{"id":43688,"date":"2025-08-13T14:02:47","date_gmt":"2025-08-13T14:02:47","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/13\/new-album-talking-heads-olivia-rodrigo-tour\/"},"modified":"2025-08-13T14:02:47","modified_gmt":"2025-08-13T14:02:47","slug":"new-album-talking-heads-olivia-rodrigo-tour","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/13\/new-album-talking-heads-olivia-rodrigo-tour\/","title":{"rendered":"New Album, Talking Heads, Olivia Rodrigo, Tour"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/david-byrne\/\" id=\"auto-tag_david-byrne\" data-tag=\"david-byrne\"><span class=\"a-style-intro lrv-a-floated-left lrv-u-display-inline-block lrv-u-margin-r-050 u-margin-b-n025\"><br \/>\n\t\t\t<span class=\"a-font-theme-primary lrv-u-align-items-center lrv-u-flex lrv-u-height-100p lrv-u-justify-content-center lrv-u-width-100p u-font-size-150 u-font-size-104@mobile-max u-line-height-124 u-line-height-94@mobile-max\">D<\/span><br \/>\n\t\t<\/span>avid Byrne<\/a> strolls into his downtown Manhattan office around noon and promptly removes all of his footwear. He\u2019s been in this prewar building only for a few months, but it\u2019s already unmistakably his own, looking as much like a work space as it does like a museum of the unusual items he\u2019s collected throughout his decades as one of pop\u2019s most curious minds. Meticulously organized metal shelving lines one long wall full of music books, art books, history books, and enough DVDs to put the Criterion Closet to shame. An Oscar, a Grammy, and an MTV Video Music Award are positioned unobtrusively among kitschy treasures like an ancient can of macadamia nuts with Spam and a cassette of a speech by Bob Dole. \u201cIt took a while before everything was up and on the bookshelves,\u201d he says. \u201cBut once that happened, it was like, \u2018OK, we\u2019re home again.\u2019\u201d<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-large is-resized\"><a href=\"https:\/\/www.rollingstone.com\/p\/the-rolling-stone-interview-archive\/\"><\/a><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNot long after we finish talking, Byrne will head into rehearsals for a 50-date North American tour in support of his excellent new album, <em><a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/whoisthesky.davidbyrne.com\/\">Who Is the Sky?<\/a><\/em> (out Sept. 5 on Matador Records). At 73 years old, he\u2019s as full of restless energy as ever, eager to talk about the creative process behind this album, which he made with Top 40 producer Kid Harpoon, or about his recent onstage collaborations with stars like <a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/best-surprise-guests-concerts-olivia-sabrina-1235400454\">Olivia Rodrigo<\/a>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHe\u2019s also well aware that much of the world would rather see him perform with <a href=\"https:\/\/www.rollingstone.com\/t\/talking-heads\/\" id=\"auto-tag_talking-heads\" data-tag=\"talking-heads\">Talking Heads<\/a>, the peerlessly inventive rock group he led with bass player Tina Weymouth, drummer Chris Frantz, and multi-instrumentalist Jerry Harrison before splitting under less-than-friendly circumstances in 1991. Byrne has built an impressively flexible solo career since then, making catchy and fascinating records with a widely varied cast of collaborators and selling out hundreds of nights on Broadway with his 2019 <em><a rel=\"noreferrer noopener\" data-id=\"https:\/\/www.rollingstone.com\/music\/music-live-reviews\/david-byrne-american-utopia-broadway-review-901438\/\" target=\"_blank\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-live-reviews\/david-byrne-american-utopia-broadway-review-901438\/\">American Utopia<\/a> <\/em>show. But none of those triumphs got the public more excited than the promotional appearances he made last year with Weymouth, Frantz, and Harrison for an A24 rerelease of <em><a data-id=\"https:\/\/www.rollingstone.com\/tv-movies\/tv-movie-features\/stop-making-sense-talking-heads-restoration-david-byrne-a24-40th-anniversary-1234828312\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/tv-movies\/tv-movie-features\/stop-making-sense-talking-heads-restoration-david-byrne-a24-40th-anniversary-1234828312\/\">Stop Making Sense<\/a>,<\/em> the 1984 concert film that is in many ways Talking Heads\u2019 magnum opus.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAnyone who\u2019s hoping to see Byrne reunite with Talking Heads is out of luck. At least they can look forward to seeing brilliantly reworked versions of some of their favorite songs in Byrne\u2019s current stage show. \u201cI can mix and match and have it adapt to the sound that I\u2019m doing at the moment without completely destroying the integrity of the older songs,\u201d he says. \u201cBut I\u2019m also aware that there\u2019s a real trap. If you do too much of the older material, you become a legacy act that comes out and plays the old hits. You cash in really quick, but then you\u2019ve dug yourself a hole.