{"id":48347,"date":"2025-10-04T16:43:42","date_gmt":"2025-10-04T16:43:42","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/10\/04\/why-elizabeth-taylor-is-the-centerpiece-of-the-life-of-a-showgirl\/"},"modified":"2025-10-04T16:43:42","modified_gmt":"2025-10-04T16:43:42","slug":"why-elizabeth-taylor-is-the-centerpiece-of-the-life-of-a-showgirl","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/10\/04\/why-elizabeth-taylor-is-the-centerpiece-of-the-life-of-a-showgirl\/","title":{"rendered":"Why &#8216;Elizabeth Taylor&#8217; Is the Centerpiece of &#8216;The Life of a Showgirl&#8217;"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTaylor Swift loves her mad women and outlaw ladies, her queens with big reputations. She also loves her Old Hollywood movie stars, from Clara Bow to Barbara Stanwyck to Bette Davis. So it would be bizarre if she <em>didn\u2019t<\/em> have an <a href=\"https:\/\/www.rollingstone.com\/t\/elizabeth-taylor\/\" id=\"auto-tag_elizabeth-taylor\" data-tag=\"elizabeth-taylor\">Elizabeth Taylor<\/a> obsession. La Liz was an opulent mess her whole life. She was the most famous woman of the 20th century, as Taylor is now \u2014 the ultimate showgirl. Everything she did was on an epic scale \u2014 her movies, her clothes, her diamonds, her violet eyes, her marriages, her scandals.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut \u201cElizabeth Taylor\u201d is so much more than just the peak of her long-running Liz fascination. It\u2019s a statement of purpose, the heart-on-fire synth-pop swoon at the core of her dazzling new album <em>The Life of a Showgirl<\/em>. She and Max Martin and Shellback go 12 for 12 \u2014 they basically made a 41-minute <em>New Romantics: The Album<\/em>. But \u201cElizabeth Taylor\u201d feels like the emotional centerpiece, the key to the whole record. The showgirl yearns for true love \u2014 yet on her own fiercely independent terms. Swift has always identified with Liz, but this is where she claims the story as her own. She\u2019s immortal now, baby dolls.\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Taylor Swift - Elizabeth Taylor (Visualizer)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/4Mg_Qtr6Osg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tObviously, there\u2019s no winning streak like Taylor\u2019s anywhere in music history \u2014 nearly 20 years in, she keeps hitting new peaks in her cultural impact and creative ferocity. (And oh yeah, commercial success.) Song for song, <em>Showgirl<\/em> is her best since the <em>Folklore\/Evermore<\/em> double-shot of five years ago \u2014 that might look like an unbeatable zenith, but then so did <em>Red<\/em> before <em>Folklore<\/em> happened. So many contenders for the album\u2019s funniest line, yet \u201cElizabeth Taylor\u201d has the winner: \u201cWe hit the best booth at Musso and Frank\u2019s \/ They call me bad news, I just say thanks.\u201d (A close second: \u201cI have been afflicted by a terminal uniqueness.\u201d)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe song digs into one of her favorite Hollywood legends: Liz\u2019s stormy romance with the Welsh actor Richard Burton, when they reigned as the world\u2019s most scandalous couple. I\u2019m a hardcore Liz fanatic so I had high hopes for this song, yet Taylor exceeded them. (Sadly, \u201cWood\u201d did not turn out to be about Natalie.) Liz spent her whole existence in the spotlight, with \u201clights, camera, bitch smile\u201d as the only life she knew. She tied the knot eight times, including Burton, whom she wed and divorced twice. The whole world knew them as \u201cLiz and Dick.\u201d They were decades too early for a nickname like \u201cElizadick\u201d or \u201cTurton,\u201d though they called themselves \u201cLe Scandale.\u201d The couple made eleven movies together, and battled through each one.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut the Liz\/Swift soul connection goes deep, way beyond their shared name. Both Taylors got famous as kids, grew up in public as America\u2019s sweetheart. As in the title of Liz\u2019s finest early movie, namechecked in the song, both were \u201cThe Girl Who Had Everything.\u201d But like Swift, Liz was the ingenue who made everything sticky by growing up. They turned into controversial women, denounced and slut-shamed as their lives became gossip fodder. \u201cThe rumors are terrible and cruel, but honey, most of them are true\u201d \u2014 that\u2019s a line that could have come from Liz\u2019s lips in <em>Butterfield 8<\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLiz and Dick fell in love on the set of <a href=\"http:\/\/youtube.com\/watch?v=Vy1LZpA3BYQ\" rel=\"nofollow\" target=\"_blank\"><em>Cleopatra<\/em><\/a>, the ridiculously expensive and lavish epic love story of the ancient Egyptian queen and the Roman general Mark Antony. Both stars were married to other people, but who cared? They got hitched in 1963, divorced in 1974, married again in 1975, divorced again in 1976. When they went public, it was an international scandal. Republicans in Congress called for the Attorney General to revoke her passport and cancel his visa. The Vatican newspaper accused them of \u201cerotic vagrancy,\u201d which would make a great Swift song title (and someday probably will).