{"id":42731,"date":"2025-08-03T09:17:22","date_gmt":"2025-08-03T09:17:22","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/03\/twice-doechii-more-recaps-from-day-three\/"},"modified":"2025-08-03T09:17:22","modified_gmt":"2025-08-03T09:17:22","slug":"twice-doechii-more-recaps-from-day-three","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/03\/twice-doechii-more-recaps-from-day-three\/","title":{"rendered":"Twice, Doechii, More Recaps From Day Three"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe 2025 edition of <a href=\"https:\/\/www.rollingstone.com\/t\/lollapalooza\/\" id=\"auto-tag_lollapalooza\" data-tag=\"lollapalooza\">Lollapalooza<\/a> has been full of happy surprises, from pop royalty <a href=\"https:\/\/www.rollingstone.com\/music\/music-live-reviews\/tyler-the-creator-luke-combs-perform-lollapalooza-2025-1235395157\/\">Robyn performing with Gracie Abrams<\/a> on the first day, to <a href=\"https:\/\/www.rollingstone.com\/music\/music-live-reviews\/olivia-rodrigo-korn-bleachers-lollapalooza-2025-recap-1235395387\/\">Olivia Rodrigo marking her Lolla Chicago debut<\/a> on Day Two with a little help from Weezer, the first band she ever saw in concert. And Saturday was no exception, with <a href=\"https:\/\/www.rollingstone.com\/t\/twice\/\" id=\"auto-tag_twice\" data-tag=\"twice\">Twice<\/a> making history as the first female K-pop act to headline and Doechii drawing nearly <a href=\"https:\/\/www.rollingstone.com\/music\/music-live-reviews\/chappell-roan-megan-thee-stallion-hozier-perform-lollapalooza-2024-day-one-1235070424\/\">Chappell Roan-level crowds<\/a> to her set. R\u00fcf\u00fcs du Sol, <a href=\"https:\/\/www.rollingstone.com\/t\/clairo\/\" id=\"auto-tag_clairo\" data-tag=\"clairo\">Clairo<\/a>, and <a href=\"https:\/\/www.rollingstone.com\/t\/chance-the-rapper\/\" id=\"auto-tag_chance-the-rapper\" data-tag=\"chance-the-rapper\">Chance the Rapper<\/a> were also among the highlights on Day Three at the Chicago fest in Grant Park.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Twice Become First K-Pop Girl Group to Headline Lollapalooza<\/strong><br \/>K-pop groups have been making serious waves and history at Lollapalooza in Chicago in recent years. In 2022, J-Hope of BTS became the<a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/j-hope-lollapalooza-jack-in-the-box-interview-1390665\/\"> first South Korean artist<\/a> to not only headline Lollapalooza, but also any major U.S. music festival, which paved the way for headlining slots from<a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/lollapalooza-2023-day-3-recap-tomorrow-x-together-coi-leray-surprise-performance-1234798800\/\"> Tomorrow x Together in 2023<\/a> and<a href=\"https:\/\/www.rollingstone.com\/music\/music-live-reviews\/sza-stray-kids-zedd-perform-lollapalooza-2024-day-two-1235070419\/\"> Stray Kids in 2024<\/a>. Each year, more South Korean acts prove to be lineup highlights. On Saturday, Twice became the first K-pop girl group to headline the festival, and the nine-member strong group\u2019s electrifying set spanned songs from their decade-long career, all of which had Once \u2014 their fandom \u2014 in a frenzy. Fans waved lightsticks, creating a field-wide, multi-colored garden of neon light that bounced to the rhythms and melodies played by Twice\u2019s live backing band. With perfectly crafted choreography to match their pitch-perfect harmonies, Twice performed a number of standouts, including\u00a0the anthemic \u201cOne Spark\u201d and the rocking \u201cStuck in My Head.\u201d They saved newer songs \u201cStrategy\u201d and the title track to their new album <em>This Is For<\/em> for their encore, which was preceded by an impressive drone show. \u201cDamn, I got it, I\u2019m Iconic,\u201d they sang during \u201cIcon,\u201d and Once and the newly converted had to agree. \u2014<em>A.L.<\/em><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Get Ready to Enroll in Doechii\u2019s Academy<\/strong><br \/>Welcome to <a href=\"https:\/\/www.rollingstone.com\/t\/doechii\/\">Doechii<\/a>\u2019s school of hip-hop. Today, we\u2019re studying bars, genre, and the written word. Under the scrutiny of an all-seeing headmaster, Doechii and her nine dancers-turned-classmates pushed school desks into formations and climbed an oversized boombox with slides, exemplifying what above-and-beyond achievement truly means. Doechii\u2019s got the star power, the creative vision and, most importantly, the talent. She learned all the right lessons: there\u2019s no time for cutting songs short or half-assing verses, performing is also about acting the part, and a winning presentation explores a theme in detail. Taken together, it\u2019s why Doechii\u2019s performance was a masterclass not just for a rapper, but for all artists aspiring to become headliners. Aided by the