{"id":44441,"date":"2025-08-21T14:54:32","date_gmt":"2025-08-21T14:54:32","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/21\/jesse-welles-writes-simple-protest-songs-but-hes-complex\/"},"modified":"2025-08-21T14:54:32","modified_gmt":"2025-08-21T14:54:32","slug":"jesse-welles-writes-simple-protest-songs-but-hes-complex","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/21\/jesse-welles-writes-simple-protest-songs-but-hes-complex\/","title":{"rendered":"Jesse Welles Writes Simple Protest Songs But He&#8217;s Complex"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<span class=\"a-style-intro lrv-a-floated-left lrv-u-display-inline-block lrv-u-margin-r-050 u-margin-b-n025\"><br \/>\n\t\t\t<span class=\"a-font-theme-primary lrv-u-align-items-center lrv-u-flex lrv-u-height-100p lrv-u-justify-content-center lrv-u-width-100p u-font-size-150 u-font-size-104@mobile-max u-line-height-124 u-line-height-94@mobile-max\">I<\/span><br \/>\n\t\t<\/span>t happened earlier this month the same way it always happens. <a href=\"https:\/\/www.rollingstone.com\/t\/jesse-welles\/\" id=\"auto-tag_jesse-welles\" data-tag=\"jesse-welles\">Jesse Welles<\/a> was scrolling on his cell at home in northwest Arkansas \u2014 Siloam Springs, population 21,000 \u2014 when he came across a recruitment ad for the United States Immigration and Customs Enforcement (ICE to most of us).<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI thought, \u2018Well, that sounds like a great use of my time,\u2019\u201d he says drolly. Putting down his phone, Welles mulled over the subject, opened a Google doc, and began tapping out lyrics written in the voice of a bottled-up ICE agent: \u201cThere\u2019s a hole in my soul that just rages\/Well, the ladies turned me down\/And told me I was a clown\/Well, won\u2019t you look at me now\/I\u2019m putting folks in cages.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWelles grabbed one of his acoustic guitars, set his words to a plucky folk melody, and eventually made his way to a nearby city park. To ensure as little background noise as possible, he headed for his preferred spot on a hill where the wind doesn\u2019t blow so hard. Setting up his phone, pointed at himself, he began singing in a voice that evoked both Kurt Cobain\u2019s anguish and John Prine\u2019s wry mischievousness, his floor mop of hair bobbing back and forth to the beat. In no time, the new song \u201cJoin ICE\u201d was on Welles\u2019 social feeds, eventually racking up more than 1 million views.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tScore another viral hit for Welles, and another step in the comeback of the protest song.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Join Ice\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/OjGHf7OvglM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWith Donald Trump\u2019s return to the White House, the topical, off-the-news song has staged a minor comeback. Search long enough on TikTok or Instagram and you\u2019ll stumble across outraged songwriters addressing the disarrayed state of the nation in homemade videos. But few, if any, are doing it as frequently and with as much of a social media impact as Welles.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOver the last year and a half, the 32-year-old has dashed off a barrage of outraged, barbed, or mocking songs about the mass casualties in Gaza (\u201cWar Isn\u2019t Murder\u201d), the Biden-Trump debate (\u201cThe Olympics\u201d), the sorry state of healthcare in America (\u201c<a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/unitedhealthcare-song-jesse-welles-protest-song-1235202103\/\">United Health<\/a>,\u201d \u201cCancer\u201d), opioid addiction (\u201cFentanyl\u201d), Russian citizens drafted into the invasion of Ukraine (\u201cHow Many Times\u201d), and those mysterious Jeffrey Epstein files (\u201cThe List\u201d). And that\u2019s just for starters. \u201cIt just helped me make sense of what was going on around me,\u201d says Welles in a Zoom call from his home, displaying both his pronounced biceps and a mighty shag that makes him look like a hair-metal dude on a day off. \u201cWhat you\u2019re listening to is me making sense of the news: \u2018What is this fentanyl crisis? Let me break it down in terms I can deal with and I\u2019ll make it rhyme.\u2019\u201d<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn a world awash in content, few should have noticed. But in a shift that indicates a desire to hear someone, <em>anyone<\/em>, sing truth to power during the disruptive Trump 2.0 era, Welles turned out to be the right man at the right time. His songs \u2014 most  barely two minutes long, perfect for memes and viral moments \u2014 have accrued millions of views and largely supportive comments, as seen by the laudatory responses to \u201cJoin ICE.\u201d Wrote one fan, \u201cThis is a dangerous song because conservatives don\u2019t understand irony.