{"id":44105,"date":"2025-08-18T13:56:50","date_gmt":"2025-08-18T13:56:50","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/18\/s-g-goodman-on-tyler-childers-covering-her-song-space-and-time\/"},"modified":"2025-08-18T13:56:50","modified_gmt":"2025-08-18T13:56:50","slug":"s-g-goodman-on-tyler-childers-covering-her-song-space-and-time","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/18\/s-g-goodman-on-tyler-childers-covering-her-song-space-and-time\/","title":{"rendered":"S.G. Goodman on Tyler Childers Covering Her Song &#8216;Space and Time&#8217;"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMention this summer\u2019s <a href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/newport-folk-festival-2025-best-public-enemy-luke-combs-1235394919\/\">Newport Folk Festival<\/a> to <a href=\"https:\/\/www.rollingstone.com\/t\/s-g-goodman\/\" id=\"auto-tag_s-g-goodman\" data-tag=\"s-g-goodman\">S.G. Goodman<\/a>, and she\u2019ll lead with a sports story. \u201cOh, I kicked Kevin Morby\u2019s ass,\u201d she says, faster than it took to bring up the fest in the first place.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tGoodman was the captain of the winning team in the Newport All-Star softball game, getting the best of Morby\u2019s group. A day later, she found herself on the Harbor Stage, covering the Butthole Surfers\u2019 \u201cPepper\u201d and inviting Dan Reeder on stage to play on \u201cI\u2019m in Love,\u201d one of the signature tunes on <em>Planting by the Signs<\/em>, Goodman\u2019s third studio album, which dropped in June. She also found time to sit in during MJ Lenderman\u2019s set.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDays after that Newport whirlwind, Goodman holed up in a coffee shop in Midtown Manhattan to while away the hours before opening for Patty Griffin at Sony Hall by reflecting on Newport and the weeks since <em>Planting by the Signs<\/em> hit streaming sites and record stores.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHer overarching assessment of Newport was that she was a lot more nervous than she let on.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cDuring my set, or bringing Dan up and sitting in with MJ, the nerves didn\u2019t hit,\u201d she recalls. \u201cWhen they really hit was when I knew I was sitting in with Lucius, who are just masters at harmonizing. I was basically subbing in on this wonderful song they did with Madison Cunningham. It\u2019s a complicated song, and it was maybe going past my abilities as a vocalist to do it seamlessly. Then, when I walked up to the stage, I was handed the setlist, and right under me was Mavis Staples. I just went, \u2018Jesus Christ. Here I am, gonna be really putting myself out there, and right after me is gonna walk a living legend.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tGoodman\u2019s re-telling may be self-deprecating, but it reflects the Kentucky native\u2019s slow, almost grudging, acceptance of the spotlight. Even before <em>Planting by the Signs<\/em>, Goodman\u2019s star power was growing more quickly than at any point since her 2020 solo debut, <em>Old Time Feeling<\/em>. She had a long post-pandemic run of opening for Jason Isbell and the 400 Unit and was named the 2023 Emerging Artist of the Year at the Americana Honors &amp; Awards. But it was Tyler Childers covering the heart-wrenching love ballad \u201cSpace and Time\u201d from that debut album, including it on his 2023 release <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/tyler-childers-in-your-love-video-new-album-rustin-in-the-rain-1234795496\/\">Rustin\u2019 in the Rain<\/a><\/em>, that broadened Goodman\u2019s fan base exponentially.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn front of an audience, she manages her creeping fame with dry, Kentucky humor, and it works, as she showed later that night when she played ahead of Griffin.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThis song is called \u2018Heaven Song,\u2019\u201d Goodman told the sold-out crowd inside the 500-seat listening room as she introduced one of the tracks on <em>Planting by the Signs<\/em>. \u201cI\u2019m not very good at titles. I don\u2019t really give a shit about them, to be honest with you. After I write a song, I feel like I\u2019ve done the thing. Just let AI generate them.\u201d She catches herself quickly: \u201cNah, I\u2019m just kiddin\u2019 there. AI didn\u2019t generate this one, they could never.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"S.G. Goodman covers Butthole Surfers at Newport Folk Festival 2025\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/WraCJ6dMBz4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhatever humor Goodman brings in playing the record, it is rooted in the polar opposite feelings. <em>Planting by the Signs<\/em> is the product of a mushroom-aided quest to overcome writer\u2019s block and despair. In a two-week period in 2023, Goodman saw her longtime dog die, followed by a friend and mentor. The grief that followed left her detached. The mushrooms helped her reconnect with the world around her, then to her music. The album\u2019s title is a referencs to getting in touch with nature and existing according to lunar signs.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSince the record\u2019s release, audiences have taken note of the joy that Goodman elicits while she\u2019s working through it onstage.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cOne thing I\u2019m particularly moved by is people\u2019s response to me, maybe, evolving into some different things, sonically,\u201d she says. \u201cIt registers live, too. People give me feedback that they\u2019re excited to see new players onstage, or how they can tell that I approach this record different, vocally, and that I had fun. And I did. I had fun making this record, and I\u2019m having a lot of fun playing it live. I\u2019ve been known to banter a lot onstage, but with this album, I\u2019ve created a lot of interludes. It\u2019s a very narrative record, and even in a live setting, I\u2019m trying to honor that.