\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSwift\u2019s always had a fascination with this power couple. In \u201c\u2026Ready for It?\u201d she sang, \u201cHe can be my jailor, Burton to my Taylor,\u201d then added, \u201cI\u2019m so very tame now, never be the same now.\u201d If the word \u201ctame\u201d seems odd there, one of the first movies the pair made together was <a href=\"http:\/\/youtube.com\/watch?v=4dPDgoTJPR8\" rel=\"nofollow\" target=\"_blank\"><em>The Taming of the Shrew<\/em><\/a>, by Tay\u2019s main man William Shakespeare. On her 2018 Reputation Tour, her backstage Rep Room was decorated with a Liz-and-Dick theme, with vintage posters for their movies like<em> Cleopatra<\/em> and <em>The V.I.Ps<\/em>.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tShe also went Liz for her 2014 <a href=\"http:\/\/youtube.com\/watch?v=IdneKLhsWOQ\" rel=\"nofollow\" target=\"_blank\">\u201cWildest Dreams\u201d <\/a>video, where she plays a brunette actress filming on location in Africa, falling in love with her co-star. As director Joseph Kahn <a href=\"https:\/\/www.npr.org\/sections\/goatsandsoda\/2015\/09\/02\/436967742\/the-director-of-the-taylor-swift-video-defends-his-work\" rel=\"nofollow\" target=\"_blank\">said<\/a>, \u201cThe video is based on classic Hollywood romances like Elizabeth Taylor and Richard Burton.\u201d The video was set in 1950 \u2014 the year of Liz\u2019s first wedding. Her leading man: Scott Eastwood, whose dad co-starred with Burton in <em>Where Eagles Dare<\/em>. Never accuse Taylor of not obsessing over the details.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tShe once <a href=\"https:\/\/www.facebook.com\/groups\/2254218764714763\/posts\/3736444499825508\" rel=\"nofollow\" target=\"_blank\">posted a photo<\/a> of her cat sitting on a copy of the book <em>Furious Love: Elizabeth Taylor, Richard Burton, and the Marriage of the Century<\/em>, by Sam Kushner and Nancy Schoenberger. Her caption: \u201cOlivia loves to read historical Hollywood biographies.\u201d In 2018, she discussed this bio in her <a href=\"https:\/\/www.harpersbazaar.com\/culture\/features\/a22020940\/taylor-swift-interviews-pattie-boyd\/\" rel=\"nofollow\" target=\"_blank\">interview <\/a>with the rock &amp; roll muse Pattie Boyd (who married both George Harrison and Eric Clapton). \u201cI read a book about Richard Burton and Elizabeth Taylor recently, and how there was this crazy frenzy surrounding them,\u201d Taylor said. \u201cIn the book, Elizabeth is quoted as saying, \u2018It could be worse\u2014we could be the Beatles.\u2019\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut she goes all the way in \u201cElizabeth Taylor,\u201d turning her life into folklore. In the opening moments, she sings, \u201cThat view of Portofino was on my mind\/When you called me at the Plaza Ath\u00e9n\u00e9e.\u201d That\u2019s the island where Liz and Dick got engaged \u2014 and the New York hotel where she had a duplex penthouse. Some of the song\u2019s references are obvious, as in the chorus where she sings, \u201cI\u2019d cry my eyes violet.\u201d But she also goes for deep cuts, shouting out White Diamonds, the name of Liz\u2019s Nineties fragrance, and her finest early movie, the pretty damn obscure 1953 melodrama <a href=\"http:\/\/youtube.com\/watch?v=GFtWDF3hfO4\" rel=\"nofollow\" target=\"_blank\"><em>The Girl Who Had Everything<\/em><\/a>. (Did I mention Taylor obsesses over the details?)\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cOften times it doesn\u2019t feel so glamorous being me,\u201d she laments. She might be the talk of Hollywood, but that\u2019s a place where you\u2019re only as hot as your last hit, baby, and she knows people are rooting for her to take a fall. \u201cAll my white diamonds and lovers are forever,\u201d she sings\u2014but in the title song, at the the album\u2019s end, it\u2019s \u201csequins are forever.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tElizabeth was a child when she became a sensation riding her horse in <em>National Velvet<\/em>. In her teens, she stared at the older actresses eating lunch in the studio commissary, the glam divas like Ava Gardner and Lana Turner, and wanted to be just like them. She used to have herself paged, just so she could walk across the lunch room and try to turn heads. It usually worked. Even at 19, she was seen as a femme fatale. \u201cI know I have been spoiled,\u201d she said. \u201cBut I think people have been unfairly severe.