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Left alone, Mick Jagger<\/a> and Keith Richards<\/a> reformed a musical partnership that originally sparked the Rolling Stones<\/a> to greatness. Then the group produced one of their best modern-era recordings.<\/p>\n For years before the release of A Bigger Bang<\/em> on Sept. 5, 2005, Jagger and Richards would arrive in the studio with separate song ideas, having begun the creative process from miles away. Drummer Charlie Watts<\/a>‘ throat cancer diagnosis changed all of that.<\/p>\n “There’s suddenly Mick and I looking at each other and going, ‘Possibly we’re the only two left of the originals,” Richards told Billboard<\/em>, “[but] you don’t talk about that shit, you know?”<\/p>\n READ MORE:<\/strong> Top 10 Post-‘Some Girls’ Rolling Stones Songs<\/a><\/p>\n Jagger and Richards would write and perform the rough drafts for A Bigger Bang<\/em> alone. Both Jagger and Richards added bass; Jagger even played some drums. The only rule they had: Keep it simple. When it was over, they’d come up with a nervy set of songs, with none of the gloss that marred later-period Rolling Stones albums \u2013 and much of the feeling that powered the best ones.<\/p>\n “Certainly to me, and I think to Mick, too, the closer we work, the better it gets,” Richards told CBS<\/a>. “And we’d gotten so used to, after Exile [on Main Street]<\/a><\/em>, of having to get used to writing songs 3,000 miles apart. We sorta figured that was the modus operandi from now on, but this one proved us wrong.”<\/p>\n Watch the Rolling Stones’ ‘Streets of Love’ Video<\/strong><\/p>\n Watts eventually returned, and his smartly reworked rhythm tracks largely completed the album. Ron Wood<\/a> added some slide, but the music remained stripped down, and far more in keeping with LPs like 1978’s Some Girls<\/a><\/em> \u2013 or even retro-focused contemporary artists like the Black Keys<\/a> or the White Stripes<\/a> \u2013 than then-recent Stones experiments in modernism like Bridges to Babylon<\/a><\/em>.<\/p>\n Outside performers were kept to a minimum. Darryl Jones, the Rolling Stones’ touring bassist, appeared on most of the tracks, but initial contributions from Jagger and Richards remain on six others. Wood took part in 10 of the 16 songs on A Bigger Bang<\/em>, which became a platinum-selling international Top 5 hit.<\/p>\n Along the way, Mick Jagger and Keith Richards once again found the center of their partnership. With Watts, they then rediscovered the center of the Rolling Stones. “There’s no hiding place if there’s only three of you in the room,” Jagger told Billboard<\/em>. Richards simply called A Bigger Bang<\/em> the return of “raw Stones.” And a welcome return, it was.<\/p>\n The Rolling Stones’ album art tells the band’s story as well as any song.<\/p>\n<\/div>\n Gallery Credit: Nick DeRiso<\/a><\/p>\n<\/div>\n You Think You Know the Rolling Stones?<\/strong><\/p>\n<\/div>\nThe Return of the ‘Raw Stones’<\/h3>\n
Rolling Stones Album Art: The Stories Behind 27 Famous LP Covers<\/h2>\n