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOne of the new players Goodman references is <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/john-calvin-abney-when-this-blows-over-1073185\/\">John Calvin Abney<\/a>, a musician and songwriter from Oklahoma and frequent collaborator with John Moreland. Abney opened a run of West Coast shows for Goodman in the spring, and when she decided to tour with a band in support of <em>Planting by the Signs<\/em>, she brought Abney on as keyboard and auxiliary player.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cS.G. bears the mark of a grand bandleader and carries a thorough thoughtfulness toward the folks in her camp,\u201d Abney tells <em>Rolling Stone.<\/em> \u201cShe approaches her performances as she does her songs \u2014 with a combination of emotional wealth and narrative depth. I\u2019ve enjoyed being a part of the group, because she knows what she wants from us artistically. She pushes us towards playing better while giving us space to speak in our voices. All that said, she can crack anyone up with a joke, too.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOne of the shows Goodman played with her band in April was Childers\u2019 sold-out concert at Kroger Field on the campus of Kentucky University in Lexington. Goodman was the first of three artists on the bill, with Wynonna Judd playing between her and Childers. Goodman ended her set with the \u201cSpace and Time,\u201d affording thousands of Childers fans the chance to hear the song\u2019s creator play it.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cAfter I put out <em>Old Time Feeling<\/em>, it was my first time to experience the thought, \u2018Oh my goodness, this is the end of an album cycle,\u2019\u201d Goodman says. \u201cThis song that I love and that is so special to me is dead now. Then, I have Tyler Childers, who is an amazing songwriter all by himself, who wants to cover my song\u2026 Just the fact that Tyler felt moved to do that has allowed that song to be experienced and heard by a lot more people \u2014\u00a0maybe different people than it would have been if I\u2019d have just continued to sing it on the road.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor all the difference that made in Goodman\u2019s career, her biggest takeaway from Childers is something more basic. She explains that opening for her fellow Kentucky songwriter \u2014 and Isbell and Margo Price, too \u2014 let her witness the way those artists treat crew members, family and friends, giving her a baseline for how she wants her own camp to operate. They create their own extended family on the road, she says, which in turn makes touring something more than simply bearable.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThis is how Goodman\u2019s own life reflects the notion of planting by the signs. All the aspects of her music \u2014 songwriting, recording, touring, and the interviews and softball victories that come with it \u2014 have to work together. What the world sees in her art must be a reflection of the life she has carved out for herself. Even if that means they\u2019re seeing her processing grief every night, it\u2019s true-to-life, and Goodman is at peace with it.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI think I\u2019ve actually struggled with what\u2019s the point of doing music at all, when you could do so many other things with your life,\u201d Goodman says. \u201cI was a philosophy kid. I wanted to go to law school. For a long time, I questioned if I was helping anybody by doing what I\u2019m doing. In writing this record, I\u2019d say I write a lot of emotional songs, and I get a lot of emotional responses from people. I\u2019m told a lot of heavy things. That made me question, \u2018Am I just making people sad?\u2019 Then, I was in this really big grief period myself. I started reading this book called <em>A Wild Edge of Sorrow<\/em>, which is about grief rituals and how we go through that. During that time, it hit me. There might be something to being a minister of grief, if that\u2019s what people need.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIf people feel like they can cry, or have an emotional experience because of my music, there\u2019s some purpose there.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Josh Crutchmer is a journalist and author whose latest books, <\/em><a href=\"https:\/\/neversayneverbook.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>Never Say Never<\/em><\/a><em> and <\/em><a href=\"https:\/\/reddirt-unplugged.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>Red Dirt Unplugged<\/em><\/a><em> are available via Back Lounge Publishing.<\/em><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/s-g-goodman-tyler-childers-space-and-time-1235410361\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mention this summer\u2019s Newport Folk Festival to S.G. Goodman, and she\u2019ll lead with a sports story. \u201cOh, I kicked Kevin Morby\u2019s ass,\u201d she says,&#8230;<\/p>\n","protected":false},"author":5,"featured_media":44106,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-44105","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/44105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=44105"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/44105\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/44106"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=44105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=44105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=44105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}