{"id":43534,"date":"2025-08-11T22:26:43","date_gmt":"2025-08-11T22:26:43","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/11\/rap-mixtapes-are-showing-up-on-streaming-platforms-without-permission\/"},"modified":"2025-08-11T22:26:43","modified_gmt":"2025-08-11T22:26:43","slug":"rap-mixtapes-are-showing-up-on-streaming-platforms-without-permission","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/11\/rap-mixtapes-are-showing-up-on-streaming-platforms-without-permission\/","title":{"rendered":"Rap Mixtapes Are Showing up on Streaming Platforms Without Permission"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn the past few weeks, rap fans have celebrated legendary mixtapes from <a href=\"https:\/\/www.rollingstone.com\/t\/lil-wayne\/\" id=\"auto-tag_lil-wayne\" data-tag=\"lil-wayne\">Lil Wayne<\/a> and <a href=\"https:\/\/www.rollingstone.com\/t\/rick-ross\/\" id=\"auto-tag_rick-ross\" data-tag=\"rick-ross\">Rick Ross<\/a> being uploaded to <a href=\"https:\/\/www.rollingstone.com\/t\/streaming\/\" id=\"auto-tag_streaming\" data-tag=\"streaming\">streaming<\/a> platforms, but their time on these services may be cut short. A source close to Wayne told <em>Rolling Stone<\/em> that his <em>Dedication<\/em> and <em>Da Drought<\/em> mixtapes, recently removed from Tidal and Apple Music, were \u201cnot legal [or] legitimate uploads,\u201d even though they were on his official artist pages. (Reps for Tidal and Apple Music did not respond to requests for comment.)\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThese uploads reflect potential flaws in the process of adding music to Digital Service Providers (DSPs). Streaming services like Apple Music, Tidal, and Spotify require artists to utilize third-party music distributors such as Distrokid, TuneCore, and RouteNote to upload music to their platforms. However, the scale of music regularly uploaded to self-service distributors means anyone can upload a song or album without official rights, attribute it to any artist they choose, and sometimes have these uploads slip through regulation onto artists\u2019 official pages.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.instagram.com\/coachbombay3000\/?hl=en\" rel=\"nofollow\" target=\"_blank\">Coach Bombay 3000<\/a>, a Brooklyn music manager <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/rome-streetz-conductor-williams-interview-trainspotting-1235351285\/\">for rapper Rome Streetz<\/a> and several other acts, believes that it\u2019s \u201cpretty easy\u201d for anyone to upload music to digital music distributors and have it appear on an artist\u2019s official page. \u201cThere\u2019s been times where there\u2019s so much shit that says Rome Streetz [and] we never uploaded [it],\u201d he says. \u201cWe\u2019re like, \u2018Who the fuck is this?\u2019 We got to issue strikes to get it taken down.\u201d Bombay says he\u2019s dealt with people trying to upload music to Rome\u2019s streaming pages \u201cthree times\u201d in the last month.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHe explains that when people use one of the digital music distributors, they can type Rome Streetz or Lil Wayne in the \u201cprimary artist\u201d category of the upload form, add a link to the URL of the official artist page on the streaming service, and have a chance of the music bypassing quality control functions. He says that once the music is uploaded to streaming providers, his team has to ask the official distributor (an independent distributor or record label) to issue a takedown notice, which can take days. In the case of Wayne, it took almost a week for his mixtapes to be removed from Apple Music and Tidal.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAnother anonymous source, who works in the streaming world, confirmed the ease of illegitimate uploads, adding \u201cit happens that way all the time,\u201d and they\u2019ve seen a \u201ccrazy influx of fraud\u201d in recent months. Sometimes users upload unlicensed music onto artists\u2019 official pages, while other times they use accounts featuring the artist\u2019s misspelled name or a nickname as the \u201cprimary artist.\u201d The source also notes that artists sometimes take it upon themselves to add their legitimate collaborators as a \u201cprimary artist\u201d without permission. \u201cSome artists don\u2019t like being added as a primary artist without their permission because whatever they\u2019re tagged on as a primary artist shows up as their latest release.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe source says that they\u2019ll occasionally see these pending uploads fast enough to contact the music distributor or streaming platform, but sometimes they\u2019re \u201cnot quick enough,\u201d resulting in them going live on the platform. \u201cIt would likely come down to a shitty distributor or one with too much volume,\u201d they said, likening the process to whack-a-mole. Bombay bemoans the \u201cfree-for-all\u201d atmosphere on streaming platforms. \u201cThere\u2019s no filter system,\u201d he says. \u201cThere\u2019s no process to make sure that everything that\u2019s being uploaded is quality.