\u201d Another: \u201cBeen waitin for this, didn\u2019t think it would be this fast. You\u2019re always spot on but honey, you nailed this.\u201d And this: \u201cIncisive and savage. Great response to the moronic rhetoric and brutal policies of this sick administration.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIf that scenario sounds familiar, it should. Two years ago, a bearded Virginia troubadour named <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/who-is-oliver-anthony-rich-men-north-of-richmond-1234878370\/\">Oliver Anthony<\/a> posted a raw-voiced tirade called \u201cRich Men North of Richmond,\u201d also filmed in the woods and tapping into populist discontent. The song made Anthony a viral sensation, but he proved to be a one-rage wonder.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSo far, Welles has managed to avoid that fate. Unlike Anthony, Welles has been mostly embraced by the more left-leaning Americana and folk world. At last year\u2019s Farm Aid, Dave Matthews introduced Welles with, \u201cI think he\u2019s one of the best songwriters I\u2019ve ever heard in my life. \u2026 he gives me hope and he\u2019s unbelievable.\u201d Both Sierra Ferrell and Billy Strings make<strong> <\/strong>appearances on <em>Pilgrim<\/em>, the insanely prolific Welles\u2019 second of three albums released this year.  <\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNathaniel Rateliff also began waving the Welles flag. After meeting Welles at Farm Aid last year, the singer, who curated this year\u2019s Newport Folk Festival, invited him to join the lineup. \u201cIt\u2019s nice to hear somebody talk about anything that\u2019s going on and calling things out as he sees it,\u201d says Rateliff. \u201cI don\u2019t hear anybody in the media on TV talk about what\u2019s happening in Washington. So, it\u2019s nice for somebody to be literal about what\u2019s happening and do it in the form of a song. He\u2019s got a real Bernie Sanders approach to a song.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAt Newport, the demand to see Welles was so strong that his set was moved from a smaller side stage to the main one. Thousands watched, in blistering heat, as he played his musical commentaries and some of his even stronger, less overtly political songs, like \u201cChange Is in the Air\u201d and \u201cHorses.\u201d \u201cI think they certainly connected with the \u2018young Bob Dylan\u2019 aspect of him being a protest songwriter,\u201d Rateliff says. \u201cPeople are hungry for that in some ways.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tEvery era needs its voice of the people, and through timing, luck, and talent, that person may be Welles. \u201cThere\u2019s a lot of people protesting different things in their own way, which is a <em>beautiful<\/em> thing about America, and something we can\u2019t forget \u2014 that we have the great gift to be able to sing these songs, and I don\u2019t have to worry about my life,\u201d he says. \u201cNo one will come and kill me.\u201d But like Dylan and others before him, will they look to him for answers?<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"War Isn\u2019t Murder\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/8E9l_i6HPYM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>The sight of Welles strumming an acoustic guitar<\/strong> and knocking out ditties wasn\u2019t a surprise to Simon Martin. A decade or so ago, when they were friends in Arkansas, the drummer and Welles would hang out on Martin\u2019s porch in Fayetteville. \u201cHe\u2019d bring a guitar and just play these same little simply folkie chord numbers and make stuff up,\u201d Martin says. \u201cWe were sitting around smoking some grass, making jokes, and being stupid, so it\u2019s funny to see him out in the woods doing that. Of course, the lyrics are now much more meaningful.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe son of a mechanic and schoolteacher, Jesse Allen Breckenbridge Wells, as he was named at birth in 1992, grew up in Arkansas, watching PBS shows on a TV set with what he calls \u201crabbit ears\u201d and tolerating his sister\u2019s love of \u2018NSync and Backstreet Boys. He himself was drawn to vintage music \u2014 Gladys Knight and the Pips to the Guess Who, he says \u2014 by way of the local oldies radio station. In second grade he sang \u201cTwist and Shout\u201d in a talent contest and, by high school, was introduced to Led Zeppelin and Black Sabbath.