{"id":48769,"date":"2025-10-09T20:58:35","date_gmt":"2025-10-09T20:58:35","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/10\/09\/crossroads-producer-sues-sony-over-profits-from-britney-spears-movie\/"},"modified":"2025-10-09T20:58:35","modified_gmt":"2025-10-09T20:58:35","slug":"crossroads-producer-sues-sony-over-profits-from-britney-spears-movie","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/10\/09\/crossroads-producer-sues-sony-over-profits-from-britney-spears-movie\/","title":{"rendered":"&#8216;Crossroads&#8217; Producer Sues Sony Over Profits From Britney Spears Movie"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAnn Carli, who produced <a href=\"https:\/\/www.rollingstone.com\/t\/britney-spears\/\" id=\"auto-tag_britney-spears\" data-tag=\"britney-spears\">Britney Spears<\/a>\u2018 debut film <em>Crossroads<\/em>, didn\u2019t know that the 2002 film was <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/britney-spears-crossroads-movie-rerelease-1234860068\/\">so beloved<\/a>. In a new lawsuit filed in New York Supreme Court, she claims that she realized only when <a href=\"https:\/\/www.rollingstone.com\/t\/sony\/\" id=\"auto-tag_sony\" data-tag=\"sony\">Sony<\/a> Music Entertainment announced that the film would be <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/britney-spears-crossroads-rerelease-1234829062\/\">returning to theaters in 2023<\/a> \u2014 and with that came the realization that she had not been paid 22 years of net profits from the movie.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tCarli has sued Sony Music for breach of contract and fraud. She is seeking at least $36 million in damages, as well as attorney\u2019s fees and costs. The complaint also includes a demand for accounting. Carli\u2019s attorneys, as well as representatives for Sony Music Entertainment, did not immediately respond to <em>Rolling Stone<\/em>\u2018s request for comment.  <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe complaint obtained by <em>Rolling Stone<\/em> states that Carli, operating through the film production company Fuzzy Bunny Inc., inked a production contract with Filmco Enterprises, the production company behind the film, in 2001. Under the contract, Carli was paid $300,000 as a producer\u2019s fee and was entitled to 10 percent of net profits from <em>Crossroads<\/em>. The document states that the film was her \u201cbrainchild,\u201d noting, that she \u201coriginated the concept for the motion picture <em>Crossroads<\/em> specifically as a starring vehicle for pop star Britney Spears.\u201d <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWritten by Shonda Rhimes and directed by Tamra Davis, <em>Crossroads <\/em>was produced with a budget of $11 million. Filmco approved a budget of $12 million, according to the filing. The movie was released in February 2002, earning $14.5 million in its opening weekend. By closing, it earned $37.5 million in the U.S. and Canada as well as over $61.1 million worldwide. Further revenue incurred through DVD and VHS sales, television licensing, and merchandising, which, the claim reads, \u201cwere significant in the early 2000s given Britney Spears\u2019 peak popularity.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut as streaming and digital became the dominating form of film consumption, <em>Crossroads <\/em>was not easily accessible for years. It <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/britney-spears-crossroads-director-talks-streaming-rights-sequel-1234859898\/\">arrived to Netflix in February 2024<\/a>, 22 years after its release, thanks to a licensing deal between Sony Music and Netflix. In 2002, Filmco was acquired by BMG, which later merged with Sony Music, leaving Sony Music the owner of the rights and obligations pertaining to <em>Crossroads<\/em> as of 2008.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDuring this time, the document states, Carli \u201cjustifiably relied on Sony Music (or its predecessors)\u2019 good faith and believed that she was not owed any net profits (and therefore no accounting statements).\u201d When <em>Crossroads <\/em>was re-released in theaters in time for Spears\u2019 memoir <em>The Woman in Me <\/em>in 2023, Carli inquired about these accounting statements seeing as she hadn\u2019t received any in more than 20 years and \u201cit seemed dubious that Sony Music would rerelease a movie that did not make (or worse, lost) money.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn response to Carli\u2019s inquiry, the filing reads, Sony Music\u2019s then Executive Vice President of Business Affairs, Dan Zucker, stated, \u201cIt does appear the accounting obligations may have gotten lost in the transition to BMG and then Sony.\u201d That leaves 22 years worth of statements unaccounted for. <\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAround the time of the 2023 re-release, Sony Music allegedly provided Carli with a net profit statement that claimed <em>Crossroads <\/em>had net losses of $49.7 million. \u201cSony asserted that <em>Crossroads<\/em>, despite its evident success, had not only failed to earn any net profit, but was deep in the red by nearly $50 million,\u201d the filing continues.\u201d Still, Carli learned that Rhimes, who earned five percent net profits on the film, had been paid enough to \u201cplace a down payment for her home in the Hollywood Hills.\u201d Other profit participants received over $3 million, the claim notes, adding that Carli was also shut out of profit from the Netflix deal. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cDefendant\u2019s fraudulent conduct was willful, wanton, and malicious, warranting an award of punitive damages in an amount sufficient to punish Defendant and deter similar misconduct in the entertainment industry,\u201d the complaint states.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/crossroads-producer-sues-sony-britney-spears-movie-1235444036\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ann Carli, who produced Britney Spears\u2018 debut film Crossroads, didn\u2019t know that the 2002 film was so beloved. In a new lawsuit filed in&#8230;<\/p>\n","protected":false},"author":5,"featured_media":48770,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-48769","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/48769","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=48769"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/48769\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/48770"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=48769"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=48769"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=48769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}