\u201d\u00a0<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:683px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((1024\/683)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2025\/08\/David-Byrne-_Sacha-Lecca-32v2-copy.jpg?w=683\" alt=\"\" srcset=\"\" data-lazy-sizes=\"\" height=\"1024\" width=\"683\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"lrv-u-text-transform-uppercase lrv-a-font-body-xs lrv-u-margin-t-050 lrv-u-text-align-center\">Photographs by SACHA LECCA<\/cite><\/p>\n<\/figcaption><span class=\"lrv-a-font-body-xs lrv-u-display-block lrv-u-font-style-normal lrv-u-text-align-center lrv-u-text-transform-uppercase u-padding-t-037\">Grooming by Jennifer Brent with Forward Artists using Oribe<\/span><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>The title of your new album originated in a misheard phrase, right?<\/strong><br \/>Yes. Somebody was sending me a text using voice-to-text, and the algorithm got it a little bit wrong. And what came up on my phone was \u201cWho is the sky?\u201d And I thought, \u201cThat\u2019s a beautiful phrase.\u201d I know what they were really saying \u2014 it\u2019s pretty easy to tell, in English anyway. But I thought, \u201cI\u2019m going to put that on the list of album titles.\u201d And I realized that it fit in other ways. There\u2019s a lot of songs where I\u2019m asking, \u201cWho am I? Who is this? What is that about? Why do we do this?\u201d I also had this thought that the image on the record cover would be me partly hidden. So: \u201cWho is this guy?\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>That\u2019s an interesting question to ask about yourself this far into your career. It\u2019s not a debut album.<\/strong><br \/>You\u2019d think at my age I would know who I am. But no, we\u2019re always still figuring it out. Figuring out who we are and where we belong and how we feel about things. We\u2019ll never really know all the answers.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"David Byrne - &quot;The Avant Garde&quot; (Official Lyric Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/Z97dtHprbAo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>You have a great song on this album called \u201cMy Apartment Is My Friend.\u201d Were you thinking of a particular apartment?\u00a0<\/strong><br \/>I was thinking of my apartment, where I live now. During Covid, I tried to write songs and wasn\u2019t really able to write much. I wrote words for a song called \u201cSix Feet Apart\u201d or \u201cSix Feet Away,\u201d about seeing someone, but you can\u2019t get any closer than six feet because of social distancing, and you couldn\u2019t see this person\u2019s face because of the mask, that kind of thing. I sent the words to John Mulaney and said, \u201cWhat do you think?\u201d There was a line about \u201cShe had Purell in her purse\u201d \u2014 he liked that. But I never used it. I thought, \u201cWhat\u2019s happening, it\u2019s serious. This is not a joke. There\u2019s ambulances parked outside my building, the sirens are going day and night.\u201d But after it all passed, I came up with these words for \u201cMy Apartment Is My Friend.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>The pandemic was a harrowing time here in New York, but you got a song that feels positive and uplifting out of that.\u00a0<\/strong><br \/>Yeah. This is how I felt. My apartment is cradling me. I know I\u2019m the only one there. No one else is visiting. I\u2019m going to watch an old movie on streaming at night and I\u2019m going to cook something that I haven\u2019t tried to cook before. And I don\u2019t know how messy it looked. There\u2019d be a big temptation to just be like, \u201cWell, it\u2019s my mess.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>How long have you lived in that apartment?<\/strong><br \/>Not that long, relatively speaking. Maybe 15 years now. It might seem fairly long, but I\u2019ve lived in New York for a long time.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Do you remember what your first apartment in New York was like, when you moved here in 1974?<\/strong><br \/>Well, when I first moved here, I slept on the floor of an artist\u2019s loft. He had just gotten it, and the deal was room and board for helping him fix it up \u2014 sand the floors and paint and build a loft bed for him and all that kind of stuff. That was an entry. And then eventually I moved into a loft nearby with two of the Talking Heads. Cold-water loft, no hot water, and no toilet. It was all right. Didn\u2019t have all the conveniences that one might like, and I wrote a song about that called <a href=\"https:\/\/www.youtube.com\/watch?v=9ufCXMMhwKk\" data-type=\"link\" data-id=\"https:\/\/www.youtube.com\/watch?v=9ufCXMMhwKk\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cDon\u2019t Worry About the Government.