{"id":46228,"date":"2025-09-10T12:34:10","date_gmt":"2025-09-10T12:34:10","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/09\/10\/kiss-comes-alive-using-studio-magic\/"},"modified":"2025-09-10T12:34:10","modified_gmt":"2025-09-10T12:34:10","slug":"kiss-comes-alive-using-studio-magic","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/09\/10\/kiss-comes-alive-using-studio-magic\/","title":{"rendered":"Kiss Comes &#8216;Alive!&#8217; Using Studio Magic"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p><a href=\"https:\/\/ultimateclassicrock.com\/tags\/kiss\/\">Kiss<\/a>&#8216; first concert release, <em>Alive!<\/em>, couldn&#8217;t have become a hit at a better time. Three albums in, the flamboyant group had yet to crack the Top 30 and was reportedly living off of manager Bill Aucoin&#8217;s credit card.<\/p>\n<p>Then <em>Alive!<\/em> shot to No. 9 following its release on Sept. 10, 1975, powered by the sense that the band&#8217;s explosive energy had finally been captured on vinyl. &#8220;It was a party,&#8221; \u00a0drummer\u00a0<a href=\"https:\/\/ultimateclassicrock.com\/tags\/peter-criss\/\">Peter Criss<\/a>\u00a0told <a href=\"https:\/\/www.youtube.com\/watch?v=TTDLwoeRBpU\" target=\"_blank\">VH1<\/a>. &#8220;It was an event.&#8221; It was also Kiss&#8217; first gold record and label Casablanca&#8217;s first-ever Top 10. <\/p>\n<p>The group would string together an unbroken series of platinum recordings for the rest of the &#8217;70s. All these years later, however, fans still don&#8217;t know how much of <em>Alive!<\/em>\u00a0is actually, you know, <em>live<\/em>.<\/p>\n<p><strong>READ MORE:<\/strong> <a href=\"https:\/\/ultimateclassicrock.com\/best-kiss-songs-each-album\/\">The Best Song From Every Kiss Album<\/a><\/p>\n<p>Made during an era when overdubs were more rare, the album has since come under scrutiny. There were questions about whether\u00a0<a href=\"https:\/\/ultimateclassicrock.com\/tags\/gene-simmons\/\">Gene Simmons<\/a> and <a href=\"https:\/\/ultimateclassicrock.com\/tags\/paul-stanley\/\">Paul Stanley<\/a>\u00a0re-recorded parts after the fact, and there are even accusations that the cheers from the crowd weren&#8217;t exactly authentic. (The <em>Rolling Stone Album Guide<\/em>\u00a0makes particular mention of &#8220;fake-sounding audience noise.&#8221;)<\/p>\n<p>Producer Eddie Kramer has been honest about the post-production work. &#8220;We had to create that album from the live shows with overdubbed guitar, because of the fact that Kiss puts on a great show with much leaping about,&#8221; he told <a href=\"http:\/\/kissasylum.com\/news\/askeddie.shtml\" target=\"_blank\">Mars Music<\/a>. &#8220;Obviously, guitars will not stay in tune and accuracy goes right out the the window. So, you fix what&#8217;s not right.&#8221;<\/p>\n<p style=\"text-align:center\"><strong>Listen to &#8216;Cold Gin&#8217; from &#8216;Alive!&#8217;<\/strong><\/p>\n<h3>How Kiss &#8216;Fixed&#8217; the &#8216;Alive!&#8217; Album<\/h3>\n<p>They actually attempted to capture something more genuine. Kiss recorded a series of concerts in the summer of 1975, trying to find the right mixture of energy and precision. &#8220;We went back and listened to it, and no one liked anything,&#8221; Aucoin told VH1. &#8220;The truth of the matter is, after we did those four or five shows that we recorded live, we still didn&#8217;t have it.&#8221;<\/p>\n<p>Kramer concluded that the initial <em>Alive!<\/em> album &#8220;had the most amount of &#8216;fixing&#8217; done to it&#8221; of any of the band&#8217;s live albums \u2013 to the point where only Criss&#8217; drum tracks were presented without additional overdubs.