{"id":43486,"date":"2025-08-11T16:21:16","date_gmt":"2025-08-11T16:21:16","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/11\/mgk-is-a-tabloid-heartland-rocker-on-lost-americana\/"},"modified":"2025-08-11T16:21:16","modified_gmt":"2025-08-11T16:21:16","slug":"mgk-is-a-tabloid-heartland-rocker-on-lost-americana","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/11\/mgk-is-a-tabloid-heartland-rocker-on-lost-americana\/","title":{"rendered":"MGK Is a Tabloid Heartland Rocker on &#8216;Lost Americana&#8217;"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSince emerging as a hyperactive, scaffolding-scaling rapper in the early 2010s, <a href=\"https:\/\/www.rollingstone.com\/t\/mgk\/\" id=\"auto-tag_mgk\" data-tag=\"mgk\">MGK<\/a> \u2014 formerly Machine Gun Kelly, born Colson Baker \u2014 has forged his own path through the pop-cultural consciousness. He\u2019s feuded with Eminem; he\u2019s engaged in egregious red-carpet PDA with his onetime flame Megan Fox; he\u2019s acted in movies and TV, with his full-body channeling of M\u00f6tley Cr\u00fce drummer Tommy Lee being a highlight of the hard rockers\u2019\u00a02019 biopic <em>The Dirt<\/em>. And, oh yes, he\u2019s released records.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn 2020, MGK fully pivoted from hip-hop to pop-punk with <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/machine-gun-kelly-tickets-to-my-downfall-review-1069925\/\"><em>Tickets to My Downfall<\/em><\/a>, a collection of punchy, hooky cuts that included the spittle-flecked Halsey duet \u201cForget Me Too\u201d and the trap-tinged blackbear collab \u201cMy Ex\u2019s Best Friend.\u201d He continued playing with genre in the ensuing years, even calling his brand of bummed-out emo-rap \u201csadboy\u201d on a 2024 joint EP with fellow Ohioan Trippie Redd.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMgk has always had a\u00a0quintessentially \u2014 if oddly \u2014 American public-facing persona, which was only highlighted by how he\u00a0managed to get <a href=\"https:\/\/www.rollingstone.com\/t\/bob-dylan\/\" id=\"auto-tag_bob-dylan\" data-tag=\"bob-dylan\">Bob Dylan<\/a> to provide a voiceover for the<a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/machine-gun-kelly-lost-americana-rehab-megan-fox-1235403665\/\"> album\u2019s trailer<\/a>. (Dylan called MGK\u2019s latest work, \u201c music that celebrates the beauty found in the in-between spaces.\u201d) On his seventh album, he\u00a0musically and thematically updates\u00a0the concept of \u201cheartland rock,\u201d the storytelling-heavy, road-trip-ready strain of guitar music made by the likes of John Cougar Mellencamp and <a href=\"https:\/\/www.rollingstone.com\/t\/bruce-springsteen\/\" id=\"auto-tag_bruce-springsteen\" data-tag=\"bruce-springsteen\">Bruce Springsteen<\/a>.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOpening track \u201cOutlaw Overture\u201d announces itself with a heat-lightning blast of synths that leads to a pugilistic defense of his rebellious nature, then shape-shifts into starlit balladry that further reveals MGK\u2019s truly American dream: \u201cTake me somewhere cheap\/Where the livin\u2019 is easy\/Out of all their reach\/Set my spirit free,\u201d he wails, extending the last \u201ce\u201d sound to the length of an interstate. \u201cIndigo\u201d shows the way hip-hop has become part of American pop music\u2019s fabric, his knotty rhymes detailing the tribulations he\u2019s endured over the last few years; \u201cSweet Coraline\u201d uses Strokes-inspired guitar choppiness to illustrate the unsettling feeling of <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/machine-gun-kelly-lost-americana-rehab-megan-fox-1235403665\/\">being treated like an avatar of celebrity in real life<\/a>.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMGK\u2019s let-it-all-hang-out persona is the real star of the show, and his lyrics \u2014 which will no doubt be pored over by people looking for <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/machine-gun-kelly-lost-americana-rehab-megan-fox-1235403665\/\">more details on his love life <\/a>\u2014 are often razor-sharp: \u201cOnly lights on my horizon are ones that pull me over,\u201d he muses on the camaraderie-dappled \u201cmiss sunshine.\u201d That quality makes \u201cClich\u00e9\u201d feels like an in-joke that should have stayed in the studio, combining well-worn lyrical tropes (\u201cBaby, I\u2019m a rolling stone,\u201d \u201cYou should run away with me\/Even if you\u2019re better off alone\u201d) with music that splits the difference between \u201800s adult contemporary and modern pop-country. But it also shows how MGK, who at 35 has already lived at least two lifetimes of stardom, is, for better or worse, always in perpetual motion.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/mgk-lost-americana-review-1235404866\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Since emerging as a hyperactive, scaffolding-scaling rapper in the early 2010s, MGK \u2014 formerly Machine Gun Kelly, born Colson Baker \u2014 has forged his&#8230;<\/p>\n","protected":false},"author":5,"featured_media":43487,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-43486","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/43486","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=43486"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/43486\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/43487"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=43486"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=43486"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=43486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}