{"id":44201,"date":"2025-08-19T13:11:49","date_gmt":"2025-08-19T13:11:49","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/19\/tom-waits-kathleen-brennan-share-robert-wilson-tribute\/"},"modified":"2025-08-19T13:11:49","modified_gmt":"2025-08-19T13:11:49","slug":"tom-waits-kathleen-brennan-share-robert-wilson-tribute","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/19\/tom-waits-kathleen-brennan-share-robert-wilson-tribute\/","title":{"rendered":"Tom Waits, Kathleen Brennan Share Robert Wilson Tribute"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/tom-waits\/\" id=\"auto-tag_tom-waits\" data-tag=\"tom-waits\">Tom Waits<\/a> and Kathleen Brennan have shared a tribute to their friend and frequent collaborator, Robert Wilson, the renowned theater director, playwright, and artist, who died late last month at the age of 83.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cBob was among the artists who see, feel, hear, and sense the world in a way that most don\u2019t experience it and want that experience to be shared and to connect others also immersed and suspended between the breaths of Life,\u201d Waits and Brennan wrote. \u201cBob set course for the unseen portals of his imagination and gathered brave, adventurous, devoted, gifted, and brilliant artists, and crews and devotees and opened many hearts and eyes.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWilson was <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.nytimes.com\/2025\/07\/31\/theater\/robert-wilson-dead.html\">renowned<\/a> for his provocative productions, which were often built around his unique approach to staging, as opposed to dialog or narrative. He founded the Watermill Center, a self-described \u201claboratory for performance,\u201d and collaborated with numerous luminaries at the avant-garde and pop nexus, including Lou Reed, Susan Sontag, Lady Gaga, Philip Glass, and William Burroughs.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWaits and Brennan were among his most frequent collaborators. In the late Eighties, Waits wrote the music for Wilson\u2019s play <em>The Black Rider: The Casting of the Magic Bullets<\/em>, later recording many of those songs for his 1993 album, <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/the-black-rider-187461\/\">The Black Rider<\/a><\/em>. Similarly, Waits and Brennan wrote the music for Wilson\u2019s 1992 play <em>Alice <\/em>and his 2000 production <em>Woyzeck<\/em>; the songs for those projects were eventually recorded for Waits\u2019 albums, <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/alice-2-250746\/\">Alice<\/a><\/em> and <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/blood-money-250669\/\">Blood Money<\/a><\/em>, both of which arrived in 2002.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cOver 40 years of loving Bob and still he astounds,\u201d Waits and Brennan wrote. \u201cHis vodka paintbrush of absurdity, vaudeville, heartbreak and forgiveness and imagination of the infinite is still wet and painting backdrops backwards behind the Mirror into the wee hours of the morning of his opening night! We will always be suspended in his orbit.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe couple went on to remember the multi-faceted nature of Wilson\u2019s creativity, calling him an \u201cabsolute amethyst of an actor \u2026 a space floating astronaut.\u201d They celebrated his ability to come up with \u201c6 impossible things before breakfast to stage, to paint, to costume, to build, draw, perform, choreograph, film, design \u2026 to light into Life and darkness.\u201d\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn a final flourish both fittingly poignant and idiosyncratic, Waits and Brennan ended by trying to encapsulate Wilson\u2019s attentiveness, vision, and command of his craft: \u201cAlways attune, to a finger, a face, a chin, a leg, a tear, a gesture, a shape, an ear, a branch, a child under the table, the stalk of blooming cactus \u2026 or an unplanned sneeze that turns on the Christmas lights as you the say the word \u2026 SCHLEP!\u00a0 His actors ever game and skillful would, upon Bob\u2019s suggestions and their imaginations, would turn their bodies into the letter G or throw up their arms like the wings of a crow and open their mouths in a silent scream \u2026 Bob s-l-o-w-e-d everything down, the actors moved as if underwater \u2026 the audience experienced a flower blooming in real time. Robert Wilson. Bob. Beloved Bob.\u00a0 Biscuits and Gravy Bob, Elegant Bob.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cAnd \u2026 with his down-home heart and pure prisms of light mind and a wild and wicked Texas cackle ripping up yellow lighting in a black sky desert \u2026 Forever Bob \u2026\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWilson died at his home in Water Mill, New York on July 31 after what was described in a statement as a \u201cbrief but acute illness.\u201d The statement continued: \u201cWhile facing his diagnosis with clear eyes and determination, he still felt compelled to keep working and creating right up until the very end. His works for the stage, on paper, sculptures and video portraits, as well as The Watermill Center, will endure as Robert Wilson\u2019s artistic legacy.\u201d<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/tom-waits-kathleen-brennan-robert-wilson-tribute-1235410865\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tom Waits and Kathleen Brennan have shared a tribute to their friend and frequent collaborator, Robert Wilson, the renowned theater director, playwright, and artist,&#8230;<\/p>\n","protected":false},"author":5,"featured_media":44202,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-44201","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/44201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=44201"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/44201\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/44202"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=44201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=44201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=44201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}