{"id":43209,"date":"2025-08-07T16:43:39","date_gmt":"2025-08-07T16:43:39","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/07\/from-metro-boomin-to-anycia-atlanta-rap-revisits-its-greatest-eras\/"},"modified":"2025-08-07T16:43:39","modified_gmt":"2025-08-07T16:43:39","slug":"from-metro-boomin-to-anycia-atlanta-rap-revisits-its-greatest-eras","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/07\/from-metro-boomin-to-anycia-atlanta-rap-revisits-its-greatest-eras\/","title":{"rendered":"From Metro Boomin to Anycia, Atlanta Rap Revisits Its Greatest Eras"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe next chapter of <a href=\"https:\/\/www.rollingstone.com\/t\/atlanta\/\" id=\"auto-tag_atlanta\" data-tag=\"atlanta\">Atlanta<\/a> rap is shaping up to be something of a return to form. Projects from Metro-Boomin and <a href=\"https:\/\/www.rollingstone.com\/t\/anycia\/\" id=\"auto-tag_anycia\" data-tag=\"anycia\">Anycia<\/a>, as well as a crop of young rappers, are reprising the \u201cOld Atlanta\u201d feel. In July, Anycia dropped\u00a0<em>Grady Baby<\/em>,\u00a0the first\u00a0Gangsta Grillz\u00a0project from a woman rapper from Atlanta. <a href=\"https:\/\/www.rollingstone.com\/t\/playboi-carti\/\" id=\"auto-tag_playboi-carti\" data-tag=\"playboi-carti\">Playboi Carti<\/a>\u2019s <em>I Am Music<\/em> <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/playboi-carti-music-review-1235297700\/\">was praised<\/a> as a mesh of boundary-pushing sonics while paying homage to his youth, sampling Rich Kidz (\u201cLIKE WEEZY\u201d) and Bankroll Fresh (\u201cWALK\u201d). Meanwhile, surging singles like Pluto and YKNiece\u2019s \u201cWhim Whamie,\u201d as well as BunnaB\u2019s \u201cMad Again,\u201d feel like a callback to Atlanta rap from the early 2010s, as a <a rel=\"nofollow\" href=\"https:\/\/pitchfork.com\/thepitch\/the-spirit-of-atlantas-futuristic-era-is-back\/\" target=\"_blank\">recent Pitchfork essay<\/a> points out.\u00a0\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tYKNiece and Bunna are both on Metro-Boomin\u2019s <em>Futuristic Summa, <\/em>a tribute to Atlanta\u2019s \u201cfuturistic era,\u201d a fun, melodic sound popularized by artists like Yung LA, YC Hollywood, and J Money (formerly J Futuristic). The project isn\u2019t a callback to the early aughts\u2019 big white tee and crunk era, but the late aughts-early 2010s, when tight-fitting Aeropostale and American Eagle were the wave. It speaks to Atlanta\u2019s rich history and vibrant community that they have multiple distinct eras to pay homage to.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut before we dive in too far, it\u2019s important to note that, like with too many hip-hop spectacles, there are less celebratory elements to address. Most importantly, many are recalling that in October, Vanessa LeMaistre f<a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/metro-boomin-sued-alleged-sexual-assault-pregnancy-1235146952\/\">iled a civil suit against Metro<\/a> alleging that he raped and impregnated her in 2016. LeMaistre is represented by Wigdor Law LLC, the same law firm that represented Cassie in her November 2023 civil suit against Diddy. The trial is set to begin on September 23 in the Central District of California, with a September 9 pre-trial hearing. A lawyer for <a href=\"https:\/\/www.rollingstone.com\/t\/metro-boomin\/\" id=\"auto-tag_metro-boomin\" data-tag=\"metro-boomin\">Metro Boomin<\/a>, real name Leland Wayne, <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/metro-boomin-sued-alleged-sexual-assault-pregnancy-1235146952\/\">denied<\/a> the allegations. It\u2019s disappointing that yet another beloved hip-hop act has been accused of patriarchal violence.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAnd in far less consequential territory, some are calling out Metro being from St. Louis, as if that precludes him from celebrating Atlanta. On Monday, Atlanta artists <a href=\"https:\/\/x.com\/BestsPOVTV\/status\/1952136834336919649\" rel=\"nofollow\" target=\"_blank\">Young Cooley and Hollywood YC<\/a> went online to gripe about not being on <em>Futuristic Summa<\/em> (though artist-producer Reese LaFlare, involved in the project\u2019s conception, <a href=\"https:\/\/x.com\/reeselaflare\/status\/1952441991234728005?s=46\" rel=\"nofollow\" target=\"_blank\">claims Hollywood YC<\/a> was called and said he was \u201cout of town\u201d). Though some futuristic progenitors didn\u2019t make the original project (there\u2019s still time for a deluxe), many listeners are celebrating the project as a cross-generational mesh of Atlanta greatness.