\u201d<\/a>\u00a0<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:819px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((1024\/819)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2025\/08\/David-Byrne-_Sacha-Lecca-3-copy.jpg?w=819\" alt=\"\" srcset=\"\" data-lazy-sizes=\"\" height=\"1024\" width=\"819\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"lrv-u-text-transform-uppercase lrv-a-font-body-xs lrv-u-margin-t-050 lrv-u-text-align-center\">Sacha Lecca for Rolling Stone<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>New York in the 1970s is often romanticized. Do you think people get that time period right?<\/strong><br \/>Yeah, people romanticize the grit and the dirt. On some level it was good, because the city was on its knees, so it was ignoring a lot of stuff. There were jazz clubs and discos in lofts in SoHo and other places. And the city just turned a blind eye to all this stuff. These places were far from legal, and musicians would live in these lofts and pay very low rent. It\u2019s shocking how low the rent was, but that\u2019s how funky the neighborhood was. And that allowed all of us to get a foothold. I had a part-time day job, but that was enough for me to contribute rent with the band roommates. So you could make your way. God forbid my parents would\u2019ve visited.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What was your dream when you were living in that cold-water loft?<\/strong><br \/>When I moved here, my ambition was to be what we called a fine artist, an artist who would show in galleries and things like that. But the kind of art I was doing, phew, I wasn\u2019t getting anywhere with it. I did these questionnaires and surveys. Some of the things were very conceptual. I think there was a single line on a big piece of paper, but it was in the exact shape of the New Jersey Turnpike. You can imagine, a little bit of an uphill climb to get that to go, but I was really enjoying doing that. The music stuff, I thought, \u201cThis is fun, but don\u2019t get your hopes up. There are really great musicians out there, great singers. There\u2019s people who are a lot better than you are.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>You\u2019re at a point now where you can make a record and you know it will be rapturously received. Has it always felt like people understood what you were doing?<\/strong><br \/>Oh, no. There was a period, it might\u2019ve been in the early Nineties. I worked with Latin musicians, did a couple of records with those musicians and toured. Had a great time. It was pretty well-received in Latin America, which was a relief. But in the United States \u2026 As one of the executives at Warner Records said, \u201cDavid, you are your own <a href=\"https:\/\/www.rollingstone.com\/t\/yoko-ono\/\" data-type=\"link\" data-id=\"https:\/\/www.rollingstone.com\/t\/yoko-ono\/\" target=\"_blank\" rel=\"noreferrer noopener\">Yoko Ono<\/a>.\u201d Which is unfair to Yoko, but I knew what he meant.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>If you wanted to be a conceptual artist, maybe being your own Yoko Ono wasn\u2019t so bad.<\/strong><br \/>Exactly [<em>laughs<\/em>]. But he meant more like, \u201cYou have purposely alienated your audience.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>When did that start changing?<\/strong><br \/>Probably about 10 years ago, something like that. Suddenly a younger generation started to be interested in the new things I was doing. It wasn\u2019t just the people who grew up listening to Talking Heads. There was a whole other group that was listening. That changed things.<\/p>\n<blockquote class=\"pullquote larva \/\/ lrv-a-font-theme-primary lrv-u-border-b-2 lrv-u-border-t-2 lrv-u-margin-a-00 lrv-u-text-align-center u-font-size-60 u-line-height-56 u-padding-b-175 u-padding-t-175 u-padding-lr-2@tablet lrv-a-font-secondary-xxl   \"><p>\n\t<!-- disable-pmc_link_tags_to_related_posts-starts --><\/p>\n<p>\u201cYou\u2019d think at my age I\u2019d know who I am. But we\u2019ll never know.\u201d<\/p>\n<p><!-- disable-pmc_link_tags_to_related_posts-ends --><\/p><\/blockquote>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Lots of <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/talking-heads-tribute-album-stop-making-sense-1235012075\/\" target=\"_blank\" rel=\"noreferrer noopener\">younger artists<\/a> cite you as an influence today, from <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/lorde-david-byrne-musicians-on-musicians-1239284\/\" target=\"_blank\" rel=\"noreferrer noopener\">Lorde<\/a> to Hayley Williams. They really look up to you. Are you comfortable being an object of hero worship?