\t\t\t\t\t\t<\/p><\/div>\n<\/p><\/div> \t\t\t\t\tMary in the Junkyard<\/a> opened the Nashville stop of Rolling Stone\u2019s Gather No Moss Tour.<\/span><\/p>\n \t\t\t\t\t\t\t\t\tMaggie London for Rolling Stone<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n \n\tWhile those three songs were all off their self-titled 2022 debut<\/a>, fans were just as enthralled by the new material. Wet Leg played 10 of the 12 tracks from Moisturizer<\/a><\/em>, released in July, including that we-just-wanna-fight anthem \u201cCatch These Fists\u201d and the album\u2019s chugging highlight \u201cMangetout.\u201d<\/p>\n \n\t\u201cU and Me at Home\u201d and \u201cJennifer\u2019s Body\u201d were particularly well-suited for Wet Leg\u2019s live show, with Teasdale \u2014 taking a page out of the Hayley Williams school of stagecraft \u2014 spinning and twirling her way across the stage in the former and swiveling her hips in the latter. The crowd ate it up.<\/p>\n \n\tThe aesthetic of the band, now a five-piece with guitarist Josh Mobaraki, bassist Ellis Durand, and drummer Henry Holmes officially members, has evolved drastically from the cottage-core vibes of their debut LP and their 2022 Glastonbury performance, where Teasdale and Chambers played in prairie dresses. At Gather No Moss, Teasdale opted for Rocky Horror<\/em> metallic short shorts, a midriff-baring tee, and a knee bandage. Chambers, meanwhile, is leaning into shyness on this album cycle by frequently covering her face in photos<\/a>. On Tuesday night, she found her shield beneath a large, sparkly cowboy hat. It was Nashville, after all.<\/p>\n \t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n \n\tAnd it\u2019s not a Wet Leg show without some prop work. Heavy clouds of fog shrouded the stage while strobes lit up the band\u2019s opening, and a bubble machine was put into action at least twice during the night. But the high point came when the band threw themselves headlong into a set-ending \u201cCPR.\u201d Teasdale clutched an old-school telephone and sang with abandon \u2014 \u201cOh, I\u2019m in love\/And you\u2019re to blame\u201d \u2014 proving that, in the end, she really did want your love.<\/p>\n\n
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