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Life Without Buildings<\/a>, the beloved Glaswegian art-rock band, broke up in 2002 after the release of their sole, classic album, Any Other City<\/em><\/a>. But not before recording a final song, \u201cLove Trinity.\u201d The rarity received a small Australian release, but the studio recording never became widely available; most fans have heard the song only via bootlegs and a live version, from the post-split record Live at the Annandale Hotel<\/em>. Now, the studio recording is getting its first wide release. Unearthed by Glasgow label Errol\u2019s Hot Wax<\/a>, the song is out now\u2014you can hear it below\u2014and gets a vinyl release on November 21. Find it on the label\u2019s Bandcamp<\/a>.<\/p>\n Guitarist Robert Dallas Gray explains in press materials how \u201cLove Trinity\u201d has \u201ctaken on more importance over time, because it feels like a swansong.\u201d He writes:<\/p>\n It\u2019s nice to mark \u2018Love Trinity,\u2019 as a song\u2014it\u2019s always felt like it slipped through the cracks a bit. It was the last song we recorded, one of the last we wrote. We recorded it as a one-off single for Trifekta Records in Australia, to promote the tour we were going to do there. I think it felt quite different from the other stuff; it came out of Chris\u2019s bassline (which a lot of things did), and it had the delay effect on the guitar, and the sort of big guitar solo. There\u2019s even a part where Sue\u2019s vocals are multi-tracked\u2014so whereas all the previous stuff had deliberately been very dry and live sounding, it was more of a sort of atmospheric thing. I don\u2019t think it was anyone\u2019s favourite at the time, but a lot of people we knew loved it and said it was the best thing we\u2019d done. For me it\u2019s taken on more importance over time, because it feels like a swansong, I guess.<\/p>\n<\/div>\n<\/blockquote>\n<\/div>\n\n