{"id":42604,"date":"2025-08-01T05:19:03","date_gmt":"2025-08-01T05:19:03","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/01\/renee-rapp-isnt-happy-but-shes-hot\/"},"modified":"2025-08-01T05:19:03","modified_gmt":"2025-08-01T05:19:03","slug":"renee-rapp-isnt-happy-but-shes-hot","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/01\/renee-rapp-isnt-happy-but-shes-hot\/","title":{"rendered":"Rene\u00e9 Rapp Isn&#8217;t Happy But She&#8217;s Hot"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tRene\u00e9 Rapp has drastically switched up her game since her excellent 2023 debut <em>Snow Angel <\/em>\u2014 and it\u2019s a glorious noise to hear. She spends her second album <em>Bite Me<\/em> enjoying what a rowdy-and-proud mess she is, for one of the year\u2019s most delightful pop blowouts, an uproarious 33-minute celebration of sex, drugs, and rock &amp; roll. It\u2019s her first album since coming out, and damn, she\u2019s making up for lost time, with bangers full of Hollywood parties and thirsty groupies and hangovers and the mad dash to the next club. It\u2019s a concept album where the concept is \u201cIf I can\u2019t be happy, then at least I\u2019m hot.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cShe asked me how I like my breakfast\/I told her \u2018hot on the bedroom floor\u2019\u201d \u2014 that\u2019s a pretty typical conversation on this album, from the hell-raising rocker \u201cKiss It Kiss It.\u201d But as she shrugs later in the same song, \u201cTalking is boring,\u201d and that\u2019s the last thing she wants to be on <em>Bite Me<\/em>.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tRapp broke out as an actress, in the Broadway show <em>Mean Girls<\/em> and HBO Max\u2019s <em>The Sex Lives of College Girls<\/em>, but now she dismisses her actorly past with the kiss-off, \u201cI took my sex life with me, now that show ain\u2019t fuckin.\u2019\u201d She was so demure and forlorn by comparison on <em>Snow Angel<\/em>, which had wonderfully heartbroken confessions like \u201cI Hate Boston,\u201d one of the very best Boston-hating songs ever written. But that was a short ingenue era, because<em> Bite Me<\/em> is a lot less melancholy than <em>Snow Angel<\/em>, to say the least. These days, she\u2019s living the hedonistic high life in L.A., just young, rich, and tasteless.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Bite Me<\/em> gets production mainly from Omer Jedi, along with other heavy hitters like Alexander 23 (who executive-produced her debut), Ryan Tedder, Julian Bunetta, Carter Lang, and more. The rock moves are straight-up Nineties grunge \u2014 like so many of today\u2019s brightest pop queens, Rene\u00e9 aspires to make her own L7, Hole, and Garbage bangers. Party-hearty anthems like \u201cLeave Me Alone\u201d hit like old-school Sunset Strip rock sleaze updated for the sapphic pop explosion of our moment \u2014 as if David Lee Roth or Bret Michaels got reborn as Gen Z lesbian icons.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHell, she doesn\u2019t even make it out of the first verse of the opening song before she\u2019s rhyming \u201cWear my jeans so low, I show my little back dimples\u201d with \u201cEven line my lips just to match my nipples.\u201d It takes her all the way to the end of the song to end up in bed with a couple of her exes \u2014 \u201cthe three of us together, that\u2019s a real tongue-twister\u201d \u2014 and that\u2019s honestly one of the album\u2019s longest celibate stretches.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tPractically every song explodes with one-liners that demand to be quoted, from \u201cDon\u2019t handle me with care when you\u2019re pulling my hair\u201d to \u201cFunny, because it didn\u2019t feel like \u2018friends\u2019 on the kitchen floor.\u201d \u201cAt Least I\u2019m Hot\u201d is a Seventies disco tribute featuring a cameo from her real-life guitar-hero girlfriend <a href=\"https:\/\/www.rollingstone.com\/t\/towa-bird\/\" id=\"auto-tag_towa-bird\" data-tag=\"towa-bird\">Towa Bird<\/a>, as they chitchat their flirtatious banter in the studio. This power couple\u2019s sensibilities match each other perfectly; they\u2019re basically the Cher and Greg Allman for a whole new era of Hollywood rock-star debauchery.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI\u2019m just a little bit shy,\u201d Rene\u00e9 claims in \u201cShy,\u201d a slightly dubious-sounding confession in a rocker where she chants, \u201cCome on and cross my heart and hope to die\/I\u2019m thinking somewhere in between your thighs.\u201d As on the rest of <em>Bite Me<\/em>, she doesn\u2019t sound like she\u2019s anywhere near shy\u2019s area code. \u201cI\u2019m violent when I\u2019m drinking,\u201d she boasts.\u00a0 \u201cI\u2019m violent when I\u2019m sober, too\/I\u2019m useful in a bar fight\/But my hands work differently on you.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cGood Girl\u201d is Eighties-style synth-pop, not a long way off from Stacey Q\u2019s unjustly forgotten 1988 mall-disco classic <a href=\"http:\/\/youtube.com\/watch?v=4DaYScsS3yQ\" rel=\"nofollow\" target=\"_blank\">\u201cGood Girl.\u201d<\/a> Rapp remembers how she used to be such a responsible adult (\u201csunsets and yoga, safe sex and no drugs\u201d), ready to leave the party early and get a healthy night\u2019s sleep, until she loses her mind over the baddie across the room with the lip tattoo.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tShe takes on relationship melodrama in \u201cWhy Is She Still Here?,\u201d \u201cI Can\u2019t Have You Around Me,\u201d and \u201cMad,\u201d grousing, \u201cAll the time you wasted being mad\/We could have been cute and we could have been stupid\u2026we could have been having sex.\u201d In \u201cYou\u2019d Like That Wouldn\u2019t You,\u201d she gloats over how easy it would be to snag her ex back (\u201cIf I drive out to your spot\/And my tits spilled out of my cherry top\/And apologized for a lot\u201d), promising, \u201cI swear that I would never ever ever cheat\u2026<em>again<\/em>.\u201d But no matter how much she misses this ex, she admits, \u201cThe thought of getting back together makes me wanna die alone.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe piano ballad \u201cThat\u2019s So Funny\u201d addresses a femme fatale \u2014 the same ex that she skewered on her debut in \u201cPoison Poison\u201d \u2014 except this time she brings a more playful sense of vengeance. \u201cNow everyone hates you except for my lawyer,\u201d she sings, noting, \u201cIf you\u2019re looking for closure, you got a better shot with God than you do with me.\u201d But it\u2019s an a change of pace on an album that usually doesn\u2019t slow down long enough for sad songs. On <em>Bite Me<\/em>, she isn\u2019t here to express regrets or mourn the past \u2014 instead, she\u2019s out to party her troubles away. And against a force of nature like Rene\u00e9 Rapp, her troubles don\u2019t stand a chance.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/renee-rapp-bite-me-review-1235397956\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rene\u00e9 Rapp has drastically switched up her game since her excellent 2023 debut Snow Angel \u2014 and it\u2019s a glorious noise to hear. She&#8230;<\/p>\n","protected":false},"author":5,"featured_media":42605,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-42604","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/42604","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=42604"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/42604\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/42605"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=42604"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=42604"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=42604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}