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMetro links with a who\u2019s who of Atlanta mainstays such as Future, Young Thug, 21 Savage, Quavo, Lil Baby, T.I., and Gucci Mane. Up-and-coming artist Breskii adds some literal futuristic sauce to the project. And, most notably, there are numerous Atlanta acts straight from the DatPiff era: Waka Flocka, Roscoe Dash, Young Dro, Rocko, Yung LA, Travis Porter, Yung Booke, J Money, Meany of Shop Boyz, iMcfli of Fast Life Youngstas, as well as Jose Guapo, Skooly, and Shad da God (formerly Rich Kid Shawty) of seminal Atlanta group Rich Kidz. A vocal clip from the late Young Scooter leads off the DJ Spinz-hosted project; it\u2019s hard to believe the beloved rapper, who died in March, wouldn\u2019t have had multiple appearances on the veritable mixtape. Metro worked with producers like DJ Plugg, Bobby Kritical, Zaytoven, Honorable C.N.O.T.E., and others to craft <em>Futuristic Summa<\/em>, which Boomin called the \u201cmost fun\u201d he\u2019s ever had making a project.\u00a0\u00a0\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAnd that enjoyment radiates out for Atlanta rap fans who were there for its heyday, while younger listeners are becoming acquainted with the heroes of that generation. Melodic masters Young Thug and Future are regarded as entrenched roots of modern rap; Yung LA and J Money, two pioneers of the futuristic movement, demonstrated on Metro\u2019s project that they were forebearers of the wave. Roscoe Dash, Travis Porter, and the project\u2019s Rich Kidz contributors showed that while they have universal DJ staples from the turn of the 2010s, they can still get parties rockin\u2019 now. Young Dro, a prot\u00e9g\u00e9 of T.I., is a charismatic lyricist who might\u2019ve been one of the city\u2019s brightest stars if not for personal trials that hindered his career. His four-song contribution feels like a movie about an embattled boxer who turns it around and gets another run in the spotlight. <\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe project wasn\u2019t a matter of merely looping Yung LA\u2019s \u201cAin\u2019t I\u201d or Rich Kidz\u2019 \u201cWassup\u201d over modern 808s and calling it nostalgia. Metro and his co-producers nailed the full scope of the futuristic era, from the earworm melodies of neon synths and spooky keys with reverb to the subtleties of the pitter-pattering drum programming. One can\u2019t help but hear a couple elongated \u201cYeeeah\u201d ad-libs while Gucci goes into a time machine on \u201cThey Wanna Have Fun\u201d, or picture DJ Drama or Holiday talking shit at the end of some songs. A <em>Futuristic Summa<\/em> is a treatise on anthemic hooks, catchy cadences, braggadocious bars, and ass-shaking percussion. As the meme goes, you can tell that era meant something to him.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMetro Boomin said as much on X, posting, \u201cIF YO HOMEBOY NEVER HAD TO HOLD YOU UP IN THE TEEN PARTY WHILE U WAS GETTING TWERKED ON THEN YOU MIGHT WANNA SIT THIS ONE OUT,\u201d adding, \u201cIF YOU NEVER HAD TO WRITE A NUMBER DOWN PERIOD THEN YOU MIGHT WANNA SIT THIS ONE OUT,\u201d and \u201cIF YOU STARTED LISTENING TO RAP MUSIC IN 2017 THEN YOU MIGHT WANNA SIT THIS ONE OUT.\u201d The average producer who undertook this kind of effort would want everyone to take a listen, but Metro is firmly gatekeeping, and there\u2019s nothing wrong with that. Mainstream rap is geared toward mass consumption, but the project\u2019s disconnect with certain fans shows that everything isn\u2019t meant for everybody.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDuring his defense of the album, Metro also posted, \u201cLETS GET BACK TO ACTUAL CULTURE AND REGIONAL IDENTITY.\u201d To be clear, hip-hop in general doesn\u2019t have a regionalism problem. The spirit of the late Drakeo presides over the California rap scene, artists like Peezy and Veeze are liable to say anything over a \u201cMichigan type beat,\u201d Cash Cobain has the whole tristate getting Slizzy, free car music aka DMV Crank is the sound of the DC area, just to name a few bubbling scenes.\u00a0So while <em>A Futuristic Summa<\/em> didn\u2019t bring back regionalism, it\u2019s a skillful glimpse of Atlanta after the first wave of trap and before new school hip-hop fans sought to memify Gucci Mane and Young Thug to death.