couldn\u2019t believe that was all. Rod then asked me \u201chow many do you write?\u201d to which I replied \u201cabout 100\u201d. Knowing he worked all day long on his craft I asked \u201chow is it you only get to twelve?\u201d. Rod explained that in a month he does loads and loads and loads of songs but when he listens back, he only hones in on one. He just focused on one a month and shined it up. Naturally I was curious to understand how he knew which one to hone in on, and he gave me one word\u2026\u201dgoosebumps\u201d.<\/p>\n<p><strong>YouKnowIGotSoul: In terms of modern soul and R&amp;B, are there any artists that have caught your ear and if so who?<\/strong><\/p>\n<p>There\u2019s a girl that I\u2019m really into right now called Griff. She\u2019s a young, British artist and has a song called \u2018Vertigo\u2019 which is just genius. PJ Morton is another artist that I love. Alex Warren has a song that I think is amazing called \u2018Ordinary\u2019. I just love the production on that.<\/p>\n<p>I\u2019ve gotta say that quality is universal and timeless, so it doesn\u2019t matter how old someone is or where they\u2019re from.<\/p>\n<p><strong>YouKnowIGotSoul: \u2018Talk You High\u2019 is the next single due to be released from the forthcoming album. This is a pure slice of unadulterated, traditional, classic soul. Can you talk about the message behind the song.<\/strong><\/p>\n<p>This was one of the songs that would just not let me not write it. <\/p>\n<p>The song is a recent one that I wrote where I live in Ibiza. It\u2019s about a family member who was struggling with addiction. The premise was to point them in the right direction by reminding them they didn\u2019t always have to look down, they could look up. There\u2019s loads to be happy about.<\/p>\n<p>I especially love how the song ends and gets all celebratory. I want the song to lift people, you know? The song also contains my favorite line in the whole album. It says: <\/p>\n<p>\u201cYou are beautiful, gifted and loved. Ain\u2019t no thing you can\u2019t get above. Because you are made of man and God. Don\u2019t you know that?\u201d<\/p>\n<p>I can\u2019t wait to sing that live and look into some girl\u2019s eyes and say that. You know, to try and give people that message.<\/p>\n<p><strong>YouKnowIGotSoul: Are there any plans to tour in the coming year or so?<\/strong><\/p>\n<p>All things being well then abso-flipping-lutely!<\/p>\n<p><em>\u2018Talk You High\u2019 by Conner Reeves is released on Friday 25th July and is the second single off the forthcoming album \u2019Ten Thousand Days and The Church of the Restoration\u2019.<\/em><\/p>\n<\/p><\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/youknowigotsoul.com\/10000-days-the-return-of-a-uk-soul-icon-conner-reeves-exclusive-interview\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Back in the late 90\u2019s, Conner Reeves was the UK byword for blue-eyed soul. His 1997 album \u2018Earthbound\u2019 is considered by many to be&#8230;<\/p>\n","protected":false},"author":8,"featured_media":41820,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[],"class_list":["post-41819","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rb","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/41819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=41819"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/41819\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/41820"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=41819"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=41819"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=41819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}