{"id":48498,"date":"2025-10-07T15:13:43","date_gmt":"2025-10-07T15:13:43","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/10\/07\/ruston-kelly-found-god-and-himself-on-pale-through-the-window-album\/"},"modified":"2025-10-07T15:13:43","modified_gmt":"2025-10-07T15:13:43","slug":"ruston-kelly-found-god-and-himself-on-pale-through-the-window-album","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/10\/07\/ruston-kelly-found-god-and-himself-on-pale-through-the-window-album\/","title":{"rendered":"Ruston Kelly Found God and Himself on &#8216;Pale, Through the Window&#8217; Album"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/ruston-kelly\/\" id=\"auto-tag_ruston-kelly\" data-tag=\"ruston-kelly\">Ruston Kelly<\/a> took his seat in the middle of the Bluebird Cafe, the tiny strip-mall bar-and-grill at the outer reaches of Nashville that serves as one of the most important proving grounds in the world of songwriting. His choices for a venue to release <em>Pale, Through the Window<\/em> in early September were nearly limitless, and Kelly picked the Bluebird. \u201cI wanted to do it where I started in this town,\u201d he explained to the crowd before he sang his first note.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSongwriters play the Bluebird in the round, literally seated in the middle of the room, surrounded on all sides by tables and the clank of bottles or silverware. Three other artists joined Kelly on this night: Katie Pruitt sat to his left. Jarrad K, who produced Kelly\u2019s new LP, was across from him. Ryman, a young mononymous songwriter unfamiliar to Kelly rounded out the bill. His parents and girlfriend of a year, girlfriend, Tia Cubelic, claimed the nearest table.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThen, Kelly shared most of <em>Pale, Through the Window<\/em> with the world for the first time. It\u2019s a 13-track album inspired by a spiritual awakening and fresh love, and a reconnection with Nashville. Kelly has made a career of baring his soul in his music, but never quite like this. His catalog is built upon heavy, sad songwriting, and this record centers around gratitude. It called for an intimate release, and the Bluebird provided such a setting.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI wanted my album release night to not fully be about myself,\u201d Kelly tells Rolling Stone. \u201cI wanted the album release night to be about why I do this, and why I do this in Nashville \u2014 the connection to family, to home, to my friends\u2019 families. My girlfriend was there. My parents were there. My close friends were there. I also realized that night, looking over at that kid, Ryman, who is immensely talented, that I was in the same position \u2014 just reversed \u2014 from when I was trying to make it here.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe record is not about coming home, though Kelly has recently moved back to Nashville after living for four years in the northern Tennessee town of Portland. Nor is the record about his <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/ruston-kelly-the-weakness-1234709833\/\">2020 split<\/a> with Kacey Musgraves. That was covered in his 2023 project <em>The Weakness<\/em>. And it\u2019s not about kicking alcohol and cocaine, which Kelly did nearly a decade ago.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe sum of those experiences left Kelly feeling empty and mired in an existential crisis by early 2024. This is where <em>Pale, Through the Window<\/em> was born.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cOn paper, everything was pretty great,\u201d Kelly says. \u201cEverything seemed to be OK, but it was so obvious to me that a sense of clarity \u2014 and what I was anchored by \u2014 didn\u2019t really have a form to it. I was single, but I wasn\u2019t really ready to mingle, you know? I was living in a way that wasn\u2019t blank, but purpose-wise I felt vague, just as a person. That was the dominant theme of where I was at.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn June 2024, while sitting at his piano, Kelly found God \u2014 which he emphasizes is not the same as finding religion. He found himself grateful for the simple gift of expressing himself, and he committed to the feeling. A short time later, he found Cubelic.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe notions of coming from somewhere and belonging to someone both stuck with Kelly.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cGod became the center of my experience and reality, and everything would then flow from that. Now that there\u2019s an anchor, the stakes are different. And I\u2019m not talking about heaven or hell, or anything religious. I\u2019m talking about coming to the conclusion that I belong to someone now, and my soul belongs. I\u2019ve been given so many amazing things in my life, and my duty now is to honor those things.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Ruston Kelly &quot;All In&quot; (Official Audio)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/MAJGUi7kOAs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tA decade earlier, Kelly would have filled a void in his life with substances. This time, it\u2019s gratitude \u2014\u00a0to God, to his partner or to his family. Eventually, he let gratitude shape his art.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Pale, Through the Window<\/em> came together in an extremely short timeframe. Other than the title track, a string-heavy lament of his own past that Kelly wrote before his spiritual and personal rebirth, he had nothing in mind when he and Jarrad K booked studio time in late summer 2024. With his, recent connection with God, Kelly decided to take a leap of faith.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI only had \u2018Pale Through the Window,\u2019 which was part of the story before,\u201d he says. \u201cThat\u2019s why the album opens with it. But I didn\u2019t have anything else. It was an act of faith, not just in my life circumstances, but wholesale. There has to be a trust beyond what I\u2019ve tried to do and wrangle myself. And the creative process was part and parcel to that. I just trusted the muse. I trusted that it would come to me at the right time. It had never failed me before, but it was getting pretty down-to-the-wire.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cAbout two weeks before we started, one night, it just kind of hit me what this record was gonna be about, and what angle I was gonna tell the story from.