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<span style=\"margin: 0px;padding: 0px\">Anycia did the same with her latest mixtape,\u00a0<em>Grady Baby<\/em>.<\/span> If you don\u2019t know that Grady is referring to a hospital in the city, the music might not be tailored for you. <span style=\"margin: 0px;padding: 0px\">Anycia<\/span> collaborated with DJ Drama for a classic feel, asking producers to sample Atlanta staples like Jeezy\u2019s \u201cAnd Then What\u201d on \u201cATW,\u201d and Lil Jon &amp; The East Side Boyz\u2019 \u201cNothing\u2019s Free\u201d on \u201cSo Fine.\u201d In March, <a href=\"http:\/\/v\" rel=\"nofollow\" target=\"_blank\">she told <em>Rolling Stone<\/em><\/a> that her criteria for samples were \u201csongs that\u2019s like, \u2018Oh my God, I forgot about that song!\u2019 \u2026 I wanted to make it super-duper Atlanta, super Southern, super nostalgic.\u201c\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tShe also revealed that her mother and aunts served as the muse for the project\u2019s creative direction: \u201cI was trying to come up with an idea for my album and my mom was like, \u2018Why don\u2019t you just base this album off of the shit that you was around, girl?\u2019\u201d And she paired the project with a Waka Flocka co-starring series of clips that could probably be extended to a <em>Paper Soldiers<\/em> or <em>I Got The Hook Up<\/em> type of rap movie if those were still en vogue. The mixtape and its rollout were unmistakably Atlanta.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cAtlanta is my home. Atlanta\u2019s culture is what I feel like made me who I am today,\u201d Anycia says. \u201cThis is me having a little tough love: I feel like Atlanta could be doing better right now when it comes to showing who we really are. We\u2019re losing our culture a little bit.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThat\u2019s especially true in a music scene that\u2019s been decimated by the justice system and premature deaths in recent years. Part of the scene\u2019s inability to keep the conveyor belt of stars rolling is that the infrastructure that built old Atlanta isn\u2019t as strong, with gentrification and heavy policing uprooting the city\u2019s cultural landscape. Before we knew too much about alleged gang ties, intra-city beef, and predatory prosecutors trying to RICO the rap scene to nonexistence, we knew Atlanta as an oasis for trends, a (mostly) cooperative community, and some of the most fun music of all time. The latter is what Futuristic Summa, Grady Baby, and new artists like YKNiece and BunnaB are tapping into. Even if city brass resents the reality that hip-hop made Atlanta the Black mecca, there are plenty of artists who don\u2019t.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIf this trend continues, it might be the most overt example of Atlanta rap in conversation with itself, spurred in part by a new project harkening to an era called futuristic. It\u2019s the kind of paradox that exemplifies how good music transcends time. We see the same dynamic throughout the arts, with movies, TV shows, and books taking structure and arcs from their historic peers. No matter how innovative artists think they are, they\u2019re all paying dues in some fashion to Grandmaster Flash, Kool Herc, and a swath of other hip-hop pioneers. The genre is at a commercial pinnacle where top artists may believe they\u2019ve reached the summit of creativity, looking solely forward, but we\u2019ve only achieved this height on the foundation laid by our forefathers. This year, Atlanta\u2019s experiencing a renaissance thanks to artists who understand that.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/atlanta-rap-revisits-its-greatest-eras-1235402669\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The next chapter of Atlanta rap is shaping up to be something of a return to form. Projects from Metro-Boomin and Anycia, as well&#8230;<\/p>\n","protected":false},"author":5,"featured_media":43210,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-43209","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/43209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=43209"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/43209\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/43210"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=43209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=43209"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=43209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}