{"id":46176,"date":"2025-09-09T17:30:52","date_gmt":"2025-09-09T17:30:52","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/09\/09\/watch-lainey-wilson-sing-proud-mary-for-john-fogerty-in-nashville\/"},"modified":"2025-09-09T17:30:52","modified_gmt":"2025-09-09T17:30:52","slug":"watch-lainey-wilson-sing-proud-mary-for-john-fogerty-in-nashville","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/09\/09\/watch-lainey-wilson-sing-proud-mary-for-john-fogerty-in-nashville\/","title":{"rendered":"Watch Lainey Wilson Sing &#8216;Proud Mary&#8217; for John Fogerty in Nashville"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIndustry events are often staid affairs, full of long-winded speeches and by-the-numbers performances. That\u2019s never the case at the BMI Troubadour Award dinner, the unofficial kickoff of AmericanaFest week in Nashville, which this year honored <a href=\"https:\/\/www.rollingstone.com\/t\/john-fogerty\/\" id=\"auto-tag_john-fogerty\" data-tag=\"john-fogerty\">John Fogerty<\/a> for \u201cartistry that has transcended genres and generations while shaping the American musical landscape.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhile past Troubadour recipients like Robert Earl Keen, ZZ Top\u2019s <a href=\"https:\/\/www.rollingstone.com\/t\/billy-gibbons\/\" id=\"auto-tag_billy-gibbons\" data-tag=\"billy-gibbons\">Billy Gibbons<\/a>, and last year\u2019s honoree, John Oates, mingled over cocktails in the lobby of the BMI building on Music Row, artists like <a href=\"https:\/\/www.rollingstone.com\/t\/lainey-wilson\/\" id=\"auto-tag_lainey-wilson\" data-tag=\"lainey-wilson\">Lainey Wilson<\/a>, <a href=\"https:\/\/www.rollingstone.com\/t\/the-war-and-treaty\/\" id=\"auto-tag_the-war-and-treaty\" data-tag=\"the-war-and-treaty\">the War and Treaty<\/a>, and <a href=\"https:\/\/www.rollingstone.com\/t\/jesse-welles\/\" id=\"auto-tag_jesse-welles\" data-tag=\"jesse-welles\">Jesse Welles<\/a> prepared to take the stage to sing some of the <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/creedence-clearwater-revival-ccr-chronicle-americas-biggest-band-1235073385\/\">Creedence Clearwater Revival <\/a>leader\u2019s best-known songs \u2014 backed by a full band at maximum volume. After dinner, servers handed out earplugs to attendees.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Lainey Wilson Sings for John Fogerty\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/sPOtdz2ql2s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe night kicked off with Welles, who, given his budding reputation as today\u2019s <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/jesse-welles-protest-songs-tiktok-politics-1235410873\/\">new protest singer<\/a>, would presumably perform the politically charged \u201cFortunate Son.\u201d Instead, he played against type to deliver a gorgeous, gentle take on \u201cHave You Ever Seen the Rain,\u201d a song he\u2019s actually performed in the past with Mt. Joy\u2019s Matt Quinn. It was less rasp and simmering rage, which have become Welles\u2019 signatures, and more pristine tribute to an artist he\u2019s called \u201ca hero of mine.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:1024px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((683\/1024)*100%);\">\n<p>\t\t\t\t\t\t<\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<p>\t\t\t\t\t<span class=\"u-border-color-black u-border-lr-2 lrv-u-padding-tb-025 lrv-u-padding-lr-075 lrv-u-border-b-2 lrv-u-width-100p lrv-u-text-align-center a-font-basic-secondary-s\">Jesse Welles sang \u201cHave You Ever Seen the Rain\u201d at a tribute to John Fogerty. Photo: Erika Goldring for BMI*<\/span><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut there was no world in which \u201cFortunate Son\u201d wouldn\u2019t be heard at a tribute to Fogerty. The honor fell to <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/rival-sons-feral-roots-grammy-awards-942497\/\">Rival Son\u2019s<\/a> majestic vocalist Jay Buchanan, who took the stage barefoot, in a maroon suit, and proceeded to devour the angry rock anthem. Buchanan is always an energetic showman and, in just over 90 seconds, put on an arena-rock performance on a postage-stamp-sized stage.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOther highlights included the War and Treaty, who offered a captivating twofer of \u201cI Put a Spell on You\u201d and \u201cBorn on the Bayou,\u201d with husband-and-wife singers Michael and Tonya Trotter one-upping each other in electrifying vamps, and Gibbons and Mexican-American vocalist La Marisoul choogling through a \u201cGreen River\u201d sung in English and Spanish.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:1024px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((683\/1024)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2025\/09\/LaineyWilson-2.jpg?w=1024\" alt=\"\" data-lazy-srcset=\"\" data-lazy-sizes=\"\" height=\"683\" width=\"1024\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<p>\t\t\t\t\t<span class=\"u-border-color-black u-border-lr-2 lrv-u-padding-tb-025 lrv-u-padding-lr-075 lrv-u-border-b-2 lrv-u-width-100p lrv-u-text-align-center a-font-basic-secondary-s\">Lainey Wilson performs at the BMI Troubadour dinner honoring John Fogerty. Photo: Erika Goldring for BMI*<\/span><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe night\u2019s biggest name was Wilson, and she drew what is arguably Fogerty\u2019s most enduring song: \u201cProud Mary.\u201d Dressed in a black hat, black bell-bottoms, and a jacket with turquoise accents, the Louisiana country singer gave a soulful, twangy reading of the riverboat tale, effortlessly commanding the crowd with just a few shimmies and finger points. (There\u2019s a reason that Wilson just landed six nominations at the 2025 CMA Awards, including one for Entertainer of the Year.)<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe honorees typically don\u2019t perform at the BMI Troubadour dinner, but that changed last year when recipient John Oates opted to sing at his ceremony. This year, Fogerty followed his lead, enlisting his sons Shane and Tyler Fogerty for a rollicking three-song set of Creedence\u2019s \u201cUp Around the Bend\u201d and \u201cBad Moon Rising,\u201d along with his solo single \u201cThe Old Man Down the Road.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFogerty recently released an album of new recordings of his CCR catalog that he called <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/john-fogerty-re-records-creedence-songs-legacy-album-1235339574\/\">Legacy<\/a><\/em>. On Monday night at the invitation-only Troubadour dinner \u2014 a million-dollar ticket in Nashville if ever there was one \u2014 he proved there was no better title.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:1024px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((745\/1024)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2025\/09\/BMIPastTroubadours-2.jpg?w=1024\" alt=\"\" data-lazy-srcset=\"\" data-lazy-sizes=\"\" height=\"745\" width=\"1024\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<p>\t\t\t\t\t<span class=\"u-border-color-black u-border-lr-2 lrv-u-padding-tb-025 lrv-u-padding-lr-075 lrv-u-border-b-2 lrv-u-width-100p lrv-u-text-align-center a-font-basic-secondary-s\">BMI\u2019s President and CEO Mike O\u2019Neill and BMI Nashville\u2019s VP of Creative Clay Bradley flank Troubadour recipients John Fogerty, John Oates, Billy Gibbons, and Robert Earl Keen. Photo: Erika Goldring for BMI*<\/span><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/lainey-wilson-jesse-welles-sing-for-john-fogerty-bmi-1235423808\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Industry events are often staid affairs, full of long-winded speeches and by-the-numbers performances. That\u2019s never the case at the BMI Troubadour Award dinner, the&#8230;<\/p>\n","protected":false},"author":5,"featured_media":46177,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-46176","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/46176","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=46176"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/46176\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/46177"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=46176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=46176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=46176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}