\u201d She never got a chance to mature in private. \u201cI\u2019ve been able to wear a plunging neckline since I was 14 years old,\u201d she said. \u201cMy troubles all started because I have a woman\u2019s body and a child\u2019s emotions.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLiz always had the most bitter exes in the game. Her first husband, whom she married at 18 and left at 19, told the press, \u201cEvery man should have the opportunity of sleeping with Elizabeth Taylor, and at the rate she\u2019s going every man will.\u201d But the most bitter had to be crooner Eddie Fisher, her fourth husband, who suffered the public humiliation of leaving his wife Debbie Reynolds for her (as well as their daughter Carrie), then getting dumped for Burton. He did a revenge-theater show with a song called \u201cCleo, the Nympho of the Nile,\u201d with lyrics such as \u201cJust like Elvis\/She used her pelvis.\u201d (This story, like so many great Liz tales, comes from Kitty Kelley\u2019s classic <a href=\"https:\/\/www.simonandschuster.com\/books\/Elizabeth-Taylor\/Kitty-Kelley\/9781451656763\" rel=\"nofollow\" target=\"_blank\"><em>Elizabeth Taylor: The Last Star,<\/em><\/a> one of the juiciest Hollywood dishfests ever.)\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBefore <em>Cleopatra<\/em>, Liz and Dick despised each other. When they first met, he was starring in a London production of <em>Hamlet<\/em>, and naturally having an affair with the actress playing Ophelia, Claire Bloom. (Just as Taylor plays Ophelia on the album cover.) But he and Liz fell in hate at first sight. He called her \u201cMGM\u2019s Little Miss Mammary.\u201d She called him \u201cthe Frank Sinatra of Shakespeare.\u201d When he got cast as <a href=\"https:\/\/www.youtube.com\/watch?v=ZvHqbsOBUNQ\" rel=\"nofollow\" target=\"_blank\">Mark Antony<\/a>, he complained, \u201cWell, I guess I\u2019ve got to don my breastplate once more to play opposite Miss Tits.\u201d But a week into filming, they were inseparable, sneaking off to his trailer between scenes.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBurton wasn\u2019t her most likeable husband (that would be Michael Wilding) or her most attractive (Mike Todd), or even the hammiest actor (Fisher), but they were addicted to each other. Both were jet-set alcoholics; by the end, he drank three bottles of vodka a day. When he died in 1984, his widow banned Liz from the funeral. Everyone had opinions about these two. Even Bob Dylan, on his 1963 classic<a href=\"http:\/\/youtube.com\/watch?v=5nbG52D_SGs%5D\" rel=\"nofollow\" target=\"_blank\"> <em>The Freewheelin\u2019 Bob Dylan <\/em><\/a>\u2014 the folk poet spends the album pondering big themes like war, justice, and death, but his final punch line is \u201cMake love to Elizabeth Taylor \/ Catch hell from Richard Burton.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tCleopatra was Liz\u2019s favorite role \u2014 she identified with the passionate queen.\u00a0\u201cTo me,\u201d she said, \u201cCleopatra was more like a tigress than a sex kitten, even at 19, when she first met Caesar and had been queen for only two years.\u201d Taylor can relate to that \u2014 in the <em>Speak Now<\/em> vault track <a href=\"http:\/\/youtube.com\/watch?v=IYqgVYjN3Go\" rel=\"nofollow\" target=\"_blank\">\u201cWhen Emma Falls in Love,\u201d<\/a> she sings about a girl who\u2019s \u201clike if Cleopatra grew up in a small town.\u201d (And like Taylor, Cleo had some issues with snakes.) Liz won her first Oscar for Best Actress as the vamp in <a href=\"http:\/\/youtube.com\/watch?v=FH0xqOJyycI\" rel=\"nofollow\" target=\"_blank\"><em>Butterfield 8<\/em>,<\/a> purring lines like \u201cFlesh and blood can only stand so much voluptuous torture.\u201d But in their movies together, she and Burton loved to play couples at war with each other, throwing their real-life conflicts into<a href=\"http:\/\/youtube.com\/watch?v=4vIUGN8CGjE\" rel=\"nofollow\" target=\"_blank\"> <em>Who\u2019s Afraid of Virginia Woolf?<\/em><\/a> That film might be a Tay fave, considering <a href=\"https:\/\/www.youtube.com\/watch?v=vOZFiX6hDXQ\" rel=\"nofollow\" target=\"_blank\">\u201cWho\u2019s Afraid of Little Old Me,\u201d<\/a> where she sings about growing up in the fame machine as Liz did, sneering, \u201cYou wouldn\u2019t last an hour in the asylum where they raised me.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut Elizabeth Taylor specialized in a very Swiftian kind of role: the woman who lives with a horrible secret she can never tell, because nobody would believe her. If she trusted anyone enough to confide in them, they\u2019d call her insane. (\u201cThis you won\u2019t believe!