{"id":43598,"date":"2025-08-12T16:10:22","date_gmt":"2025-08-12T16:10:22","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/12\/new-album-sobriety-god-save-the-gun\/"},"modified":"2025-08-12T16:10:22","modified_gmt":"2025-08-12T16:10:22","slug":"new-album-sobriety-god-save-the-gun","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/12\/new-album-sobriety-god-save-the-gun\/","title":{"rendered":"New Album, Sobriety, &#8216;God Save the Gun&#8217;"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIan Shelton doesn\u2019t remember why he was at the airport that day. Maybe to visit his girlfriend, or perhaps a tour stop with his band, <a href=\"https:\/\/www.rollingstone.com\/t\/militarie-gun\/\" id=\"auto-tag_militarie-gun\" data-tag=\"militarie-gun\">Militarie Gun<\/a>. Regardless, he was feeling decidedly even-keeled when he recorded the tragic voice memo that kicks off the band\u2019s latest record, <em>God Save the Gun,<\/em> out Oct. 17 via Loma Vista Recordings.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWhen she asked me how things have been, I didn\u2019t want to be dramatic,\u201d Shelton, 33, intones over elegiac strings on opener \u201cPt. II.\u201d \u201cI have to say, things have not been great. Honestly, I\u2019ve been\u2026\u201d The faux voicemail cuts off then, artfully leading into the chant-along, degenerate anthem of a single, \u201cB A D\u00a0 I D E A.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI was probably in a perfectly fine position at the time of recording that voicemail,\u201d Shelton says, Zooming from in his L.A. bedroom, fresh off a tour of Australia with post-hardcore band Touch\u00e9 Amor\u00e9. \u201cBut that\u2019s the way that it always feels. That was about embracing my own dramaticism, just laying out the stakes of the world that the record lives in. I\u2019m always living in this pressure vortex that I\u2019ve created for myself. I tell myself I\u2019m having a hard time, even if I\u2019m not. I\u2019m kind of undermining and sabotaging my own happiness.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFrom the outside, that might seem a funny outlook for the leader of a band that\u2019s been on the ascent since dropping their 2023 debut LP, <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/militarie-gun-raucous-life-under-the-gun-review-1234775137\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Life Under the Gun<\/em><\/a>, to the acclaim of, well, just about <em>everyone<\/em>. Along with rave reviews, the record earned them some prominent fans, like Post Malone, Shooter Jennings, and Modest Mouse. Since, Shelton and the rest of the crew \u2014 guitarists William Acu\u00f1a and Kevin Kiley, bassist Waylon Trim, and drummer David Stalsworth \u2014 have toured relentlessly, honing their sound from what was once a delightfully DIY deluge to something more akin to the Beatles in a rage room.\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Militarie Gun - B A D I D E A (Official Music Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/sLz4rnkCAM0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAs a teen in Enumclaw, Washington, Shelton started using music as a kind of diary to deal with being shunted to family members\u2019 AA meetings, getting dumped in bad-kid classes, and losing loved ones \u2014 whether that was a dad who ghosted, a formidable grandmother who loved as hard as she lived, or a brother who went to prison as a teen. \u201cI always felt like he kind of picked up the parental role,\u201d says that brother, Max, who got out in 2022. \u201cWe had a pretty disgruntled upbringing with our parents. They were just all over the place, to say it in the most simplest way.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMilitarie Gun started as a solo offshoot of Shelton\u2019s first project, Regional Justice System, a more straight-ahead hardcore band named, in part, for the institution where his brother was incarcerated. (Max is now part of that group; he also appears on the new MG record.) Both bands\u2019 songs were full of intense emotions, like the ones on RJC\u2019s cacophonous \u201cTo Cope\u201d or the Gun\u2019s bleeding, raw \u201cBig Disappointment.\u201d With Militarie Gun, though, Shelton stretched the concept of what hardcore can be, weaving in melody and riffy hooks more befitting stadium rock. \u201cI remember my mom being like, \u2018Yeah, your brother\u2019s a singer now,\u2019\u201d Max says. \u201cAnd I\u2019m like, \u2018What the fuck are you talking about?