{"id":45646,"date":"2025-09-04T13:16:53","date_gmt":"2025-09-04T13:16:53","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/09\/04\/bruce-springsteens-to-release-electric-nebraska-on-new-box-set\/"},"modified":"2025-09-04T13:16:53","modified_gmt":"2025-09-04T13:16:53","slug":"bruce-springsteens-to-release-electric-nebraska-on-new-box-set","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/09\/04\/bruce-springsteens-to-release-electric-nebraska-on-new-box-set\/","title":{"rendered":"Bruce Springsteen&#8217;s to Release &#8216;Electric Nebraska&#8217; on new box set"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/bruce-springsteen\/\" id=\"auto-tag_bruce-springsteen\" data-tag=\"bruce-springsteen\">Bruce Springsteen<\/a> originally intended the home-recorded, solo-acoustic performances that became <em><a href=\"https:\/\/www.rollingstone.com\/t\/nebraska\/\" id=\"auto-tag_nebraska\" data-tag=\"nebraska\">Nebraska<\/a><\/em> to be demos for the <a href=\"https:\/\/www.rollingstone.com\/t\/e-street-band\/\" id=\"auto-tag_e-street-band\" data-tag=\"e-street-band\">E Street Band<\/a>, and at New York City\u2019s Power Station studio in 1982, he and the band laid down versions of most of its songs. The so-called <em><a href=\"https:\/\/www.rollingstone.com\/t\/electric-nebraska\/\" id=\"auto-tag_electric-nebraska\" data-tag=\"electric-nebraska\">Electric Nebraska<\/a> <\/em>versions of the songs have never been heard, even on bootleg \u2014 but Springsteen is about to change that with a new box set, <em>Nebraska \u201982: Expanded Edition<\/em>, due Oct. 17, a week before the Springsteen biopic <em><a href=\"https:\/\/www.rollingstone.com\/t\/deliver-me-from-nowhere\/\" id=\"auto-tag_deliver-me-from-nowhere\" data-tag=\"deliver-me-from-nowhere\">Deliver Me From Nowhere<\/a><\/em> hits theaters.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe <em>Electric Nebraska <\/em>disc includes E Street Band takes on the album\u2019s material, plus a wildcard \u2014 a wild, guitar-dominated electric version of \u201cBorn in the U.S.A.,\u201d a song that was originally recorded acoustically as part of the <em>Nebraska<\/em> sessions. That track, which features Springsteen playing with only drummer Max Weinberg and bassist Garry Tallent, is available for streaming now. \u201cIt was kind of like punk rockabilly,\u201d Springsteen said in a statement. <\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Bruce Springsteen - Born in the U.S.A. (Electric Nebraska - Official Audio)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/9YNufvgPP20?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOver four CDs and a Blu-Ray, the set also includes acoustic outtake (including \u201cChild Bride,\u201d which became \u201cWorking on the Highway\u201d), and audio and video of a brand-new solo live performance of all of <em>Nebraska<\/em>, recorded at Red Bank, New Jersey\u2019s Count Basie Theater. The set also includes a new remaster of <em>Nebraska<\/em> itself. The outtakes disc includes the never-bootlegged songs \u201cGun in Every Home,\u201d and \u201cOn the Prowl\u201d \u2014\u00a0Springsteen did play the latter song live at Jersey Shore club appearances circa \u201982.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tEven the E Street Band themselves were anxious to hear their full-band takes on <em>Nebraska<\/em>. \u201cI\u2019m dying to hear the recordings from\u00a0the studio,\u201d keyboardist Roy Bittan<a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/the-e-street-band-electric-nebraska-born-in-the-u-s-a-1235036081\/\"> told<\/a> our <em>Rolling Stone Music Now<\/em> podcast last year. \u201cIt\u2019s eluded us. Maybe, Bruce,\u00a0at some point, will get into that.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI remember recording all of that [<em>Nebraska<\/em>] material and it was very much in the E Street Band style and very similar to what we do now when we play those songs, and it was great,\u201d Weinberg told the pod last year. \u201cJon Landau, during the writing, suggested that I listen to\u00a0<em>John Wesley Harding<\/em>, the Bob Dylan record. And he said, Bruce seems to be going more in this kind of direction. And there were some takes like that, with brushes, just a bare minimum rhythmic approach. And there were also rock versions of [some of] the\u00a0<em>Nebraska<\/em>\u00a0material.\u00a0\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tEarlier this year, Springsteen <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/bruce-springsteen-electric-nebraska-exists-1235367684\/\">told <\/a>Rolling Stone\u2019s Andy Greene in an interview that the <em>Electric Nebraska <\/em>sessions \u201cdidn\u2019t exist,\u201d but a month later, texted him with a correction: \u201cJust wanted to give you a heads up. I checked our vault and there IS an electric\u00a0<em>Nebraska\u00a0<\/em>record, though it does not have the full album of songs.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOct. 24\u2019s <em>Deliver Me From Nowhere,<\/em> starring <a href=\"https:\/\/www.rollingstone.com\/t\/jeremy-allen-white\/\" id=\"auto-tag_jeremy-allen-white\" data-tag=\"jeremy-allen-white\">Jeremy Allen White<\/a> as Springsteen and Jeremy Strong as his manager Jon Landau, is a cinematic version of the <em>Nebraska<\/em> story.  Springsteen \u201cwas drawing inspiration from all these places but he didn\u2019t really know what he was doing for a while with this record,\u201d White recently told the <em>Associated Press<\/em>. \u201cHe didn\u2019t know if it was going to be a record. As an actor, hopefully you\u2019re doing that sort of thing all the time. That artistic curiosity is something I related to.\u201d<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/bruce-springsteen-electric-nebraska-box-set-1235421364\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bruce Springsteen originally intended the home-recorded, solo-acoustic performances that became Nebraska to be demos for the E Street Band, and at New York City\u2019s&#8230;<\/p>\n","protected":false},"author":5,"featured_media":45647,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-45646","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/45646","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=45646"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/45646\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/45647"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=45646"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=45646"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=45646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}