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBy his early teens, Welles had discovered the guitar; in an early sign of his clever streak, he started a high school band named the Stimulus Package, after the Obama recession program. When he was about 20, he dubbed himself \u201cJeh Sea Wells\u201d and began recording and posting his songs on services like SoundCloud. He attended local colleges, earning a degree in music theory, but was working at a local Waffle House when he put an ad on Craigslist looking for band members. Martin responded and, with a bassist, they formed Dead Indian, which reflected one of Welles\u2019 obsessions: Nirvana. \u201cWhich was already 20 years after the fact,\u201d Welles says of the grunge pioneers. \u201cBut listen, if the middle of the country is behind the coasts, then the middle of Arkansas is behind <em>30<\/em> years.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOver the next few years, Dead Indian put out a few records of next-generation ravaged grunge and played around the area. Welles was already itching to move on. He and Martin started another band, Cosmic American, but a record executive who heard some of his music suggested Welles move to New York, L.A., or Nashville. He chose the latter, which wasn\u2019t as far away from Arkansas, and thus began his next group, Welles, adding an extra \u201ce\u201d to his surname.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWelles\u2019 potential as a rocker was clear to Eddie Spears, the producer and engineer who worked with the band Welles and has continued to collaborate with the musician. \u201cJesse\u2019s real quiet and has a calm aura to him,\u201d he says. \u201cBut when he got behind a microphone, he had that great raspy, loud angst, at least at that time. He really embodied an amazing anger, like what you imagine John Lennon was like when he was making <em>Plastic Ono Band<\/em>.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLooking back, Welles describes himself as \u201ca 22-year-old whose only ambition from the time I was a teenager was to be signed to a record label.\u201d But that dream didn\u2019t pan out. The band Welles scored a gig at Bonnaroo in 2017, released a few EPs and a full album in 2018, and toured a bunch, but the world wasn\u2019t especially interested in grunge-metal thrashings. The album went nowhere and Welles found himself back home in Arkansas. \u201cI didn\u2019t know what to do,\u201d he says. \u201cI had been playing and touring for about four years, real steady, and Covid knocked everything off the road. All my friends and I, we didn\u2019t know what to do. So I said, \u2018Well, I know something I <em>can<\/em> do. I can go back to the country, and I can live cheap out there and regroup.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAt first, returning to his home state was, he says, a downer: \u201cI got back to Arkansas and thought, \u2018Well, this is the end. I\u2019m quitting.\u2019\u201d But when his father suffered a heart attack (he survived), Welles made a decision that would change his life. \u201cI thought, \u2018If he goes right now, I\u2019ve barely had any time with him,\u2019\u201d he says. \u201cAt that point, I decided life was too short and I was just going to write music constantly and put it out with no gatekeepers. I was far enough away from any kind of music-industry thing to make me feel like there were no rules.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThat summer of 2023, Welles encountered Anthony\u2019s \u201cRich Men North of Richmond\u201d video and was duly inspired. \u201cI saw Chris,\u201d he says, referring to Anthony by his real name, \u201cand I thought, \u2018Oh, we can do <em>that<\/em>.\u2019 Good to know. You don\u2019t need anything. You can enact change on your own. I loved how green it was; it was pleasant to look at. And I thought, \u2018This is the way to go.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTwo months after \u201cRich Men North of Richmond,\u201d Welles ventured to that park near his home, pressed record on his phone, and began singing and strumming songs for the camera. At first he stuck with covers by the Beatles, Paul Simon, Nirvana, and Donovan, among many, but as he says, \u201cI was tired of trying to remember the words to the classic-rock tunes, so I thought I would do my songs.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"WELLES - Hold Me Like I&#039;m Leaving - 3\/31\/2017 - Paste Studios, New York, NY\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/knI20MEKHuQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBeginning in March 2024, he ventured into his originals, starting with \u201cThe Olympics,\u201d a take on the potential rematch between Trump and Joe Biden that captured how exasperated many were at the thought of two boomers duking it out again. (Name-checking \u201cHotel California,\u201d he sings, \u201cFor giving us such amazing music we could almost forgive you for our situation this damn dire.\u201d) \u201cI was taking all my cues from a Guthrie standpoint,\u201d Welles says. \u201cI\u2019ve always, from a young age, liked Woody Guthrie, but I didn\u2019t understand when I was a boy that it was subversive, like a truth vessel hidden in a fun song.