{"id":48752,"date":"2025-10-09T19:05:54","date_gmt":"2025-10-09T19:05:54","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/10\/09\/the-marias-shine-on-austin-city-limits-tv-ahead-of-zardoyas-debut-lp\/"},"modified":"2025-10-09T19:05:54","modified_gmt":"2025-10-09T19:05:54","slug":"the-marias-shine-on-austin-city-limits-tv-ahead-of-zardoyas-debut-lp","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/10\/09\/the-marias-shine-on-austin-city-limits-tv-ahead-of-zardoyas-debut-lp\/","title":{"rendered":"The Mar\u00edas Shine on Austin City Limits TV Ahead of Zardoya\u2019s Debut LP"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"\">\n<p><em>Rolling Stone<\/em> also has a look at their rendition of <em>Submarine<\/em> favorite, &#8220;Sienna&#8221;<\/p>\n<\/p><\/div>\n<div>\n\t\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe Mar\u00edas hosted a special set for Austin City Limits back in July \u2014 and <em>Rolling Stone<\/em> has a sneak peek at the performance, set to air on PBS (and its app) on Saturday. In the videos, Mar\u00eda Zardoya serenades the crowd with haunting renditions of \u201cBack to Me\u201d and \u201cSienna\u201d from the group\u2019s breakthrough record, <em>Submarine<\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe live performance video was filmed during a one-night-only concert at the Texas capital\u2019s Moody Theatre on July 8. During the one-hour performance, the group played songs such as \u201cOnly in My Dreams,\u201d \u201cHeavy,\u201d \u201cNo One Noticed,\u201d \u201cCari\u00f1o,\u201d and Maria\u2019s Bad Bunny collab \u201cOtro Atardecer.\u201d <\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"The Mar\u00edas - Back To Me | Live From Austin City Limits TV\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/ycA6yeGM_7s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tKelsea Ballerini also filmed a concert for ACL TV, which airs weekly on PBS nationwide and has featured other musical greats in the past. This season has featured Finneas, Japanese Breakfast, and Billy Strings.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe new performance comes just a day before Zardoya is set to release her solo album, <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-latin\/maria-zardoya-not-for-radio-announces-solo-album-melt-1235439085\/\">Melt<\/a><\/em>, under the stage name, Not for Radio. Zardoya recorded the album in January 2025 at Flying Cloud Recordings in upstate New York, working with Sam Evian and Luca Buccellati to produce it.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"The Mar\u00edas - Sienna | Live From Austin City Limits TV\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/2peO3m8LJm4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cMy intention with this project was to make music for the love of experimenting, far from home, fully in the moment, open to whatever stream of consciousness unfolded around us,\u201d Zardoya wrote on Instagram last week.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe Not for Radio release follows the Mar\u00edas\u2019 massive 2024 album,\u00a0<em>Submarine<\/em>. Zardoya has made clear that the Mar\u00edas will always exist. \u201cThe band will be here forever,\u201d she said. \u201cI love making music as the Mar\u00edas, and nothing will ever change that.\u201d<\/p>\n<\/div><\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/the-marias-back-to-me-austin-city-limits-performance-1235443938\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rolling Stone also has a look at their rendition of Submarine favorite, &#8220;Sienna&#8221; The Mar\u00edas hosted a special set for Austin City Limits back&#8230;<\/p>\n","protected":false},"author":5,"featured_media":48753,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-48752","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/48752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=48752"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/48752\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/48753"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=48752"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=48752"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=48752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}