{"id":41842,"date":"2025-07-24T14:47:31","date_gmt":"2025-07-24T14:47:31","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/07\/24\/j-balvin-talks-new-album-mixteip-past-feuds-and-more\/"},"modified":"2025-07-24T14:47:31","modified_gmt":"2025-07-24T14:47:31","slug":"j-balvin-talks-new-album-mixteip-past-feuds-and-more","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/07\/24\/j-balvin-talks-new-album-mixteip-past-feuds-and-more\/","title":{"rendered":"J Balvin Talks New Album &#8216;Mixteip,&#8217; Past Feuds, and More"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAt 40, <a href=\"https:\/\/www.rollingstone.com\/music\/music-latin\/j-balvin-back-to-the-rayo-tour-los-angeles-review-1235336399\/\">J Balvin<\/a> has nothing left to prove \u2014 he already has iconic albums like 2018\u2019s <em>Vibras<\/em> and 2010\u2019s <em>Colores<\/em> under his belt. Still, earlier this month, a few days after performing at the halftime show of the FIFA Club World Cup final in New Jersey, the Colombian star dropped <em>Mixteip<\/em>, a breezy, playful collection that appears specifically designed to soundtrack the last weeks of summer.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tUnlike last year\u2019s <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/j-balvin-rayo-review-1235079843\/\">Rayo<\/a><\/em>, which overflowed with high-profile features, the more concise <em>Mixteip <\/em>moves at a casual pace. Balvin casts a nostalgic glance at the classic reggaeton beat that fuels most of these tracks. He collaborates with British rapper Stormzy, then detours lovingly into traditional merengue and salsa with Omega and Gilberto Santa Rosa as sympathetic allies. Put together, the 10 songs suggest a return to the roots, as if the singer was craving to reconnect with the primal sounds that inspired him when he was first emerging as a global star \u2014 or dreaming of becoming one.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBalv\u00edn spoke with <em>Rolling Stone<\/em> about his love affair with New York, his multi-disciplinary approach, and the post-traumatic feelings of a certain Bizarrap session that placed him in the eye of the storm a couple of years ago.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Before we talk about <\/strong><strong><em>Mixteip<\/em><\/strong><strong>, I want to touch on your 2020 single \u201cRojo.\u201d In retrospect, it was one of the key tracks that heralded the new, progressive sound of Latin music in the 2020s. I thought of Paris in the late 19<\/strong><strong><sup>th<\/sup><\/strong><strong> century, when the old school \u201cRojo\u201d is a moment in color \u2013 a feeling, a fleeting impression. Do you agree?\u00a0 <\/strong><strong><br \/><\/strong>100 percent. I wanted to bring something entirely different to the game, add a new element that would make me stand out. But you\u2019re never going to be different just by trying to be different. In the end, the key to making my mark was staying true to myself. \u201cRojo\u201d is one of my favorite songs to perform in concert, because it signified a before-and-after. If you think about it, it\u2019s like a modern <em>balada<\/em>. I know many American rappers who are rough on the outside, and yet they tell me that \u201cRojo\u201d is their favorite song. When we recorded it, the emotion behind it was stronger than anything else. The vibration of that particular moment was in sync with the song\u2019s message and the pitch of my voice.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"J Balvin - Bruz Wein (Official Audio)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/wy9Zslu5eYw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>The opening track of <\/strong><strong><em>Mixteip<\/em><\/strong><strong>, \u201cBruz Wein\u201d has the trademark <a href=\"https:\/\/www.rollingstone.com\/t\/j-balvin\/\" id=\"auto-tag_j-balvin\" data-tag=\"j-balvin\">J Balvin<\/a> feel: a gauzy, sweet cloud, a mood of instant intimacy. How do you generate that?<\/strong><strong><br \/><\/strong>From \u201cRojo\u201d to \u201cBruz Wein\u201d [Smiles]. It was nighttime in New York, and the Empire State Building looked cloudy in the distance. I asked for the lights at the recording studio to be dimmed, so that we could see the reflection of the city through the windows. I felt in a cloud myself, thinking about Bruce Wayne embarking on a journey. It was the feeling of New York, of going for nightly walks, which is something I do. I love the moments of solitude, wearing my hoodie, listening to music or calling my friends on the phone. When you are performing live, you\u2019re Batman. After the show, your wife is at home waiting for Bruce Wayne.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThere is a personal mission behind my music: for us Latinos to finally be allowed to step outside of the box. \u201cYou speak Spanish, this is the kind of art you are supposed to make, this is what you are allowed to give.\u201d I never understood why nobody had done anything about it. We deserve our rightful place as citizens of the world. It was a long road, from gaining respect in the business, to telling my stories with visuals, and expressing myself through every possible avenue. Fashion, for instance, is a way of singing without using melodies. Collaborating with [Japanese artist] Takashi Murakami allowed me to educate the younger generations on the kind of art that I love but not too many people know about. I don\u2019t need a marketing team to teach me how to express my ideas.