<\/strong><br \/>I don\u2019t like to think of myself that way, but if people like what I do, I\u2019m not going to argue with that. I\u2019m not going to have some psychological issue with it. But for the most part, I\u2019m excited about what I\u2019m doing at the moment, whether it\u2019s a record or a tour or something else. And maybe that\u2019s a big reason why some of these people like what I do. They see that I\u2019ve gotten myself into a place where I have a certain amount of freedom to try things out and do different things, which is rare in the music world.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Your performance of \u201cBurning Down the House\u201d with Olivia Rodrigo was one of the coolest moments at <a href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/governors-ball-2025-best-olivia-rodrigo-hozier-tyler-1235358778\/\" target=\"_blank\" rel=\"noreferrer noopener\">Governors Ball<\/a> this year. How did that come together?<\/strong><br \/>I saw her show at Madison Square Garden months before. She\u2019s a great performer, and she was having a really good time, you could tell. I got introduced to her afterwards, and she seemed like a real person \u2014 someone who, growing up in the world that she did, survived it really well. So then, out of nowhere, comes this invitation: \u201cHey, would you like to join me at Governors Ball?\u201d My reaction was, \u201cYeah. And shall we figure out some choreography together?\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Which you did. You and she really had the moves down.<\/strong><br \/>Yeah, yeah. We worked it out in a couple of days.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Did you ever get to work with an older artist you looked up to when you were younger?<\/strong><br \/>Oh, yeah. When we were starting out, we were big fans of the Velvet Underground. <a href=\"https:\/\/www.rollingstone.com\/t\/john-cale\/\" target=\"_blank\" rel=\"noreferrer noopener\">John Cale<\/a> and <a href=\"https:\/\/www.rollingstone.com\/t\/lou-reed\/\" target=\"_blank\" rel=\"noreferrer noopener\">Lou Reed<\/a> came to see us at CBGB. We met with Lou Reed a couple of times. He wanted to sign us to a management-production deal. But it was a little bit too much like, \u201cOh, I don\u2019t know if we\u2019re ready for this.\u201d We pulled back. John introduced us to <a href=\"https:\/\/www.rollingstone.com\/t\/brian-eno\/\" target=\"_blank\" rel=\"noreferrer noopener\">Brian Eno<\/a> on our first trip to London, and that proved to be a big deal for us. All these people that we were in awe of.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What was Lou like?<\/strong><br \/>We were playing through some of our songs, just strumming a guitar. And I remember he was showing us how if you slowed some of them down a little bit, that might not be the worst thing in the world, rather than trying to blurt out all the words really quickly. So, yeah, he had some good ideas. I remember when we met, he was eating an incredible amount of ice cream. I think he went through two of those quart containers of H\u00e4agen-Dazs ice cream in one sitting. We were like, \u201cWhoa.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>You have a song on this album called \u201cI Met the Buddha at a Downtown Party,\u201d which is another great title.<\/strong><br \/>There were a few songs where it maybe had the first couple of lines, or maybe just the title. \u201cI met the Buddha at a downtown party.\u201d And I go, \u201cOK, that\u2019s like a short story. What happens next? What did he look like? What\u2019d he say?\u201d And so it starts to write itself. You just let it go and try and keep it interesting.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tI have other ones that I never managed to turn into songs. There was one called \u201cThe 50-Foot Baby,\u201d and the baby was wreaking havoc everywhere, just smashing things and picking up cars and tossing them around. Like Godzilla, but a baby. But I didn\u2019t know exactly where to take it.<\/p>\n<blockquote class=\"pullquote larva \/\/ lrv-a-font-theme-primary lrv-u-border-b-2 lrv-u-border-t-2 lrv-u-margin-a-00 lrv-u-text-align-center u-font-size-60 u-line-height-56 u-padding-b-175 u-padding-t-175 u-padding-lr-2@tablet lrv-a-font-secondary-xxl   \"><p>\n\t<!-- disable-pmc_link_tags_to_related_posts-starts --><\/p>\n<p>\u201cIf you do too much of the older material, you become a legacy act.\u201d<\/p>\n<p><!-- disable-pmc_link_tags_to_related_posts-ends --><\/p><\/blockquote>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Maybe for the next album.<\/strong><br \/>Yeah. I\u2019d never done that before, I don\u2019t think. So that was new, writing these little stories.