\u201d she screams in <em>Suddenly Last Summer<\/em>. \u201cNobody, nobody could believe it!\u201d When she tells her secret, she gets locked in an asylum.) Liz played this woman so many times \u2014 and so has Taylor, in songs from \u201cCassandra\u201d to \u201cMad Woman\u201d to the new album\u2019s \u201cCancelled!\u201d But she has so many of these characters in plain sight \u2014 like in \u201cBlank Space,\u201d where she\u2019s got a long list of ex-lovers who\u2019ll tell you she\u2019s <em>insaaaane<\/em>. As she once asked, \u201cWhen everyone believes you, what\u2019s that like?\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen Liz died in 2011, at 79, it was the end of an era. \u201cThe last of the Hollywood greats,\u201d in the words of <a href=\"https:\/\/x.com\/GeorgeMichael\/status\/50554532358393856\" rel=\"nofollow\" target=\"_blank\">George Michael <\/a>\u00a0\u2014 another legend who gets a <em>Showgirl <\/em>showcase, in \u201cFather Figure.\u201d (It\u2019s George\u2019s song title, but it also sounds like his career story.) She married a \u201cFather Figure\u201d once\u2014the distinguished British actor Michael Wilding, twice her age. She turned 20 on their honeymoon. By all accounts, this was one of her friendliest marriages, producing two sons and no hard feelings. Their son Christopher, now 70, has thanked Swift for writing a song about his mom. Her third husband was a Broadway producer killed in a plane crash; her seventh was the Senator from Virginia; her eighth was a construction worker she met in rehab. This woman took big swings.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut Liz was protective of her image, long past the point where it was out of her hands. She sued to stop a biopic in 1982, saying, \u201cI am my own commodity. I am my own industry.\u201d These words were <a href=\"https:\/\/www.washingtonpost.com\/archive\/local\/1982\/11\/30\/i-elizabeth\/f2374b94-ba14-4c67-90bb-22e84031c7a5\/\" rel=\"nofollow\" target=\"_blank\">much-mocked<\/a>, like everything she said or did in those days. (The movie finally happened in the Nineties, starring <em>Twin Peaks<\/em> siren Sherilyn Fenn. A few years ago, it was Lindsay Lohan.) Yet Taylor Swift is one of the few people who knows exactly what Liz was talking about. She said something similar during the <em>New Heights<\/em> podcast with Travis Kelce, discussing her fight to own her masters. \u201cI\u2019m in the business of human emotion,\u201d she said. \u201cSo I would so much rather lead heart-first in something like this, because to me this isn\u2019t something like, \u2018I want to own this asset because of its return.\u2019 I want it because these are my handwritten diary entries from my whole life.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThat\u2019s the real bond between these two Taylors \u2014 their lifelong fight to hold on to their independence, despite public exposure. \u201cIt\u2019s the life behind it all,\u201d Swift said on <em>New Heights<\/em>. \u201cIt\u2019s the life beyond the show.\u201d At the very end of the album, she brings the story full circle with the title tune, dedicated to a tough dancer named Kitty. (Liz was a lifelong cat lady, not to mention Maggie the Cat in the 1959 classic <a href=\"http:\/\/youtube.com\/watch?v=AzogcorjLOI\" rel=\"nofollow\" target=\"_blank\"><em>Cat on a Hot Tin Roof<\/em>.<\/a>) But this could be Elizabeth\u2019s story as well as Swift\u2019s. \u201cI\u2019m married to the hustle,\u201d Taylor proclaims. \u201cNow I know the life of a showgirl, babe, and I\u2019ll never know another. Pain, hidden by the lipstick and lace.\u201d Both Taylors know this life from the inside. Nobody except the showgirls will ever understand.\u00a0<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/taylor-swift-elizabeth-taylor-life-of-a-showgirl-1235440312\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Taylor Swift loves her mad women and outlaw ladies, her queens with big reputations. She also loves her Old Hollywood movie stars, from Clara&#8230;<\/p>\n","protected":false},"author":5,"featured_media":48348,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-48347","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/48347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=48347"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/48347\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/48348"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=48347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=48347"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=48347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}