{"id":46537,"date":"2025-09-13T18:04:08","date_gmt":"2025-09-13T18:04:08","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/09\/13\/should-cartel-threats-against-mexican-artists-be-taken-seriously\/"},"modified":"2025-09-13T18:04:08","modified_gmt":"2025-09-13T18:04:08","slug":"should-cartel-threats-against-mexican-artists-be-taken-seriously","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/09\/13\/should-cartel-threats-against-mexican-artists-be-taken-seriously\/","title":{"rendered":"Should Cartel Threats Against Mexican Artists Be Taken Seriously?"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tA banner draped from a Tijuana bridge earlier this week carried a chilling warning in bold black letters: \u201c<a href=\"https:\/\/www.rollingstone.com\/t\/junior-h\/\" id=\"auto-tag_junior-h\" data-tag=\"junior-h\">Junior H<\/a>, refrain from showing up on 08\/11. If not, you\u2019re going to get yourself killed.\u201d\u00a0 The threat, currently under investigation by the Baja California authorities, is the latest attempt by one of Mexico\u2019s most dangerous cartels to assert its control over both artists, and the city the banner is placed in.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn recent years, <a href=\"https:\/\/www.rollingstone.com\/music\/music-latin\/grupo-firme-cancel-mazatlan-show-narco-death-threat-1235281246\/\">Grupo Firme<\/a>, <a href=\"https:\/\/es.rollingstone.com\/fuerza-regida-cancela-concierto-en-tijuana-tras-presuntas-amenazas-del-cjng\/\">Fuerza Regida<\/a>, and <a href=\"https:\/\/www.rollingstone.com\/music\/music-latin\/peso-pluma-death-threat-banners-arrest-tijuana-1234825407\/\">Peso Pluma <\/a>have received similar warnings from different cartels, prompting them to cancel shows to protect themselves and their fans. A rep for Junior H, however, <a href=\"https:\/\/www.rollingstone.com\/music\/music-latin\/junior-h-tijuana-show-cartel-threat-narcomanta-1235424978\/\">told <em>Rolling Stone<\/em> <\/a>last week that the corridos artist still plans to perform as scheduled.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAs m\u00fasica mexicana has surged in popularity, so have \u201cnarcomantas\u201d \u2014 banners deployed by Mexican cartels to threaten artists and rival groups. In extreme cases usually unrelated to music, these narcomantas have been accompanied by severed heads or dead bodies; other times, they carry simple but serious messages that demand to be taken at face value.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cNarcomantas need to be taken completely seriously,\u201d Mexico City-based criminal defense attorney Ilan Katz Mayo tells <em>Rolling Stone<\/em>. \u201cThe medium is the message. The simple fact that a narcomanta exists sends a message: the situation is dangerous and the threat is real.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-twitter wp-block-embed-twitter\"\/>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tKatz Mayo says that narcomantas are a \u201cway for organized criminal organizations to scare people\u201d and also threaten other cartels or those who work with them. \u201cSometimes, criminal organizations may have issues with a singer over a lyric or because the artist supports someone who antagonizes that group,\u201d Katz Mayo explains.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn Junior H\u2019s case, the threat \u2014 allegedly from the Cartel Jalisco Nueva Generaci\u00f3n \u2014 explicitly referenced his narcocorridos: \u201cNot singing narcocorridos now won\u2019t save you. We do not forgive,\u201d it read. The message seemed to point to his past music that alludes to leaders of rival criminal organizations.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"El Azul\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/4RXnYfHUDJw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThough most of Junior\u2019s music centers on romance and heartbreak, at least two of his songs seem to allude to the Sinaloa Cartel, the group once led by Joaqu\u00edn \u201cEl Chapo\u201d Guzm\u00e1n, CJNG\u2019s chief rival. In 2022, Junior released \u201cEl Hijo Mayor,\u201d seemingly about El Chapo\u2019s late eldest son, in which he sings: \u201cI don\u2019t even need to mention his name \/ I was the eldest son of that much-talked-about man.\u201d And on his 2023 hit with <a href=\"https:\/\/www.rollingstone.com\/t\/peso-pluma\/\" id=\"auto-tag_peso-pluma\" data-tag=\"peso-pluma\">Peso Pluma<\/a>, he drops another reference, seemingly invoking \u201c701,\u201d El Chapo\u2019s numerology, adding: \u201cLow profile, the guy, and he\u2019s missed \/ Though he\u2019s gone, he\u2019s never forgotten.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIn Junior H\u2019s case, it seems like a personal issue with the artist,\u201d says Katz Mayo. \u201cIt\u2019s clear that if someone is offended by something said, the message sent is meant to intimidate the artist.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut the threats can be deadly serious: While the cartel has not taken responsibility for the killing, Ernesto Barajas, frontman of Enigma Note\u00f1o, was <a href=\"https:\/\/www.lavozarizona.com\/story\/entretenimiento\/tvymas\/2025\/08\/23\/dan-ultimo-adios-a-ernesto-barajas-cantante-asesinado-en-jalisco\/85789058007\/\" rel=\"nofollow\" target=\"_blank\">gunned down <\/a>just last month, two years after receiving threats from the CJNG. And in years past, other Mexican artists have died at the hands of the cartel: Corrido legends Chalino S\u00e1nchez, murdered in 1992, Valent\u00edn Elizalde, killed in 2006, and K-Paz de la Sierra\u2019s Sergio Gomez were targeted by cartels over their musical ties to rival criminal organizations.<\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-twitter wp-block-embed-twitter\"\/>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWith the narcomantas, the intimidation may be a way to assert dominance in a given territory and signal to both artists and rival groups who can assert the most control. According to Katz Mayo, it can also stem from an economic disadvantage: As artists rise in status and begin working with major promoters unwilling to engage with organized crime, local cartels find it difficult to exert their influence.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cEssentially, there are two main motives: one is visceral, and the other is economic,\u201d Katz Mayo says. \u201cA local promoter or regional organizer might pay extortion fees, but large companies like Live Nation cannot do that.\u00a0They\u2019re unable to operate that way.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tKatz Mayo says that in some areas, concerts are sometimes held in places or areas that are owned or controlled by members of criminal organizations, and have a financial interest in shows played there: whether it\u2019s a venue, the alcohol sold, the security, or simply the area where the concert is being held.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cAs artists grow, there are fewer opportunities for criminal organizations to profit because international managers are now involved,\u201d he explains. \u201cThe more important the artist and the better their promoters, the more resistance you\u2019ll see from these groups.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tA rep for Junior H declined to comment for this story.  <\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-latin\/cartel-threats-against-mexican-artists-taken-seriously-1235426747\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A banner draped from a Tijuana bridge earlier this week carried a chilling warning in bold black letters: \u201cJunior H, refrain from showing up&#8230;<\/p>\n","protected":false},"author":5,"featured_media":46538,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-46537","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/46537","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=46537"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/46537\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/46538"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=46537"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=46537"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=46537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}