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>You talk about writing these songs as a process of asking questions. Did you reach any conclusions?<\/strong><br \/>I can\u2019t think of any. The more I do this, the more questions there are. You go, \u201cI thought I was going to get an answer.\u201d And the door opens, or the curtain parts, and you go, \u201cOh, my God, it\u2019s just a whole bunch more questions.\u201d A whole bunch of more things that you don\u2019t understand. And you wonder, am I ever going to get any of this figured out? Maybe not.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>You\u2019ve talked in the past about feeling different from other people, being neurodivergent or on a spectrum. Where\u2019s your thinking on that now?<\/strong><br \/>I think very, very little of that remains in me. But yes, at a certain age, I felt very socially awkward, uncomfortable. I was and still am able to focus on a song or drawing and just shut out everything else. I enjoy being with my friends, but there\u2019s times when I\u2019m alone and I\u2019m OK with that, too. So, yeah, there\u2019s elements that persist, and I\u2019m OK with it, but it\u2019s a lot less than it used to be. And some of that I think is just age. You change over years. Some of it I think is due to what music can do to you, whether it\u2019s somebody else\u2019s music or your own. Some of it\u2019s working with other musicians and band members. That becomes this very healing social situation. And part of it is the joy of making music. That\u2019s this big thing that pulls me out of it.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-full alignnone lrv-u-max-width-100p\" style=\"width:1024px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((683\/1024)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2025\/08\/David-Byrne-_Sacha-Lecca-21v2.jpg\" alt=\"\" srcset=\"\" data-lazy-sizes=\"\" height=\"683\" width=\"1024\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"lrv-u-text-transform-uppercase lrv-a-font-body-xs lrv-u-margin-t-050 lrv-u-text-align-center\">Sacha Lecca for Rolling Stone<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>You made this new album with the producer Kid Harpoon, who\u2019s known for making pop records with people like Harry Styles and Miley Cyrus. What made you want to work with someone like that?<\/strong><br \/>I liked the sound of those records that he made. I know that the subjects I choose, the kind of songs I write, are not the same as a lot of those records. But at the same time, I feel that they\u2019re still pop records. They adhere to a pop-music structure and sound, and they have choruses that you can sing along with. So why not?\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>When you perform live, you\u2019ve always got lots of musicians around you. That\u2019s very different to how some pop stars perform now, with just a DJ or a small backing band.<\/strong><br \/>Yeah, yeah. I saw <a href=\"https:\/\/www.rollingstone.com\/t\/charli-xcx\/\" target=\"_blank\" rel=\"noreferrer noopener\">Charli XCX<\/a>, and it was just her onstage, no band, no dancers, nothing else. I thought, \u201cWhoa, this is really brave.\u201d Part of me was also going, \u201cWow, this is really economical, too.\u201d But I don\u2019t know if I\u2019m ready to do that.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>When <em>Stop Making Sense<\/em> was rereleased in September 2023, how did it feel for you to see your younger self onscreen?<\/strong><br \/>When A24 was preparing to rerelease <em>Stop Making Sense,<\/em> I remember going to a screening to see the new print. I hadn\u2019t seen it in years. I\u2019m watching, thinking, \u201cWho is that guy?\u201d Sounds like the new record. But I\u2019m looking and going, \u201cHe\u2019s really serious. I feel like telling him to loosen up a little bit: \u2018Take it easy, take it easy. It\u2019s going to be OK.\u2019\u201d And by the end of the movie, he kind of does.<\/p>\n<blockquote class=\"pullquote larva \/\/ lrv-a-font-theme-primary lrv-u-border-b-2 lrv-u-border-t-2 lrv-u-margin-a-00 lrv-u-text-align-center u-font-size-60 u-line-height-56 u-padding-b-175 u-padding-t-175 u-padding-lr-2@tablet lrv-a-font-secondary-xxl   \"><p>\n\t<!-- disable-pmc_link_tags_to_related_posts-starts --><\/p>\n<p>\u201cAt a certain age, I felt very awkward. The joy of music pulls me out of it.\u201d<\/p>\n<p><!-- disable-pmc_link_tags_to_related_posts-ends --><\/p><\/blockquote>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>When you were promoting that rerelease, you spent more time with your old bandmates in Talking Heads than you had in a very long time.<\/strong><br \/>That\u2019s true, yeah.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What was that like for you, to be back with that group of people all those years later?