{"id":42129,"date":"2025-07-28T14:48:34","date_gmt":"2025-07-28T14:48:34","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/07\/28\/black-sabbaths-sabotage-cover-goes-very-wrong\/"},"modified":"2025-07-28T14:48:34","modified_gmt":"2025-07-28T14:48:34","slug":"black-sabbaths-sabotage-cover-goes-very-wrong","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/07\/28\/black-sabbaths-sabotage-cover-goes-very-wrong\/","title":{"rendered":"Black Sabbath&#8217;s &#8216;Sabotage&#8217; Cover Goes Very Wrong"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p><a href=\"https:\/\/ultimateclassicrock.com\/tags\/black-sabbath\/\">Black Sabbath<\/a> entered sessions for 1975&#8217;s <em><a href=\"https:\/\/ultimateclassicrock.com\/black-sabbath-sabotage\/\">Sabotage<\/a><\/em> amid a pitched legal battle with manager Patrick Meehan. Despite working in &#8220;total chaos,&#8221; according to bassist and main lyricist <a href=\"https:\/\/ultimateclassicrock.com\/tags\/geezer-butler\/\">Geezer Butler<\/a>, they emerged with one of their toughest albums. And also, Black Sabbath&#8217;s most ridiculous album cover. <\/p>\n<p>Patrick Meehan had taken over for original manager Jim Simpson in 1970, after Black Sabbath scored smash U.K. hits the same year with their <a href=\"https:\/\/ultimateclassicrock.com\/black-sabbath-1970-debut\/\">self-titled debut<\/a> and <em><a href=\"https:\/\/ultimateclassicrock.com\/black-sabbath-paranoid\/\">Paranoid<\/a><\/em>. They continued this platinum run through 1974 with <em><a href=\"https:\/\/ultimateclassicrock.com\/black-sabbath-master-of-reality\/\">Master of Reality<\/a><\/em>, <em><a href=\"https:\/\/ultimateclassicrock.com\/black-sabbath-vol-4-turns-40\/\">Vol. 4<\/a><\/em> and <em><a href=\"https:\/\/ultimateclassicrock.com\/black-sabbath-sabbath-bloody-sabbath\/\">Sabbath Bloody Sabbath<\/a><\/em>. <\/p>\n<p>But Black Sabbath was somehow still broke. They decided to fire Meehan, kicking off a protracted legal battle that bled into recording <em>Sabotage<\/em>. &#8220;The sound was a bit harder than <em>Sabbath Bloody Sabbath<\/em>,&#8221; guitarist <a href=\"https:\/\/ultimateclassicrock.com\/tags\/tony-iommi\/\">Tony Iommi<\/a> told <em><a href=\"https:\/\/www.loudersound.com\/features\/how-black-sabbath-made-sabotage\" target=\"_blank\">Classic Rock<\/a><\/em> magazine. &#8220;My guitar sound was harder. That was brought on by all the aggravation we felt over all the business with management and lawyers.&#8221;<\/p>\n<p><strong>READ MORE:<\/strong> <a href=\"https:\/\/ultimateclassicrock.com\/tony-iommi-guitar-solos\/\">Top 10 Tony Iommi Guitar Solos<\/a><\/p>\n<p>Everything culminated as frontman <a href=\"https:\/\/ultimateclassicrock.com\/tags\/ozzy-osbourne\/\">Ozzy Osbourne<\/a> unleashed a brutal takedown during the LP&#8217;s final track, singing &#8220;<em>you bought and sold me with your lying words<\/em>&#8221; on &#8220;The Writ.&#8221; Co-producer Mike Butcher suggested the song title after Meehan&#8217;s attorneys barged in on Black Sabbath at London&#8217;s Morgan Studios.  <\/p>\n<p>&#8220;Oh, it was a nightmare,&#8221; Iommi told <em><a href=\"https:\/\/www.loudersound.com\/features\/tony-iommi-how-i-wrote-the-riff-to-symptom-of-the-universe\" target=\"_blank\">Metal Hammer<\/a><\/em>. &#8220;We&#8217;d get a writ and we&#8217;d end up having to go into bloody court in the morning, all dressed up, then try to get back to the studio afterwards to carry on working.&#8221;<\/p>\n<p>The outfits they changed into after these legal proceedings became a point of conversation once <em>Sabotage<\/em> arrived on July 28, 1975. Osbourne wore a kimono on the cover and that might have been the most widely ridiculed outfit \u2013 if not for drummer <a href=\"https:\/\/ultimateclassicrock.com\/tags\/bill-ward\/\">Bill Ward<\/a>&#8216;s very tight red tights. <\/p>\n<p>&#8220;The only thing we didn&#8217;t discuss was what we&#8217;d all wear on the day of the shot,&#8221; Ward said in Iommi&#8217;s 2011 memoir <em>Iron Man: My Journey Through Heaven and Hell with Black Sabbath<\/em>. &#8220;Since that shoot day, the band has survived through a tirade of clothing comments and jokes.