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhile the mixtape scene allowed artists and DJs to release songs to blogs and sites like Datpiff and <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/livemixtapes-blog-era-relaunch-1234721378\/\">LiveMixtapes<\/a> without regulation, streaming services are more stringent with unlicensed music, especially from popular acts. Wayne\u2019s <em>Dedication<\/em> and <em>Da Drought<\/em> mixtapes feature him freestyling over beats from other artists who would have to clear them being used \u2014 ditto for his collaborators, who would have to approve their appearances for the projects to avoid copyright strikes.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn recent years, artists have re-released their early career mixtapes on streaming services. In 2020, Lil Wayne dropped a truncated version of 2011\u2019s <em>No Ceilings<\/em>, Drake celebrated the 10th anniversary of <em>So Far Gone<\/em> with a 2019 release on streaming platforms. Nicki Minaj reissued her seminal 2009 mixtape <em>Beam Me Up Scotty <\/em>in 2021, and Travis Scott commemorated the 10th anniversary of <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/travis-scott-days-before-rodeo-streaming-release-1235098848\/\"><em>Days Before Rodeo<\/em> with an official release on streaming<\/a> last year, while J. Cole went on to <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/j-cole-podcast-mixtape-reissue-1235190549\/\">re-release a trio of his early mixtapes<\/a> two months later. In each case, the artists announced the impending releases; the mysterious recent appearance of Wayne\u2019s mixtapes, as well as Rick Ross\u2019 2011 <em>Rich Forever <\/em>project, made some fans skeptical.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen Ross was asked in May about clearing <em>Rich Forever<\/em> for streaming services, <a href=\"https:\/\/www.youtube.com\/shorts\/b7AVfMx9D2U\" rel=\"nofollow\" target=\"_blank\">he said<\/a>, \u201cI really don\u2019t wanna do it. That was at a certain point, I just wanted to do that for the streets.\u201d There\u2019s an entire wing of canonical mixtape music that\u2019s available on YouTube, as well as platforms like LiveMixtapes and Datpiff, but isn\u2019t officially on streaming platforms.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn 2021, the late Prodigy\u2019s friend and engineer Joe \u201cThe Engine Ear\u201d <a href=\"https:\/\/www.complex.com\/music\/a\/treyalston\/lil-wayne-da-drought-mixtape-streaming-services\" rel=\"nofollow\" target=\"_blank\">told <em>Complex<\/em><\/a> about the tedious process of getting the rap legend\u2019s music cleared for DSPs. Joe noted that after Prodigy\u2019s 2017 death, his estate removed his music from streaming to ensure that samples were cleared, publishing splits were correct, and all credits were properly attributed. \u201cIt\u2019s hard to explain the amount of work that it took to get <em>The Book of Heroine<\/em> near the finish line,\u201d he said.\u00a0\u00a0\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhile fans may sometimes circumvent overloaded or shoddy digital distributors to release unlicensed music, they usually won\u2019t last long before being flagged. Still, Bombay notes, \u201cthe digital streaming platforms have no control over what goes out and what comes up.\u201d The anonymous source expressed a slightly different sentiment, saying, \u201cI think folks are trying to eliminate this issue. The problem is with rapid fans and hypebeasts, I feel they\u2019ll always find a way.\u201d\u00a0<\/p>\n<\/div>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><br \/>\n<br \/><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/classic-rap-mixtapes-streaming-platforms-without-permission-1235405300\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the past few weeks, rap fans have celebrated legendary mixtapes from Lil Wayne and Rick Ross being uploaded to streaming platforms, but their&#8230;<\/p>\n","protected":false},"author":5,"featured_media":43535,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-43534","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/43534","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=43534"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/43534\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/43535"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=43534"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=43534"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=43534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}