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Listening to<\/strong><strong><em> Mixteip<\/em><\/strong><strong>, I started thinking, \u201cWhat makes a mixtape a mixtape?\u201d<\/strong><strong><br \/><\/strong>A mixtape is a herd of ideas. A collection of songs that I kept locked in my wardrobe until I felt that I would go mad if I didn\u2019t release them to the world. <em>Mixteip <\/em>is about freeing all those sequestered songs. They deserved to be out there. None of this was planned. Otherwise, it would be another album where I\u2019m telling you a story. There is a random factor to these 10 songs. You could play them in any order you wanted, and the story would remain unchanged.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Many of the tracks have the old-school reggaeton beat, as if you were feeling nostalgic for the reggaeton that was.<\/strong><strong><br \/><\/strong>Because the entire project was unplanned, I ended up connecting deeply with the old J Balvin that people loved \u2014 my more melodic, romantic side. Yes, there was some nostalgia for those early reggaeton songs, and I felt comfortable in that world. At the end of the day, music is all about the vibes.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"J Balvin, Gilberto Santa Rosa - Misterio (Official Audio)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/ctT1QM-yC-A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>\u201cMisterio\u201d may be the record\u2019s most epic track. It begins in <\/strong><strong><em>urbano<\/em><\/strong><strong> mode, but morphs into salsa, with Gilberto Santa Rosa on vocals. It\u2019s organic salsa, heavy on the trombones. Was that planned?<\/strong><strong><br \/><\/strong>Nothing was planned [<em>Laughs<\/em>.] Originally, the entire song was reggaeton, but then we started talking about the melody, and it had a hint of salsa in it. I was talking with Daddy Yankee\u2019s son, Jeremy Ayala, who\u2019s a great producer, and with J Castle, another fantastic producer. There was silence in the room, and then the name of Gilberto came up. We all agreed that he\u2019s our favorite living salsa singer.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>He is such an icon. And salsa is such a vital component of Colombia\u2019s musical DNA.<\/strong><strong><br \/><\/strong>For me, this duet is as important as recording with Beyonc\u00e9. I grew up listening to H\u00e9ctor Lavoe, the Fania records, Tito Rojas, Tito Nieves \u2014 there are so many great <em>salseros<\/em>. I was 14 when I learned how to sing Gilberto\u2019s \u201cPerd\u00f3n\u201d \u2014 the live version, from the Carnegie Hall album. If Gilberto had turned us down, \u201cMisterio\u201d would have stayed as a straight-ahead reggaeton.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Colombian groups like Fruko y sus Tesos and Grupo Niche brought a touch of honey to tropical music, with all those sweet choruses and minor key melodies. The same could be said about the contribution of artists like you and Karol Go reggaeton. <br \/><\/strong>I think we brought a lot of light at a time when reggaeton was in a dark place, not only sonically, but in terms of the industry. Emerging from a place like Medell\u00edn, that at one point was considered to be the most dangerous city in the world, the least we could bring to the table was some joy and positivity. So we brought light, and hope, good vibes and sweetness. At the precise time when there was a need for a different color, we arrived.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>For many, Residente\u2019s 2022 session with Bizarrap was unacceptable. What was it like having that directed at you publicly? Iis there an antidote for that?<br \/><\/strong>I remember talking with my mother at the time, and she told me, \u201cNow you know what human misery is all about.\u201d I believe the most important task was to forgive myself for all the feelings of anger, hate, and betrayal that I experienced. Hate is a poison consumed only by the person who\u2019s feeling it. Forgiveness is the antidote. In time, I think people began to realize what was and was not true about all that narrative. And if they don\u2019t, I won\u2019t lose sleep over it, because I happen to know exactly what my truth is.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-latin\/j-balvin-mixteip-interview-1235391936\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>At 40, J Balvin has nothing left to prove \u2014 he already has iconic albums like 2018\u2019s Vibras and 2010\u2019s Colores under his belt&#8230;.<\/p>\n","protected":false},"author":9,"featured_media":41843,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40],"tags":[],"class_list":["post-41842","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latin","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/41842","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=41842"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/41842\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/41843"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=41842"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=41842"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=41842"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}