remarkable deck work of her DJ, Miss Milan, Doechii\u2019s animated vigor during <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/doechii-lligator-bites-never-heal-review-1235092081\/\"><em>Alligator Bites Never Heal<\/em><\/a><em> <\/em>tracks reminded viewers why she won her record-breaking <a href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/grammys-2025-best-worst-moments-1235254454\/\">Best Rap Album<\/a> Grammy, and the sudden appearance of <a href=\"https:\/\/rollingstone.com\/t\/city-girls\/\">City Girls<\/a>\u2019 <a href=\"https:\/\/rollingstone.com\/t\/jt\/\">JT<\/a> for a fiery version of \u201cAlter Ego\u201d felt like recess gone wild. Then the school bell rang; class dismissed. At least Doechii slipped a special treat into everyone\u2019s lockers: news of a <a href=\"https:\/\/www.livefromtheswamp.com\/\" rel=\"nofollow\" target=\"_blank\">headlining tour<\/a>. <em>\u2013N.C.\u00a0<\/em><\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>R\u00fcf\u00fcs Du Sol Prove Mellow House Music Is Main Stage Headliner-Worthy<\/strong><br \/>Although Lollapalooza has long booked electronic artists, they\u2019re typically relegated to Perry\u2019s stage, including headliners. What bigger honor for <a href=\"https:\/\/www.rollingstone.com\/t\/rufus-du-sol\/\">R\u00fcf\u00fcs Du Sol<\/a>, then, to claim the main stage on Saturday night, following in the footsteps of Daft Punk and LCD Soundsystem. \u201cFeels good to be representing electronic music and Australian music tonight,\u201d said keyboardist Jon George. The Sydney trio melt house and electro-pop into mellow dance that soundtracks introverted epiphanies and neon club nights. Live, it was drummer James Hunt who shifted the band\u2019s strengths into overdrive, injecting slower songs like \u201cYou Were Right\u201d and \u201cAlways\u201d with drum fills in the style of remixed trip-hop and disco shuffles. By the time that meditative, expansive bliss of \u201cInnerbloom\u201d stretched out into the night sky, the crowd got to vibe out in a trippy state of zen beneath fireworks and lasers, sated but not drained before heading into the final day. \u2014<em>N.C.<\/em><\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Clairo Draws Friends and Fans Closer<\/strong><br \/>Clairo initially opened her set not with a song, but while lounging and drinking wine with her band, and beckoned the livestream camera \u2014 and by default the audience \u2014 to come a little closer. Professionally known as Clairo, Claire Cottrill has been touring on her third album, <em>Charm<\/em>, and songs from that effort, including opener \u201cSecond Nature,\u201d \u201cSexy to Someone,\u201d and \u201cJuna\u201d showcased her leaning into more retro, Seventies-flavored material. Later in the set she invited some friends in the form of her bandmates Shelly onstage to surprise perform \u201cSteeam.\u201d Fan favorites, like the winsome, bright \u201cBags\u201d set closer \u201cSofia\u201d were also highlights. \u2014<em>A.L.<\/em><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Chance the Rapper Readies His Big Return With a Surprise Set<\/strong><br \/>Though he seemed omnipresent in Chicago throughout the 2010s, <a href=\"https:\/\/rollingstone.com\/t\/chance-the-rapper\/\">Chance the Rapper<\/a> has stayed fairly low since his 2019 album <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/chance-the-rapper-the-big-day-865145\/\"><em>The Big Day<\/em><\/a>. For a brief 15 minutes, though, the rapper reclaimed his hype aura with a surprise set at Perry\u2019s stage, charging through a medley of \u201cNo Problem,\u201d \u201cAll Night,\u201d and \u201cCocoa Butter Kisses.\u201d Chance then turned his attention to promoting <em>Star Line<\/em>, his first new album in six years, by performing \u201cTree\u201d and an unreleased track. Between the QR code plastered over the screens and constant verbal reminders from Chance, there was no forgetting his comeback album arrives in two weeks. \u2014<em>N.C.<\/em><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Fujii Kaze Is Primed for \u2018Prema\u2019\u00a0<\/strong><br \/>Fujii Kaze has topped charts with his first two studio albums in his native Japan (his third record, <em>Prema<\/em>, arrives in September), and it was easy to see why during his charismatic performance on Saturday. His Lollapalooza debut included breakout hit \u201cShinunoga E-Wa,\u201d the song that brought him wider world attention, and also \u201cMatsuri.\u201d The prodigious musician played cascading melodies on the keyboard and dropped a saxophone solo in between working the stage and the crowd with his suave dance moves. \u201cYou can\u2019t be shy,\u201d he said at one point as he danced around, but the audience had been moving with him all along. \u2014<em>A.L.