{"id":46817,"date":"2025-09-17T13:26:37","date_gmt":"2025-09-17T13:26:37","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/09\/17\/briscoe-sing-about-marriage-and-border-crossings-on-new-album\/"},"modified":"2025-09-17T13:26:37","modified_gmt":"2025-09-17T13:26:37","slug":"briscoe-sing-about-marriage-and-border-crossings-on-new-album","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/09\/17\/briscoe-sing-about-marriage-and-border-crossings-on-new-album\/","title":{"rendered":"Briscoe Sing About Marriage and Border Crossings on New Album"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tEver try writing an album in a van? Ask <a href=\"https:\/\/www.rollingstone.com\/t\/briscoe\/\" id=\"auto-tag_briscoe\" data-tag=\"briscoe\">Briscoe<\/a> about that. The rising folk-rock band from Austin established itself as a surefire sellout in the honky-tonk scene of the <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/robert-earl-keen-texas-floods-camp-mystic-1235381500\/\">Texas Hill Country<\/a>, before landing high-profile tours with Noah Kahan and Dave Matthews Band. While navigating all of that quick-paced travel, they also made a record.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI think you can feel the fact that a lot of these songs were written in a moving vehicle,\u201d says Philip Lupton, who fronts Briscoe alongside Truett Heintzelman. He\u2019s talking about <em>Heat of July<\/em>, Briscoe\u2019s second studio album, a 12-track collection of tracks born on the road, which drops on Friday. \u201cSaving Grace,\u201d an album highlight, is out now as a single with an accompanying video.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBack in late August, Lupton and Heintzelman caught their breaths after soundcheck at Sagebrush, the venerable dancehall on the far south side of Austin. A few hours later, they would take the stage in front of a sold-out crowd of 300.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThis is Briscoe\u2019s home turf, where the banjo and saxophone they incorporate into their high-energy live show resonates effortlessly with fans who came to dance and those who came to scream and shout. <em>Heat of July<\/em> is as much about leaving a comfort zone as it is about seeing the world through a windshield \u2014\u00a0something the group will experience again in late October when they hit the West Coast for a long stretch.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cPart of being on the road, one of the really amazing aspects of driving around in a Ford Transit van, is that you really get to see everything,\u201d Heintzelman says. \u201cBut at the same time, with as much as we were gone, it left a lot of time for reflection on being away from home.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe idea of home is as important to <em>Heat of July<\/em> as the road-dogging that inspired it.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Briscoe - Saving Grace (Official Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/j7WBQW4AIMc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLupton and Heintzelman are Texans \u2014\u00a0Lupton from San Angelo and Heintzelman from San Antonio. They met as teenagers at Laity Lodge Youth Camp, a Christian summer camp in the Hill Country, and began playing together. But it was while attending the University of Texas in Austin during the pandemic that they began to aggressively pursue gigs. They released an EP in 2020 and their debut album, <em>West of It All<\/em>, in 2023. <\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor the most part, <em>Heat of July<\/em> is about their lives since, including marriages for both men. \u201cThat contributed to a lot of our songwriting,\u201d Lupton says, \u201cthe maturing of those relationships.\u201d Briscoe lay that theme bare in \u201cSaving Grace,\u201d an up-tempo love song that plays out over a banjo and snare drum before the hook of \u201cI need your love most every day\/You fly so high\/You\u2019re real as rain.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut marriage is not the only relationship the two men explore on the record. \u201cRoughnecks\u201d was written about Heintzelman\u2019s great-grandfather, who moved from Oklahoma to Texas to work in the oil fields in the early 20th century. And the LP\u2019s crescendo comes via \u201cFlashlights in the Canyon,\u201d a haunting tune about a woman attempting to migrate to the United States, set along the Texas-Mexico border.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt\u2019s a true story.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt was inspired by a hunting trip that I took with some buddies down on the border in West Texas,\u201d Lupton says. \u201cWe were on a 3,000-acre ranch outside of Nowhere, Texas, maybe ten miles from the Rio Grande. One night, one group went down to go hunting, and all of a sudden, they came flying back up to camp. They were yelling, \u2018Flashlights in the canyon! Lock the trucks! Go inside!\u2019 Obviously, it was people crossing illegally from Mexico.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLupton says that after hearing so much about border crossings on the news, to experience it in person offered a different perspective. \u201cI ended up talking to a bunch of locals who lived down on the border. And I heard stories of people who had traveled 1,600 miles from Guatemala, on foot. It\u2019s such a complicated issue, and what I wanted to do on the song was provide a little bit of context of humanity on both sides of the issue, without taking a stance on one side or the other,\u201d he says. \u201cIt\u2019s what I saw. Now, what do we do with that?\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe result is a song that spins a narrative in the spirit of John Prine or Bob Dylan.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt\u2019s no accident that both Lupton and Heintzelman cite Prine and Dylan \u2014 as well as Texas and Red Dirt storytellers Robert Earl Keen and Turnpike Troubadours \u2014 as influences. Throw in a love of late-Sixties rock, and Briscoe can be hard to pin down, with or without the sax onstage.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cPeople often ask us what genre we consider ourselves,\u201d Heintzelman says. \u201cThe answer we have landed on is \u2018Texas folk rock.\u2019 Growing up in Texas, we\u2019re not a proper country band by any means. We\u2019re a product of our environment. We love country music, but more than anything, we love songwriter-first music.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Josh Crutchmer is a journalist and author whose latest books, <\/em><a href=\"https:\/\/neversayneverbook.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>Never Say Never<\/em><\/a><em> and <\/em><a href=\"https:\/\/reddirt-unplugged.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>Red Dirt Unplugged<\/em><\/a><em> are available via Back Lounge Publishing.<\/em><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/briscoe-texas-country-band-1235427992\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ever try writing an album in a van? Ask Briscoe about that. The rising folk-rock band from Austin established itself as a surefire sellout&#8230;<\/p>\n","protected":false},"author":5,"featured_media":46818,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-46817","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/46817","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=46817"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/46817\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/46818"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=46817"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=46817"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=46817"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}