{"id":47117,"date":"2025-09-20T14:53:20","date_gmt":"2025-09-20T14:53:20","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/09\/20\/christone-kingfish-ingram-launches-label-to-protect-blues-artists\/"},"modified":"2025-09-20T14:53:20","modified_gmt":"2025-09-20T14:53:20","slug":"christone-kingfish-ingram-launches-label-to-protect-blues-artists","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/09\/20\/christone-kingfish-ingram-launches-label-to-protect-blues-artists\/","title":{"rendered":"Christone &#8216;Kingfish&#8217; Ingram Launches Label to Protect Blues Artists"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAlong with the millions of people who\u2019ve seen it, <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/kingfish-making-delta-blues-new-again-1143180\/\">Christone \u201cKingfish\u201d Ingram<\/a> liked what he saw and heard in <em><a href=\"https:\/\/www.rollingstone.com\/tv-movies\/tv-movie-reviews\/sinners-michael-b-jordan-ryan-coogler-1235307958\/\">Sinners<\/a><\/em>, this year\u2019s left-field blues-and-vampires flick. It helped that he was also <em>in<\/em> it: That\u2019s Ingram (who snagged the Grammy for Best Contemporary Blues Album in 2022) jamming with Buddy Guy in the film\u2019s closing scene. \u201cAs far as putting the blues in the mainstream media, I\u2019m behind it,\u201d he says. \u201cAs Mr. Guy says, whatever can keep the blues flowing.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut is that movie, for all its acclaim and the way it immersed audiences in Thirties Mississippi Delta blues, enough to keep it alive? Ingram\u2019s not so sure of that, so he\u2019s done what few if any twentysomething blues musicians have ever done. After three records for the renowned blues indie label Alligator, Ingram and his manager, Ric Whitney, announced the launch of their own company last year. Named after two of the earliest places Ingram played during his teen days in Clarksdale, Mississippi (Red\u2019s Lounge and the Ground Zero Blues Club), Red Zero will get up and running next week with Ingram\u2019s third studio record, <em>Hard Road<\/em>.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Nothin\u2019 But Your Love\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/t5DZVY-Yoi0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut Ingram has loftier goals in mind for the company, which he hopes will foster a new generation of blues musicians and prevent them from being ripped off as so many of the genre\u2019s founding players were. \u201cI just figured I was at a time in my career where I could start helping other young blues musicians and singers to be shown more in the spotlight,\u201d Ingram says from Los Angeles, where he\u2019s lived for more than three years after following a girlfriend there. \u201cA lot of artists have been shot down or given bad deals altogether. There has been lot of awareness of the gentrification of the genre and people getting ripped off. And we don\u2019t want to see them hung up like that. I was lucky enough to get a good deal, because I had solid people around me. Everyone doesn\u2019t have that. So, we just want to be that guy, for some people.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe idea for Red Zero dates back at least six years, when Ingram and Whitney were watching a documentary on the late R&amp;B and soul singer Sam Cooke. The film also explored SAR, the label Cooke co-founded a few years before he was shot to death. One of the few Black-owned labels at the time \u2014the early Sixties \u2014 SAR is largely forgotten now but helped launch the careers of Billy Preston, Bobby Womack, and many more. \u201cSam Cooke said something that kind of got me,\u201d Ingram says. \u201cHe said he started a label for the ones who don\u2019t get an opportunity. I see a lot of artists like that.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn 2022, Ingram spoke with <em>Rolling Stone <\/em>about <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/blues-buffalo-nichols-1296676\/\">the new generation of young Black musicians<\/a> who were seeking to reclaim the music given the dominance of white musicians on the blues charts and blues cruises. Just a few years later, Ingram has witnessed a shift, which became another reason to start his label. \u201cSince that last interview we did, I would have gave you a different answer,\u201d he says. \u201cI\u2019ve seen a lot of young artists of color coming out and playing this music,  or music based on this genre. I see a lot of parallels between Americana and blues music. People are craving more music that\u2019s authentic.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tRed Zero \u2014 which will join a small group of thriving indie blues labels, like Alligator, Blind Pig, Gulf Coast, and Delmark \u2014 will be grounded in the music, at least in the start. \u201cWe want to take care of the home team first before we venture out into other genres,\u201d Ingram says. \u201cAnd it\u2019s not just young kids. We\u2019re looking at some middle-aged blues players and older players. Just anybody who needs to be seen.