&#8221;<\/p>\n<p style=\"text-align:center\"><strong>Listen to Black Sabbath\u2019s \u2018The Writ\u2019<\/strong><\/p>\n<h3>Black Sabbath&#8217;s &#8216;Sabotage&#8217; Cover Emerges From the Chaos<\/h3>\n<p>Later, Black Sabbath confirmed that they believed this was only a dress rehearsal. They thought there&#8217;d be an official portrait made later. More appropriate black clothing was supposed to be laid out by designers, but wasn&#8217;t there when the group arrived. Apparently, &#8220;the original concept had been overruled,&#8221; &#8217;70s-era crew members David Tangye and Graham Wright wrote in 2005&#8217;s <em>How Black Was Our Sabbath<\/em>. <\/p>\n<p>All that remained was an inverted mirror idea conceived by Wright, a graphic artist who also served as Ward&#8217;s drum tech. Everyone &#8220;carried on with the shoot, explaining they would superimpose the images at a later stage and that it would look great,&#8221; according to Tangye and Wright. &#8220;The session was unbelievably rushed, and the outcome was far from what had been originally envisaged.&#8221;<\/p>\n<p>Ward wasn&#8217;t even wearing all of his own clothes. &#8220;I had this old pair of jeans that were really dirty, so I borrowed my wife&#8217;s tights,&#8221; he told <em>Classic Rock<\/em>. &#8220;And so that my bollocks wouldn&#8217;t be showing under the tights, I also borrowed Ozzy&#8217;s underpants, because I had none.&#8221;<\/p>\n<p>Then this supposed test image somehow made it onto the front of the album, earning <em>Sabotage<\/em> a spot among the <a href=\"https:\/\/thefw.com\/black-sabbath-sabotage-album-cover\/\" target=\"_blank\">50 worst covers<\/a> ever. &#8220;Ironically, the sleeve design that was intended to illustrate the idea of sabotage had instead become a victim of sabotage itself,&#8221; Tangye and Wright argued. &#8220;By the time they saw it, it was too late to change.&#8221;<\/p>\n<p>Or as Butler later bluntly added: &#8220;Chaos personified.&#8221;<\/p>\n<div class=\"photogallery-wrapper blog-photogallery \">\n<h2 class=\"photogallery-title\">Top 10 Reunion Tours<\/h2>\n<div class=\"photogallery-description\">\n<p>There are three certainties in the world of rock: Death, taxes and reunion tours.<\/p>\n<\/div>\n<p class=\"photogallery-credit\">Gallery Credit: UCR Staff<\/p>\n<\/div>\n<p style=\"text-align:center\"><strong>Was Black Sabbath\u2019s \u2018Never Say Die!\u2019 Doomed to Fail?<\/strong><\/p>\n<\/div>\n<p><script src=\"https:\/\/ultimateclassicrock.com\/rest\/carbon\/api\/scripts.js?mver=159&#038;gver=6&#038;bid=295&#038;urls[]=https%3A%2F%2Fbtloader.com%2Ftag%3Fo%3D5642230212591616%26upapi%3Dtrue&#038;urls[]=https%3A%2F%2Fcdn.p-n.io%2Fpushly-sdk.min.js%3Fdomain_key%3DmxuuNIMSzp6MHphJEoAGlLFQ3qmwQguzkGZl&#038;urls[]=https%3A%2F%2Ftownsquare.media%2Fpublic%2Fresources%2Fjs%2Fpubcid.min.js&#038;urls[]=https%3A%2F%2Fplatform.twitter.com%2Fwidgets.js&#038;urls[]=https%3A%2F%2Fapis.google.com%2Fjs%2Fplatform.js&#038;urls[]=https%3A%2F%2Fconnect.facebook.net%2Fen_US%2Fsdk.js&#038;urls[]=https%3A%2F%2Fassets.pinterest.com%2Fjs%2Fpinit.js\" type=\"text\/javascript\" async defer data-osano=\"ESSENTIAL\"><\/script><br \/>\n<br \/><br \/>\n<br \/><a href=\"https:\/\/ultimateclassicrock.com\/black-sabbath-sabotage-album-cover\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Black Sabbath entered sessions for 1975&#8217;s Sabotage amid a pitched legal battle with manager Patrick Meehan. Despite working in &#8220;total chaos,&#8221; according to bassist&#8230;<\/p>\n","protected":false},"author":3,"featured_media":42130,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-42129","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rock","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/42129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=42129"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/42129\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/42130"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=42129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=42129"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=42129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}