{"id":45314,"date":"2025-08-30T15:42:45","date_gmt":"2025-08-30T15:42:45","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/30\/the-beaches-bring-pop-party-to-rolling-stones-gather-no-moss-tour\/"},"modified":"2025-08-30T15:42:45","modified_gmt":"2025-08-30T15:42:45","slug":"the-beaches-bring-pop-party-to-rolling-stones-gather-no-moss-tour","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/08\/30\/the-beaches-bring-pop-party-to-rolling-stones-gather-no-moss-tour\/","title":{"rendered":"The Beaches Bring Pop Party to Rolling Stone&#8217;s Gather No Moss Tour"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIf anyone was going to be salty about their breakups going into Labor Day weekend, it\u2019s certainly not <a href=\"https:\/\/www.rollingstone.com\/t\/the-beaches\/\">the Beaches<\/a>. All four members of Toronto\u2019s casually cool indie-pop band \u2014\u00a0lead singer and bassist Jordan Miller, guitarists Kylie Miller and Leandra Earl, and drummer Eliza Enman-McDaniel \u2014 traded brokenhearted resentment and dejection for the reaffirming thrill of goofing off with friends and flipping off partners who did you dirty. How ironic, though, that they rang in the record release show for their long-awaited third album, <em>No Hard Feelings<\/em>, while headlining the Salt Shed on Friday night. In reality, Chicago\u2019s newly beloved music venue is more literal in name than a bitter pun; in 2022, the former Morton Salt Factory warehouse was converted into a rustic yet sleek music hall with hideaway shops slinging pizza slices, curated vinyl, and vintage clothing.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBefore a crowd of more than 3,000, the Beaches were feeling grateful instead as the headliners of Rolling Stone\u2019s second 2025 installment of <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/rolling-stone-gather-no-moss-rock-tour-mj-lenderman-1235337934\/\">Gather No Moss tour<\/a>. \u201cThis is the first show of the <em>No Hard Feelings <\/em>era,\u201d Enman-McDaniel said. \u201cThank you for following us through all our different eras before now.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe crowd was eager to celebrate that milestone <em>and<\/em> the commonalities between the recently single. Before the Beaches even took the stage, audience members sang along to house playlist picks like Kelly Clarkson\u2019s \u201cSince U Been Gone\u201d and Icona Pop\u2019s \u201cI Love It\u201d with full lungs primed for karaoke. Women in mini-skirts, bows tied into their hair, and arms linked through those of their friends tittered eagerly as the Beaches\u2019 name flashed onscreen behind the stage.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAll four band members emerged dressed for a female slumber party in adulthood \u2014 lingerie, camisoles, bras \u2014 and led a countdown from ten to one, like a New Year\u2019s Eve ball drop signifying the transition from a bustling party to invite-only afterparty. They opened with an explosive version of \u201cLast Girls at the Party,\u201d prepping audience members for the nonstop dance ahead.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWelcome to the party, baby,\u201d Miller said with a flirtatious grin. \u201cIf you asked me a few years ago when I was newly dumped if we would be here, I wouldn\u2019t believe you. Going through that breakup was pretty rough. Anybody been through a breakup before?\u201d Met with affirmative screams, Miller recounted the time she drank an entire bottle of wine, smoked a full pack of cigarettes, and claimed a table for one. \u201cNo, a table for me and <em>you<\/em>,\u201d she corrected, inviting the crowd to join her class on overcoming relationship burnouts.\u00a0<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:1024px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((683\/1024)*100%);\">\n<p>\t\t\t\t\t\t<\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<p>\t\t\t\t\t<span class=\"u-border-color-black u-border-lr-2 lrv-u-padding-tb-025 lrv-u-padding-lr-075 lrv-u-border-b-2 lrv-u-width-100p lrv-u-text-align-center a-font-basic-secondary-s\">Helena Straight, Stella Wave, Mikaela Oppenheimer Hello Mary at the Rolling Stone Presents: <a href=\"https:\/\/www.rollingstone.com\/t\/gather-no-moss\/\" id=\"auto-tag_gather-no-moss\" data-tag=\"gather-no-moss\">Gather No Moss<\/a> held at The Salt Shed on August 29, 2025 in Chicago, Illinois.<\/span><\/p>\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"lrv-u-text-transform-uppercase lrv-a-font-body-xs lrv-u-margin-t-050 lrv-u-text-align-center\">Josh Darr for Rolling Stone<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe thing about the Beaches\u2019 parties is that they\u2019re meant for everyone. Tonight\u2019s openers represented just how wide that range is. Brennan Wedl was a stand-in for the bashful wallflowers who have a way with words, fueled by alcohol or not. Self-described as \u201cNashville wench rock,\u201d the Tennessee singer-songwriter brought a looser style of indie rock to her version of country with help from a backing band. While the wait for a follow-up to her 2019 debut album, <em>Holy Water Branch<\/em>, stretches on, recent singles \u201cScorpio\u201d and \u201cKudzu\u201d hinted at what\u2019s to come: sunny hooks, nostalgic country-pop chords, and a powerhouse voice that filled the warehouse with ease. It\u2019s no wonder she played with Waxahatchee, a kindred spirit, earlier this year.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt\u2019s not a true party without the art kids showing up to mix wickedly strong drinks and bring an edge to the evening, and that\u2019s where Holy Mary thrived. Formed in 2018 when they were in eighth grade, the Brooklyn trio of singer-guitarist Helena Straight, bassist Mikaela Oppenheimer, and drummer Stella Wave reveled in making their alt-rock as gritty as possible. Live, it passed for early Radiohead by way of PJ Harvey.