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe song would eventually accrue more than 1.4 million views on TikTok and signaled a new era for Welles. That same month, his manager partnered with Q Prime, the high-power management firm whose various divisions rep everyone from Metallica and Greta Van Fleet to Eric Church and Ashley McBryde. \u201cI still don\u2019t know what the big deal is,\u201d Welles insists. \u201cI just knew as soon as people liked \u2018The Olympics,\u2019 I thought, \u2018Well, you have to do better than <em>that<\/em>, and you have to do better than the next one, and you have to do better than the next one. You\u2019ve got a lot of work to do, mister.\u2019 That\u2019s what I reckoned.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe way many people gravitated toward what he\u2019s called his \u201cnew iteration\u201d does appear to have taken Welles by surprise. Last year, he attended an Arkansas show by Rateliff and the Night Sweats, and Rateliff learned more about Welles\u2019 background, the origin of his woodsy videos, and how Welles was adjusting to his new role. \u201cHe was like, \u2018That\u2019s not really what I <em>do<\/em>, though \u2014 I was in all these, like, rock bands,\u2019\u201d Rateliff says. \u201cHe\u2019s got a young punk in there.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tStill, the topical tunes \u2014 with melodies that recalled vintage Guthrie or Prine and videos that spelled out the lyrics in each \u2014 kept coming. Some, like \u201cCancer,\u201d are scathing (\u201cas lucrative a business as a war,\u201d he sings). Others are sarcastic, as when he quips, \u201cHell, even Kushner agrees, it\u2019s good real estate,\u201d in \u201cWar Isn\u2019t Murder.\u201d \u201cYou have to give folks credit,\u201d he says. \u201cWe\u2019d like to believe our peers maybe aren\u2019t as smart as us, but people are smart, and I never write down to anybody.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tPosted just days after the assassination of United Healthcare head Brian Thompson, \u201cUnited Health\u201d mostly avoided commentary on the shooting but spelled out the ways that insurance companies riled up their own customers. Welles doesn\u2019t feel he responded quickly enough to the incident, but the video has garnered more than 2.2 million views since it was posted. \u201cI feel like I have finally put my foot down and decided what I needed to sound like and not tried to do anything anybody else really wanted of me,\u201d he says. \u201cI thought I needed to be a rock &amp; roll player, but I just don\u2019t have that coolness in me. To be able to just be myself, it just makes everything feel a lot better.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:1024px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((682\/1024)*100%);\">\n<p>\t\t\t\t\t\t<\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAnna Canoni, Woody Guthrie\u2019s granddaughter and the head of Woody Guthrie Publications, heard Welles last year, when \u201cCancer\u201d popped up on a social reel. \u201cIt really got me to stop and take pause,\u201d she says. \u201cI listened to a few more songs and thought, \u2018This is interesting.\u2019 What made Woody stand out in his time was that he was singing songs about the Dust Bowl and the Depression to the people it was affecting. He was relating their story back to them in song. Jesse is doing the same thing. You go, \u2018Who is this kid? Where has he been?\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>In conversation, Welles isn\u2019t quite the firebrand heard<\/strong> in his songs. Pausing before responding to questions, he sometimes cocks his head and glances to the side, pondering the appropriate response. But one question \u2014 about whether he voted in the last presidential election \u2014 doesn\u2019t elicit an answer at all. Staring at his Zoom camera, Welles scratches his head and remains silent for 20 seconds. Finally, he says, \u201cI just \u2026 I didn\u2019t know I\u2019d be talking about that kind of thing,\u201d and declines to respond.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn last year\u2019s \u201cTrump Trailers,\u201d Welles envisioned the current president as a trailer-park resident who would \u201crun for supervisor\u201d and \u201close the vote, not give a damn\/Run over the ballot with his dad\u2019s Trans Am.\u201d From songs like that (or \u201cSignal Leak,\u201d which pokes at Secretary of Defense Pete Hegseth\u2019s group chats), one may assume Welles leans a certain, liberal-minded way. \u201cWe didn\u2019t talk politics much,\u201d says Martin about his days with Welles in Dead Indian. \u201cBut he was always welcoming of people who were different: trans folks, people who weren\u2019t white. He was especially kind to homeless folks. I remember he\u2019d always sit down and give them a cigarette and have a quick talk with them if they were hanging around. I always figured he was on the left side of the spectrum.