\u201d To date, the label has signed two artists: St. Louis-born soul and blues singer Dylan Triplett, who reminds Ingram of Bobby \u201cBlue\u201d Bland, and Houston singer and guitarist Mathias Lattin.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe launch hasn\u2019t be without its challenges. According to Whitney, \u201cA lot of people may not have expected [the label idea] for someone at his age.\u201d Ingram concurs: \u201cI did get pushback from certain people,\u201d he says. \u201cNot directly. It was just things I was hearing: that I was too young and I really didn\u2019t know what I was doing, and blah, blah, blah. I look at it like this: If I wasn\u2019t trying to do anything, or trying to help out anybody, they still would have something to say. So I just forget them.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAs much as Ingram wants to promote the music that he\u2019s been playing since he was in grade school, he wants the music to bust out, especially in a crowded musical and cultural landscape.\u00a0\u201cPeople don\u2019t want to admit it, but we live in a world where there are just so many outlets now,\u201d he says. \u201cPeople can take the blues wherever, as long as you\u2019re not disrespecting the genre or disrespecting the forefathers or being ignorant in some way.\u00a0Not only that, let\u2019s just say this: a lot of folks have no problem mixing the blues with other genres. I just think a lot of people think that the only way you can do it is when you mix it with <em>rock<\/em>. That\u2019s where the problem lies. Why <em>not<\/em> put some soul with it? Or some R&amp;B or hip hop?\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThat cocktail of blues and other genres runs through <em>Hard Road<\/em>, Ingram\u2019s first studio album since the Grammy-winning <em>662<\/em> in 2021. His guitar still blazes and smolders throughout the record, but it\u2019s also the first of his albums to place equal emphasis on his singing and grooves rooted in modern pop. \u201cI\u2019ve always wanted to do music with an R&amp;B flavor, like Barry White meets Hendrix,\u201d he says. That blend is heard on \u201cStanding on Business\u201d and the album\u2019s slow-jammy first single, \u201cNothin\u2019 But Your Love.\u201d \u201cThose show me in a whole different light,\u201d he says, \u201cand I\u2019ve been waiting on people to see me in those lights.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSome of those songs, especially the soul-searching \u201cClearly,\u201d also obliquely address the dose of fame and recognition that swirled around Ingram after he <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/christone-kingfish-ingram-future-blues-747484\/\">released his debut in 2019<\/a>. Grammy nominations and wins followed, as did opening-act stints with the Rolling Stones (whom he didn\u2019t get a chance to meet) and Vampire Weekend. But as Ingram has learned, like many before him, his dream came with a cost. <\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThe reason the album is named <em>Hard Road <\/em>is because a lot of times we show the glamor and glitziness of the road, but we never really talk about the bad stuff,\u201d he says. \u201cSince I acquired this little fame I have, there are some things that come with it that I had to deal with, such as the fakeness and people not really having your best interest in mind. When people see you\u2019re successful, they try to latch on and have this entitled attitude of you owe them when you really don\u2019t.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHow has he handled it? \u201cI just tried to ignore it and focus on the music and keep a level head,\u201d he says. \u201cYou have to realize that all of it is part of the game, as I said in \u2018Clearly\u2019: \u2018Can\u2019t always be sunshine\/You get a little rain.\u2019\u00a0 You just have to keep going.\u201d<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/christone-kingfish-ingram-sinners-movie-blues-record-label-1235429247\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Along with the millions of people who\u2019ve seen it, Christone \u201cKingfish\u201d Ingram liked what he saw and heard in Sinners, this year\u2019s left-field blues-and-vampires&#8230;<\/p>\n","protected":false},"author":5,"featured_media":47118,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-47117","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/47117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=47117"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/47117\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/47118"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=47117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=47117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=47117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}