{"id":47043,"date":"2025-09-19T15:52:58","date_gmt":"2025-09-19T15:52:58","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/09\/19\/cole-chaney-and-healing-appalachia-kentucky-on-display\/"},"modified":"2025-09-19T15:52:58","modified_gmt":"2025-09-19T15:52:58","slug":"cole-chaney-and-healing-appalachia-kentucky-on-display","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/09\/19\/cole-chaney-and-healing-appalachia-kentucky-on-display\/","title":{"rendered":"Cole Chaney and Healing Appalachia: Kentucky on Display"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/cole-chaney\/\" id=\"auto-tag_cole-chaney\" data-tag=\"cole-chaney\">Cole Chaney<\/a> sees up-close just how critical his home state of Kentucky has been to the country music landscape over the past two decades. He has watched Chris Stapleton, Tyler Childers, and Sturgill Simpson grind their way from bar acts to stadium headliners, largely on the strength of original songwriting and the charisma to win over fans with little help from radio. He has also seen the path they blazed for a generation of singer-songwriters native to the Bluegrass State currently making their own inroads into country music.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHe cautions, however, that a suddenly well-worn path is still not an easy one to travel.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt\u2019s incredibly inspirational,\u201d Chaney tells <em>Rolling Stone<\/em>. \u201cAnd, on the other side of the same coin, it\u2019s a ton of pressure. You\u2019ve got massive shoes to fill.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThis week, the 25-year-old Chaney will get perhaps the biggest glimpse into how far his own musical career has come. He dropped his second studio album, <em>In the Shadow of the Mountain<\/em>, on Friday. And on Saturday, he\u2019ll play the main stage at <a href=\"https:\/\/www.rollingstone.com\/t\/healing-appalachia\/\" id=\"auto-tag_healing-appalachia\" data-tag=\"healing-appalachia\">Healing Appalachia<\/a> \u2014\u00a0the festival Stapleton and Childers co-founded in an effort to combat opioid addiction \u2014\u00a0only a few miles from his hometown.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Cole Chaney - In the Shadow of the Mountain (Official Music Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/9f_EziyDsZY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThis year\u2019s edition of Healing Appalachia, a traveling fest that changes locations each year, will take place at the Boyd County Fairgrounds in Ashland, Kentucky. Chaney makes his home in Catlettsburg, just east of Ashland along the Ohio River. Stapleton is headlining Friday and Childers on Saturday.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt\u2019s one of the biggest honors of my career,\u201d Chaney tells Rolling Stone about Healing Appalachia. \u201cIt\u2019s pretty incredible that I\u2019m getting to be a part of that, and it\u2019s getting to be in my hometown. I\u2019m very proud of my home, and very proud to be on it. And there are a lot of my heroes on that lineup.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tChaney\u2019s debut album, <em>Mercy<\/em>, in 2021, created enough of a buzz to enable him to share stages with heroes and contemporaries alike. He made his Ryman Auditorium debut in Nashville in 2023, opening for Charles Wesley Godwin and <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/wyatt-flores-mental-health-please-dont-go-welcome-to-the-plains-1235094079\/\">Wyatt Flores<\/a>, and was a regular opener on Shane Smith and the Saints\u2019 <em>Norther<\/em> tour in 2024.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHe\u2019s hoping to build on that moment with <em>In the Shadow of the Mountain<\/em> \u2014 a nine-track record of original songs that Chaney recorded in Lexington with Dave Lundy (Sturgill Simpson, Bela Fleck) producing. The decision to record in Lexington, roughly a two-hour drive from his home, was a deliberate one.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI like to be able to drive down the road and get something done if I need to get it done. I don\u2019t like to be across the country from where I\u2019m recording an album. If I wake up in the morning and have my coffee and then have an epiphany moment,\u201d he says, \u201cI want to be able to keep it fresh and get that idea out of my head.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe record showcases a mix of Chaney\u2019s influences ranging from hard country to bluegrass to grunge, and the lyrics are true-to-life. When they aren\u2019t outright autobiographical, they are observations and feelings Chaney cannot look past while on the road.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn \u201cThe Unsatisfied,\u201d Chaney laments all the times he was told, \u201cSettle down child, don\u2019t you know what you\u2019ve asked for? A life of uncertainty.\u201d He calls it a summation of his career to this point.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThat song is about a restless feeling that just kind of follows me, as an individual, seemingly everywhere that I go,\u201d he says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tChaney recalls his first favorite song being \u201cI Am a Man of Constant Sorrow,\u201d specifically the version on the <em>O Brother, Where Art Thou?<\/em> soundtrack. He picked up music as a teenager and started playing open mic nights in high school. He gave welding school a try after graduation, but by then, music was too strong to resist and he dropped out.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHis grassroots upbringing helps explain why one of Chaney\u2019s most old-school traits is an aversion to the idea of making content. It\u2019s not that he would shun a true viral moment, but Chaney says he is banking on his music breaking through without the aid of social media.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201c<a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/jr-carroll-dark-cloud-album-zach-bryan-1235195558\/\">J.R. Carroll<\/a> put it best,\u201d Chaney says. \u201cHe said, \u2018I did not sign up to be an influencer.\u2019 I didn\u2019t sign up for that either. I came here to write my songs, record them, put them out, and tour the albums. That\u2019s what I\u2019m here to do. There\u2019s nothing wrong with putting some videos out here and there to promote your stuff, and you have an obligation to your music to promote it yourself as much as you can.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cBut, at a certain point, would you rather have ten new pieces of content, or would you rather have ten new songs? That\u2019s where I\u2019m at.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAfter Healing Appalachia, and for most of the fall, Chaney will tour mid-sized clubs and listening rooms in the central and eastern part of the United States. He\u2019ll stop at reputable rock rooms like Smith\u2019s Olde Bar in Atlanta, Amos\u2019 Southend in Charlotte, and 7th Street Entry in Minneapolis. He also has a run on the books opening for 49 Winchester early in 2026.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHe says his priorities lie less in continuing his rise and more in raising his standards as a songwriter. If he does that, he surmises that the rest will take care of itself.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cInspiration is my goal,\u201d he says. \u201cI want to enjoy my life and write some songs. Hopefully people will dig them.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Josh Crutchmer is a journalist and author whose latest books, <\/em><a href=\"https:\/\/neversayneverbook.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>Never Say Never<\/em><\/a><em> and <\/em><a href=\"https:\/\/reddirt-unplugged.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>Red Dirt Unplugged<\/em><\/a><em> are available via Back Lounge Publishing.<\/em><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/cole-chaney-kentucky-healing-appalachia-1235431102\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cole Chaney sees up-close just how critical his home state of Kentucky has been to the country music landscape over the past two decades&#8230;.<\/p>\n","protected":false},"author":5,"featured_media":47044,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-47043","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/47043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=47043"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/47043\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/47044"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=47043"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=47043"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=47043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}