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOnce he wrote one song, the rest came in in a flurry. Kelly had a series of co-writes with other artists scheduled in Nashville, and he would wake up early to write his own music before heading off to those appointments, then hustle home and pick up where he left off.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHe covered all the ground he knew to cover in the process. He sings about accountability and atonement for pain he caused others in \u201cTwisted Root,\u201d a song that bucks the notion of gratitude on the album on the surface but which Kelly sees as the key to unlocking the entire theme. \u201cI don\u2019t think that gratitude can be fully grasped by someone if we don\u2019t know what the stakes were to get there in the first place,\u201d he says. He leaned heavily into his self-described dirt-emo stylings on \u201cPickleball\u201d while singing about his first date with Cubelic, and addressed God directly on \u201cStill.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cStill\u201d is the song that threads <em>Pale, Through the Window<\/em> together. When Kelly sings \u201cYou sent me a love like I\u2019d never had,\u201d he\u2019s addressing his creator. But people in his life hear something else entirely, and it\u2019s what Kelly hoped for in the entire project.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThat song is the capstone spiritual statement on the record,\u201d he says. \u201cLike every song on this record, I\u2019m not asking everyone to see it through the same lens that I do. When I play it for my dad, he relates it to my mom \u2014 through all the difficulties of getting to where they are, it\u2019s basically a love bigger than ourselves. The things that remain no matter what happened, that\u2019s the truest form of love. Through my own lens, that was to say to the creator that, even in the times when I felt loneliest, that presence was still there with me.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBy Kelly\u2019s standards, he has not toured much since he wrapped up the shows he played in support of <em>Weakness<\/em>. He was a high-profile act on February\u2019s Holiday from Real cruise in support of Jack\u2019s Mannequin, Something Corporate, and Andrew McMahon in the Wilderness. He played a pair of sold-out shows at Nashville\u2019s Basement East in March after he released <em>Dirt Emo Vol 2<\/em>, an all-covers record that featured Kelly\u2019s take on artists like Goo Goo Dolls and Avril Lavigne. The Basement East concerts featured Kelly\u2019s father, Tim, playing pedal steel and his sister Abigail \u2014 who tours with Dashboard Confessional \u2014\u00a0on vocals. \u201cI wouldn\u2019t have been able to do it without them,\u201d Kelly reflects on his dad and sister, both of whom appear on <em>Pale, Through the Window<\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor the most part, though, his break from songwriting went hand-in-hand with a break from the road. He read a lot of history and played a lot of Nintendo Switch, but he held off on a proper tour until early October.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNow, though, he is booked through February on a coast-to-coast run that he hopes fans see as a chance to re-engage with a catalog that dates to <em>Dying Star<\/em>, his 2018 debut.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThey\u2019re gonna experience the 2.0 version of these songs,\u201d he says, \u201cand they\u2019re really gonna experience something that\u2019s special to me, which is playing songs that I\u2019ve never played live before.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tCubelic will likely be in tow, too.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe closing track on <em>Pale, Through the Window<\/em> is \u201cAll In,\u201d and Kelly wrote it for Cubelic. Kelly\u2019s longtime fans will recognize the raw, personal emotion he injects into the lyrics. It\u2019s his commitment to brand-new love that will likely throw them for a loop. He wrote it after his first date with Cubelic. He recorded it in a single take, adding it to the album with no edits.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI felt like maybe I was jumping the gun or something when that came out after a first date. I was a little scared of it, because that\u2019s a statement that I have not made on record. Then, I realized that there was nothing to be over-assessing about it. That came out of you because that\u2019s how you really feel. That feeling crystallized as the relationship grew. This is <em>the<\/em> person. I <em>do<\/em> want to say this.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe were supposed to go on a date with a bunch of friends, and they all bailed on us. After the dinner, it was raining outside, and\u2026. it was the first time I ever sat down with a partner and, like, just sang songs for the joy of it. She went, \u2018Grab the guitar and sing for me!\u2019 I was thinking, \u2018This is kind of all that I\u2019ve ever really wanted.\u2019 That was the night that I started writing the album.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tKelly told this story at the Bluebird before playing the song near the end of his set. He kept a steady gaze on Cubelic as he worked his way through lyrics like \u201cYou came in, and cracked me wide open, and all my worries went so far away.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen he finished, a teary-eyed Katie Pruitt led the crowd in an ovation.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Josh Crutchmer is a journalist and author whose latest books, <\/em><a href=\"https:\/\/neversayneverbook.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>Never Say Never<\/em><\/a><em> and <\/em><a href=\"https:\/\/reddirt-unplugged.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>Red Dirt Unplugged<\/em><\/a><em> are available via Back Lounge Publishing.<\/em><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/ruston-kelly-girlfriend-god-new-album-1235442086\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ruston Kelly took his seat in the middle of the Bluebird Cafe, the tiny strip-mall bar-and-grill at the outer reaches of Nashville that serves&#8230;<\/p>\n","protected":false},"author":5,"featured_media":48499,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-48498","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/48498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=48498"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/48498\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/48499"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=48498"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=48498"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=48498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}