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHello Mary primarily pulled from their sophomore album <em>Emita Ox <\/em>for the set, bridging the gap between noise rock, shoegaze, and brooding college rock. The <em>Rolling Stone <\/em><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/hello-mary-new-york-band-1234607414\/\">Artist You Need to Know<\/a> alums were forbidding in a headstrong way \u2014 in fact, so self-assured during \u201cFloat\u201d and the monstrous \u201c0%\u201d that when Wave launched into a scream during the latter, it was impossible to look away. Hello Mary had crafted an enticing gothic mood too intricate to risk missing any moment of it. Between their old grunge tint and their recent embrace of experimental instrumentation, Hello Mary were a modern band shoo-in for the <em>Yellowjackets<\/em> soundtrack.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOnce the Beaches took the stage, they reestablished themselves as the popular group at the party who never turn down a dare. \u201cIf this is your first Beaches show, buckle up,\u201d Kylie Miller said before kicking off \u201cShower Beer\u201d and dedicating it to \u201canyone who got a little too drunk or anyone who\u2019s gonna text their ex after their show.\u201d Though undoubtedly catchy in its own right, the <em>Blame My Ex<\/em> cut positioned beside <em>No Hard Feelings <\/em>songs emphasized how much the Beaches have grown in these past two years. Their new songs were brash and bold, the type of pop songs for jumping on a hotel bed, but stemmed from a place of clarity \u2014\u00a0even in the rowdy context of their release show.\u00a0<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:1024px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((683\/1024)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2025\/08\/Gather-No-Moss-Brennan-Wedl.jpg?w=1024\" alt=\"\" data-lazy-srcset=\"\" data-lazy-sizes=\"\" height=\"683\" width=\"1024\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<p>\t\t\t\t\t<span class=\"u-border-color-black u-border-lr-2 lrv-u-padding-tb-025 lrv-u-padding-lr-075 lrv-u-border-b-2 lrv-u-width-100p lrv-u-text-align-center a-font-basic-secondary-s\">Taylor Wafford, Brennan Wedl Brennan Wedl at the Rolling Stone Presents: Gather No Moss held at The Salt Shed on August 29, 2025 in Chicago, Illinois.<\/span><\/p>\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"lrv-u-text-transform-uppercase lrv-a-font-body-xs lrv-u-margin-t-050 lrv-u-text-align-center\">Josh Darr for Rolling Stone<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe Beaches enacted a little quid pro quo, offering a song about being too sad to masturbate (\u201cTouch Myself\u201d) and personal stories of oversharing as banter, in exchange for an audience member to reveal their own TMI moment. A nimble person named Michaela climbed onstage and took the mic to recount a tangled crush on their personal trainer and the time they word vomited on them. The Beaches graciously calmed the volunteer\u2019s nerves and welcomed everyone to revisit their regrettable disclosures during \u201cDid I Say Too Much.\u201d (Consider it a mental exercise that cognitive behavioral therapists would give two thumbs up.)<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe bumper sticker industry should take notes during the Beaches\u2019 performance, especially if they\u2019re looking for their next viral phrase. Maybe it\u2019s the cheekiness of their delivery, but Beaches lines like \u201cGod, you\u2019re a real piece of work\/It takes one to know one\u201d or \u201cDropped me like a trend, but I wore you better\u201d perfect the art of comebacks with a lasting sting that double as self-praise. It wasn\u2019t all feel-good callouts and airing out an ex on \u201cDirty Laundry.\u201d Earl opened up about her own coming-out experience, revealing that she told her bandmates first, which eventually paved the way to write a song like \u201cLesbian of the Year.\u201d Perhaps it was the most accurate moment of a massive house party that makes the story books: an earnest confession always squeaks out, making the ravenous fanfare of the evening that much sweeter.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cRolling Stone Presents: Gather No Moss,\u201d a multi-city rock &amp; roll tour, sponsored by ~Pourri and iHeartRadio, makes its next stop in Nashville on Sept. 23, with Wet Leg headlining Marathon Music Works and support from Hana Vu and Mary in the Junkyard. The series comes to an end on Oct. 16 in Brooklyn, where MJ Lenderman takes Kings Theatre alongside openers Hovvdy and Annie DiRusso. The Beaches passing the baton onto the next date of the tour can only bode well, especially for those craving an evening of party pop fueled by rock energy.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-live-reviews\/the-beaches-gather-no-moss-tour-chicago-1235419267\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>If anyone was going to be salty about their breakups going into Labor Day weekend, it\u2019s certainly not the Beaches. All four members of&#8230;<\/p>\n","protected":false},"author":5,"featured_media":45315,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-45314","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/45314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=45314"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/45314\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/45315"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=45314"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=45314"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=45314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}