<\/p>\n<p><a href=\"https:\/\/ultimateclassicrock.com\/tags\/ace-frehley\/\">Ace Frehley<\/a>, in his 2011 memoir <em><a href=\"http:\/\/www.rollingstone.com\/music\/news\/kiss-and-tell-comparing-the-original-band-members-memoirs-20140326\" target=\"_blank\">No Regrets<\/a><\/em>, said the process took a bit of getting used to. <\/p>\n<p>&#8220;We all went into Electric Lady [Studio], and for the better part of three weeks we tinkered and tweaked \u2013 and sometimes completely overdubbed songs,&#8221; he wrote. &#8220;None of us got off the hook completely. There were times when Eddie was unhappy with Paul&#8217;s singing or Gene&#8217;s singing. &#8230; As the studio sessions went on we became increasingly flexible in terms of what we considered to be acceptable doctoring.&#8221;<\/p>\n<p style=\"text-align:center\"><strong>Listen to &#8216;Rock and Roll All Nite&#8217; from &#8216;Alive!&#8217;<\/strong><\/p>\n<h3>Why Kiss Had to Redo All Those Parts<\/h3>\n<p>Simmons said Kiss&#8217; onstage performances at that time were simply too untamed to expect complete and flawless takes. &#8220;In those days, I&#8217;d be taken over \u2013 I&#8217;d be possessed, and I&#8217;d make tons of mistakes on my bass,&#8221; he told VH1. &#8220;I remember talking back stage with the guys, and everybody agreed that we would jump around less \u2013 that we would try to hit the notes more.&#8221;<\/p>\n<p>Kiss didn&#8217;t quite accomplish that particular goal. But fans \u2013 whether they knew about the post-production fixes or not \u2013 helped the band toward another one: superstardom.<\/p>\n<p>Stanley made no apologies. &#8220;Yes, we enhanced it \u2013 not to hide anything, not to fool anyone,&#8221; he wrote in the 2014 book <em>Face the Music: A Life Exposed<\/em>. &#8220;But who wanted to hear a mistake repeated endlessly? Who wanted to hear an out-of-tune guitar? For what? Authenticity?&#8221;<\/p>\n<div class=\"photogallery-wrapper blog-photogallery \">\n<h2 class=\"photogallery-title\">Why These Classic Rock Acts Hate Their Own Records<\/h2>\n<div class=\"photogallery-description\">\n<p>Over a lengthy career, certain pitfalls also present themselves: Band members leave, songs become one-hit wonders, sounds go out of style. Then you start to hate your own records. <\/p>\n<\/div>\n<p class=\"photogallery-credit\">Gallery Credit: <a href=\"https:\/\/ultimateclassicrock.com\/author\/nickderiso\/\" target=\"_blank\">Nick DeRiso<\/a><\/p>\n<\/div>\n<p style=\"text-align:center\"><strong>Ace Frehley Shares His Real-Life Spinal Tap Story<\/strong><\/p>\n<\/div>\n<p><script src=\"https:\/\/ultimateclassicrock.com\/rest\/carbon\/api\/scripts.js?mver=160&#038;gver=6&#038;bid=295&#038;urls[]=https%3A%2F%2Fbtloader.com%2Ftag%3Fo%3D5642230212591616%26upapi%3Dtrue&#038;urls[]=https%3A%2F%2Fcdn.p-n.io%2Fpushly-sdk.min.js%3Fdomain_key%3DmxuuNIMSzp6MHphJEoAGlLFQ3qmwQguzkGZl&#038;urls[]=https%3A%2F%2Ftownsquare.media%2Fpublic%2Fresources%2Fjs%2Fpubcid.min.js&#038;urls[]=https%3A%2F%2Fplatform.twitter.com%2Fwidgets.js&#038;urls[]=https%3A%2F%2Fapis.google.com%2Fjs%2Fplatform.js&#038;urls[]=https%3A%2F%2Fconnect.facebook.net%2Fen_US%2Fsdk.js&#038;urls[]=https%3A%2F%2Fassets.pinterest.com%2Fjs%2Fpinit.js\" type=\"text\/javascript\" async defer data-osano=\"ESSENTIAL\"><\/script><br \/>\n<br \/><br \/>\n<br \/><a href=\"https:\/\/ultimateclassicrock.com\/kiss-alive\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kiss&#8216; first concert release, Alive!, couldn&#8217;t have become a hit at a better time. Three albums in, the flamboyant group had yet to crack&#8230;<\/p>\n","protected":false},"author":3,"featured_media":46229,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-46228","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rock","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/46228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=46228"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/46228\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/46229"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=46228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=46228"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=46228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}