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWelles is aware of the questions Oliver Anthony faced \u2014 or avoided \u2014 after \u201cRich Men North of Richmond,\u201d the way the media tried to dissect where he stood on the issues. \u201cI suppose that is part of the endeavor,\u201d Welles acknowledges of what Anthony encountered. \u201cPeople want to know, and you may not yourself know just exactly what\u2019s happened or what\u2019s going on. Maybe no answer is good enough. I can\u2019t imagine that\u2019s an easy position to be in.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn general, Welles projects that he\u2019s not beholden to anyone. To maintain his independence, he\u2019s now releasing his music on his own, with no record company backing. \u201cThat is true freedom,\u201d he says. \u201cYou\u2019re not going to find protest music with the Columbia Records stamp on it. It\u2019s certainly not playing on the radio or anything like that.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThat philosophy also seems to extend to his political views. Unlike protest singers of the past, Welles doesn\u2019t point fingers at specific people; names like Trump, Biden, or Kamala Harris never come up. On his voter registration form in Arkansas, Welles didn\u2019t declare a party affiliation. Instead, he speaks in generalities, opting to be the voice of those who don\u2019t trust anyone or anything in the so-called system. \u201cI think a lot of us are politically homeless,\u201d he says. \u201cWe\u2019ve been orphaned, and it\u2019s likely that we have been since before I was born. It seems very apparent now, in a way that maybe it didn\u2019t in the past, that <em>nobody<\/em> has your interests in mind. And now it feels like the first step in any kind of progress is unearthing the truth of the matter first, and we are arriving at that truth every day.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHow is that approach reflected in the current White House? Again, Welles doesn\u2019t mention specific names, although he hints at Elon Musk. \u201cHow do they not care about the little man, the citizen?\u201d he says. \u201cIt seems like eons ago, but I do believe there was a very prominent billionaire who was a very critical component of the government, for what seems now like just a blip in time. That was maybe one of the first times it was visible. If there is one takeaway, the American people can know, after decades and decades of war and coverup, that at the end of the day, we are not who they have in mind.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tEvents of the last month, like immigration crackdowns and military call-ups, also elicit more philosophical musings than lashings out. \u201cIt seems like a great, concerted, and obvious distraction,\u201d he says. \u201cAt all times, from all directions, throwing everything at the wall to see what will stick with the public. And nothing is sticking.\u201d What are they distracting us from? \u201cI don\u2019t know what exactly, because none of us know what the truth is. But to distract any individual from the truth is the game plan, and has been for decades. But especially now.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen he does get a bit more specific, his responses can be unexpected. In another online song, \u201cPBS,\u201d Welles sang about being a \u201ckiddo down in Arkansas\u201d who watched Mr. Rogers and \u201ca purple dinosaur.\u201d But he doesn\u2019t seem as rattled as others in the music world by the <a href=\"https:\/\/www.rollingstone.com\/politics\/politics-news\/corporation-for-public-broadcasting-close-trump-cuts-funds-1235398795\/\">collapse of the Corporation for Public Broadcasting<\/a> and the way that may result in local public-radio stations being <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/public-radio-defunding-effect-on-americana-artists-1235398140\/\">unable to play music<\/a> on the air without CPB funding. \u201cThey\u2019ll be fine,\u201d he says, then adds, referring to himself, \u201cIt\u2019s not the duty of National Public Radio to spin some loser\u2019s record from Arkansas. They\u2019re there to inform. The music has moved over to streaming. I don\u2019t know who\u2019s really relying on radio. Some of the biggest artists right now don\u2019t even have any radio play.