<\/em><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong><a href=\"https:\/\/www.rollingstone.com\/t\/young-miko\/\" id=\"auto-tag_young-miko\" data-tag=\"young-miko\">Young Miko<\/a> and Her Fans Represent\u00a0\u00a0\u00a0<\/strong><br \/>Fans proudly waved Puerto Rican flags at rapper Young Miko\u2019s set on the north end of Grant Park, where she was one of several international acts to appear on Saturday.\u00a0Singing and addressing the crowd mostly in Spanish, she revved-up fans with a riveting set that included songs from her 2023 breakthrough EP, <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/young-miko-trap-kitty-bad-bunny-karol-g-1234771397\/\"><em>Trap Kitty<\/em><\/a>, including \u201cRiri,\u201d and her Grammy-nominated debut album, <em>att<\/em>., opening with that album\u2019s \u201coye ma\u2019.\u201d Young Miko also peppered in some of her collabs, including \u201cClassy 101\u201d with Feid, \u201cMadre\u201d with Villano Antillano, and \u201cFina\u201d with Bad Bunny.\u00a0 \u2014<em>A.L.<\/em><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Pop Camp Gets Calmed in <a href=\"https:\/\/www.rollingstone.com\/t\/marina\/\" id=\"auto-tag_marina\" data-tag=\"marina\">Marina<\/a>\u2019s Hands<\/strong><br \/><a href=\"https:\/\/rollingstone.com\/t\/marina\/\">Marina<\/a> has undergone enough tiers of alt-pop girl persona that, by now, she\u2019s seriously good at being unserious. Whether it was flirtatiousness gone coy on old hits \u201cHow to Be a Heartbreaker\u201d and \u201cPrimadonna,\u201d the funk-filtered drama of \u201cFroot,\u201d or the haughty empowerment of her latest camp entry \u201cCuntissimo,\u201d she played it big without sacrificing <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/marina-princess-of-power-interview-1235353330\/\">introspection<\/a>. That especially extended to \u201cEverybody Knows I\u2019m Sad,\u201d which got its live debut in the hands of a party-ready, but respectful, crowd. \u201cWhy is it so hard to let myself get close?\u201d she sang, that honesty a breath of fresh pop air. \u2014<em>N.C.<\/em><\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>BossMan Dlow Helps College Kids Go A Cappella\u00a0<\/strong><br \/>After the TikTok-viral single \u201c<a href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/best-songs-of-2024-1235163675\/\">Get in With Me<\/a>\u201d boosted Tallahassee\u2019s own <a href=\"https:\/\/www.rollingstone.com\/t\/bossman-dlow\/\">BossMan Dlow<\/a> to national fame, the Florida rapper has been honing his vision for trap in the modern era. Months after dropping his studio debut, <em>Dlow Curry<\/em>, he led the charge for young adults who rapped along to refrains while jumping and playing chicken. Happy to trade barbs and brag about his come-up, BossMan Dlow spat out bars from \u201cSportsCenter,\u201d \u201cMr. Pot Scraper,\u201d and \u201cMo Chicken\u201d while four dancers twerked on the stage\u2019s edge. But the crowd\u2019s unexpected a cappella version of \u201cGet in With Me\u201d ultimately stole the show. \u2014<em>N.C.\u00a0<\/em><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>K-Pop Newcomers Kickflip Make a Lasting First Impression\u00a0<\/strong><br \/>From an existence standpoint, Kickflip are seven months old \u2014 the youngest festival act this year. The K-pop boy band debuted in January with the <em>Flip It, Kick It! <\/em>EP, but technically the group was coming together years prior. Born from a South Korean reality competition show, the teenaged septet was bright-eyed and eager to impress in stylized button-ups, frequently claiming the runway to perform group choreo. \u201cFreeze\u201d and \u201cLike a Monster\u201d set expectations with glossy aughts-era pop-rock, which they softened with easygoing smiles. Sure, they\u2019re just getting started, but Kickflip performed like they\u2019ve been rehearsing for Lolla their entire lives. \u2014<em>N.C.<\/em><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-live-reviews\/twice-doechii-rufus-du-sol-lollapalooza-2025-day-3-recap-1235395406\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The 2025 edition of Lollapalooza has been full of happy surprises, from pop royalty Robyn performing with Gracie Abrams on the first day, to&#8230;<\/p>\n","protected":false},"author":5,"featured_media":42732,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-42731","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/42731","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=42731"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/42731\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/42732"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=42731"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=42731"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=42731"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}