\u2019 Then I saw him play the biggest room I\u2019ve ever seen him play. I\u2019m used to seeing the guy playing like, basically, like, condemned garages and stuff.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tStill, that venue-filling sound doesn\u2019t dull the music\u2019s bleeding edge. \u201cI\u2019ve always been a little too intensely personal, probably in ways that I shouldn\u2019t be,\u201d Shelton says. \u201cI don\u2019t ever feel normal, and I\u2019m always having these kinds of very repetitive thoughts and memories. I can\u2019t put them into words in a conversation with people, because it would make people uncomfortable to know what\u2019s playing in my brain. The songs are the only appropriate place I\u2019ve ever had for that.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhile <em>God Save the Gun<\/em> is the band\u2019s \u201cmost polished\u201d record to date, according to Shelton \u2014 hardcore purists might balk at the synths and strings \u2014 it\u2019s also the most angry and conflicted. In the years leading up to the new album\u2019s recording, Shelton says he started drinking for the first time at age 30. Having grown up among addicts, it almost seemed like giving into the inevitable. \u201cHe\u2019s always been straight-edge my whole life,\u201d Max says. \u201cSo even just, like, getting out of jail and seeing him drink and smoke weed \u2014 that was already crazy.\u201d\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt was a \u2018fuck around and find out\u2019 situation where I kind of knew what I was heading toward, and I started putting it in the songs,\u201d Shelton adds. \u201cI just felt like, because it was in the songs, it was a more characterized version of myself \u2014 you know, that it\u2019s not me, really. And then when it came time to actually execute the record, and I looked at all the things I was saying, I was like, \u2018Nah, I\u2019m asking for help and I don\u2019t know how else to do it. I need to listen to my subconscious and pull myself out of a tailspin that I was really beginning.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt didn\u2019t help that all the kids on tour wanted to get \u201cvery high\u201d with the guy who wrote \u201cVery High.\u201d Despite the fact that Shelton got sober around the time the band started recording in February 2024, he stresses that <em>God Under the Gun <\/em>is very much not a sobriety album. It\u2019s about being in the eye of that proverbial storm of addiction. \u201cGrowing up around AA, there\u2019s this kind of this fallacy that you have to hit rock bottom to ever improve your life,\u201d he says. \u201cI really wanted to dispel the romanticism of rock bottom, of the glorious martyr. No, you actually can choose to just do better. You don\u2019t have to wait for the worst possible outcome.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:1024px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((683\/1024)*100%);\">\n<p>\t\t\t\t\t\t<\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<p>\t\t\t\t\t<span class=\"u-border-color-black u-border-lr-2 lrv-u-padding-tb-025 lrv-u-padding-lr-075 lrv-u-border-b-2 lrv-u-width-100p lrv-u-text-align-center a-font-basic-secondary-s\">Getting some air at Governors Ball.<\/span><\/p>\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"lrv-u-text-transform-uppercase lrv-a-font-body-xs lrv-u-margin-t-050 lrv-u-text-align-center\">Sacha Lecca for Rolling Stone<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn the tragically catchy \u201cGod Owes Me Money\u201d (featuring Marisa Dabice of <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/mannequin-pussy-new-album-punk-big-tech-censorship-1234852646\/\" target=\"_blank\" rel=\"noreferrer noopener\">Mannequin Pussy<\/a>), Max drops bars about being \u201caddicted to getting lit\u201d and offers a devastating glimpse into Shelton\u2019s tumultuous upbringing. \u201cMy brother texted me after I showed him that I put him on the record, and he was like, \u2018Whoa. I just realized that you wrote a song about everything we\u2019ve gone through,\u201d Shelton says. Elsewhere on the album, \u201cDaydream\u201d is a raw nerve of a song about their grandmother, who died when Shelton was 12. \u201cNana was this really hard-working, tough-ass woman, and, at the same time, she was also an alcoholic and addicted to work,\u201d he says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn the same way Shelton feels like he was fated to become an addict of some kind, he also always figured he\u2019d die young \u2014 by his own hand. \u201cI literally grew up with the idea that suicide is an alternative,\u201d he says, citing his fandom of thrash legends Suicidal Tendencies. \u201cIt was something that I was singing along to at, like, 12 years old. I\u2019ve kind of lived my life assuming at some point that would be what I would do, because I\u2019m a control freak.