\u201d\u00a0<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:1024px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((682\/1024)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2025\/08\/SIL_4135-copy.jpg?w=1024\" alt=\"\" srcset=\"\" data-lazy-sizes=\"\" height=\"682\" width=\"1024\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"lrv-u-text-transform-uppercase lrv-a-font-body-xs lrv-u-margin-t-050 lrv-u-text-align-center\">Sacha Lecca\/Rolling Stone<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhether it\u2019s careful or calculated, Welles\u2019 strategy is savvy, since he wants to be known as more than just the guy spewing songs inspired by cable news. On his three latest albums, including this week\u2019s <em>Devil\u2019s Den<\/em>, he\u2019s made a concerted effort to include only one social-commentary song per record. That slot on <em>Devil\u2019s Den<\/em> goes to \u201cThe Great Caucasian God,\u201d about, he says, \u201cthe evangelical lockstep with war in the Middle East, and kind of a radical notion of bringing about the end times by killing people.\u201d With its starkly beautiful arrangements and moments of Mellencamp-reminiscent rock dynamics, the more generalized songs on <em>Pilgrim<\/em> tap into both the disorientation and frustration so many of us are feeling right now: The Great Plains sweep of \u201cChange Is in the Air\u201d gives way to the Cobain Americana of \u201cGTFOH\u201d (for \u201cget the fuck out of here\u201d).<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhere Welles goes from here has even relative veterans like Rateliff intrigued. \u201cCreating a space for yourself that feels authentic is something he\u2019s done really well, but now that he\u2019s arrived somewhere, I\u2019m curious to see how he navigates all that, in a positive way,\u201d says Rateliff. \u201cThe way people first discover you is how they see you. So even if daily political songs aren\u2019t what Jesse is, it\u2019s what people <em>see<\/em> him as now, and people create their own narrative. How do you continue to change and grow and present yourself if people have an expectation of you?\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAfter a return engagement at Farm Aid in late September, Welles will embark on a series of multi-night residencies in Chicago, Denver, L.A., San Francisco, and New York, all of which are sold out. He\u2019s likely to draw crowds similar to the ones who flocked to his tour <a href=\"https:\/\/www.rollingstone.com\/music\/music-pictures\/jesse-welles-new-york-busking-1235276890\/\">early this year <\/a>and sang along with every word of \u201cFentanyl\u201d and another fan favorite, \u201cWalmart\u201d (\u201cI don\u2019t wanna go to Walmart today\/Or tomorrow\/Or the day after that\/It\u2019s a mirage in a desert of bullshit they created\u201d). \u201cThere are certain musicians who hit the right chords at the right time, when people feel a lack of empowerment,\u201d says Canoni. \u201cThe beauty of Woody\u2019s work is that music can bring people together, and that\u2019s what I\u2019m hoping for Jesse\u2019s work. But,\u201d she adds with a laugh, \u201cno pressure.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAt Newport, a hint of Welles\u2019 past, present, and future was there for all who attended to see. \u00a0He was invited onstage to join some of the festival\u2019s boldface names, including Margo Price, Prine\u2019s son Tommy, and Lukas Nelson. Welles played both solo and with a backup band. With Nelson, Welles brought out an electric guitar and joined in on a version of the Beatles\u2019 \u201cRevolution.\u201d In a moment that somewhat echoed Dylan\u2019s gone-electric moment 60 years ago that weekend, Welles ended by <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=GoC6icGdMVI\">trashing and stomping on his guitar<\/a>. Rateliff, who was standing nearby when it happened, thought the move was of a piece with Welles\u2019 attempts to not be relegated to one musical bag: \u201cHe\u2019s trying to let people know he\u2019s more than just the guy with the guitar in the field. He\u2019s Bob Dylan going electric every night.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt was just a whim,\u201d Welles says now of the smashup. \u201cAt the moment, I thought that was the perfect thing to do. And still feels like the perfect thing to do.\u201d Told that it felt more rock &amp; roll than something one would see at Newport, he smiles and makes a possible Dylan reference. \u201cI contain multiple dudes,\u201d he says.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/jesse-welles-protest-songs-tiktok-politics-1235410873\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I t happened earlier this month the same way it always happens. Jesse Welles was scrolling on his cell at home in northwest Arkansas&#8230;<\/p>\n","protected":false},"author":5,"featured_media":44442,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-44441","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/44441","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=44441"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/44441\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/44442"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=44441"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=44441"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=44441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}