<\/strong><br \/>It was OK. We were all very proud of that show and the film that Jonathan Demme did. We\u2019re thrilled that audiences still wanted to see it. So we put aside whatever differences we have. I said, \u201cOK, we\u2019re not going to go there, but we\u2019re going to help promote this thing.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Your bandmates said some unflattering things about you in the press before that. Tina did an <a href=\"https:\/\/faroutmagazine.co.uk\/tina-weymouth-david-byrne-trumpian\/\" rel=\"nofollow\" target=\"_blank\">interview<\/a> in 2022 where she called you a bully and compared you to Trump. How did you get over that?<\/strong><br \/>Mercifully, I didn\u2019t read a lot of that stuff. I\u2019d hear about it a little bit, like you just told me. I also know that there were periods when we made <em>Stop Making Sense<\/em> where I had this vision of what this show could be. And I probably wasn\u2019t the easiest person in the world to work with, because I was very single-minded about \u201cNo, the lighting should be like this. And the crew has to rehearse wheeling those risers out so that they\u2019re as much a part of the show as the band is.\u201d It all worked, but I was not the easiest person to work with in those days. Now I know how to collaborate a little bit better. There\u2019s a way to do it where it doesn\u2019t hurt feelings.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>In all that time you spent promoting the rerelease, were the four of you able to get back to some of the friendship that you had in the earliest days?<\/strong><br \/>Did we feel more comfortable with one another? Yeah. We felt more comfortable with one another, but I\u2019m just going to anticipate your next questions. I didn\u2019t feel like, \u201cOh, yeah, let\u2019s go out on tour again.\u201d Or, \u201cLet\u2019s make another record.\u201d Musically, I\u2019ve gone to a very different place. And I also felt like there\u2019s been a fair number of reunion records and tours. And some of them were probably pretty good. Not very many. It\u2019s pretty much impossible to recapture where you were at that time in your life. For an audience \u2026 that was formative music for them at a particular time. They might persuade themselves that they can relive that, but you can\u2019t.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Do you understand why people want a Talking Heads reunion?<\/strong><br \/>I totally understand it. I\u2019m a music fan like other people. And there\u2019s artists that stopped working, or bands that broke up, that I heard at a period in my life where music was very important. Maybe I never heard it when it was happening, I missed it. I would love to see it live now. But you realize you can\u2019t turn the clock back. When you hear music at a certain point in your life, it means a lot. But it doesn\u2019t mean you can go back there and make it happen again.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>You\u2019re at a point in your career where some people might start thinking about a farewell tour or retirement. Is that something you think about?<\/strong><br \/>No, I haven\u2019t thought about it. I\u2019ve thought about other things. Fred Armisen convinced me to try doing some stand-up, which I did unacknowledged, and it kind of worked. That is one of the scariest ever, because you\u2019re just alone with words for the most part. I don\u2019t know if I\u2019m ready to go there, but you never know.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>You actually went to a comedy club and did a stand-up set?<\/strong><br \/>Yes, I did. It\u2019s a thing that he organizes where he has guests but they\u2019re not announced. And as with comedy clubs, nobody\u2019s allowed to use their phones or anything like that.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>So you can\u2019t find it on YouTube?<\/strong><br \/>Nope.\u00a0<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/david-byrne-interview-new-album-talking-heads-1235400774\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>D avid Byrne strolls into his downtown Manhattan office around noon and promptly removes all of his footwear. He\u2019s been in this prewar building&#8230;<\/p>\n","protected":false},"author":5,"featured_media":43689,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-43688","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/43688","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=43688"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/43688\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/43689"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=43688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=43688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=43688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}