\u201d Now, he adds, \u201cI want to remove that as an option in my life. I would love to take the idea that I will eventually commit suicide off of the table.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI Won\u2019t Murder Your Friend\u201d is Shelton\u2019s way of banishing that intrusive thought, an acerbic, tongue-in-cheek song that feels like getting punched in the gut\u2026 over and over again. It prominently features a soundbite of chef David Chang bitterly mourning the suicide of Anthony Bourdain. \u201cSuicide is something that has been so culturally glorified,\u201d Shelton says. \u201cI had this zoom-out moment about the way he talked about Anthony Bourdain\u2019s suicide, which was that, \u2018No, that guy\u2019s an asshole. He killed my friend.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThreaded most prominently this album is a desperate need to belong, whether that\u2019s with family, lovers, or the music scene itself. Take the song \u201cThrow Me Away\u201d: \u201cThat song is somewhat a love letter to the idea of people accepting you as an artist,\u201d Shelton says. \u201cI know that the things I\u2019m making \u2014 because they\u2019re not the same things I\u2019ve made before \u2014 will make people angry. But if you continue to stay in the same space and not grow, then you\u2019re also going to isolate those relationships, because you\u2019re not being true to yourself.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tStill, it\u2019s not all darkness and doubt. <em>God Under the Gun<\/em> also gave the band the chance to collaborate with friends who have been there since jump (Phillip Odom, James Goodson of Dazy, and Nick Panella of MSPAINT). \u201cIt feels like they\u2019re really becoming the band that Ian wanted them to be in 2016 when we were, like, hanging out, drinking our Diet Cokes or whatever,\u201d Goodson says. \u201cIt reminds me of when I was a kid and there were still these big rock albums but they weren\u2019t just completely perfect \u2014 they had this humanity to them while still being gigantic. I think that\u2019s always what Ian wanted to be doing.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt\u2019s fitting, then, that several of Shelton\u2019s rock heroes also guest on the LP. Shooter Jennings plays keys on \u201cI Won\u2019t Murder Your Friend\u201d and the celestial \u201cIsaac\u2019s Song.\u201d That latter song is named after Modest Mouse\u2019s Isaac Brock, who also features on the same track. \u201cWe did a thing where we invited people to listen to the record when we finished it. And I remember looking over\u00a0 to a friend in the transition between \u2018I Won\u2019t Murder Your Friend\u2019 and \u2018Isaac\u2019s Song\u2019 and he was crying,\u201d Shelton says. \u201cThat was one of the most impactful and special moments I\u2019ve ever had in music.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHe adds that he sees Brock as a voice of reason on the album, someone who can \u201cpick you up and dust you off after this really traumatic moment.\u201d For Shelton, that idea connects to one of his favorite Modest Mouse lyrics: \u201c\u2018It takes shit to make bliss,\u2019\u201d he says, quoting a deep cut from 2004\u2019s <em>Good News for People Who Love Bad News. <\/em>\u201cLife\u2019s not beautiful without the pain.\u201d<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/militarie-gun-new-album-interview-god-save-the-gun-1235401688\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ian Shelton doesn\u2019t remember why he was at the airport that day. Maybe to visit his girlfriend, or perhaps a tour stop with his&#8230;<\/p>\n","protected":false},"author":5,"featured_media":43599,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-43598","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/43598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=43598"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/43598\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/43599"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=43598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=43598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=43598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}