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Kiss<\/a> will release an expanded box set edition of their 1975 album Dressed to Kill<\/em><\/a> on Oct. 24.<\/p>\n In addition to a disc featuring two previously unreleased songs (“Mistake” and an early version of “Burning Up With Fever”), demos and outtakes, the six-CD collection will feature two full concerts from the Dressed to Kill tour. The first took place at Detroit’s Cobo Arena on May 16, 1975, and the second on July 20, 1975, at Davenport, Iowa’s RKO Orpheum Theatre.<\/p>\n Both shows were among the four concerts recorded for use on the band’s career-making Alive!<\/em> album, which was released six months after Dressed to Kill<\/em>, in September 1975. Kiss’ official online store notes that unlike the Alive! album, the live recordings on these set will feature no overdubs.<\/p>\n You can see the complete Dressed to Kill<\/em> super deluxe box set track list below. An eight-record vinyl edition is also available.<\/p>\n The set is currently available for pre-order to paid members of the band’s Kiss Army fan club. It is unclear when it will go on sale for the general public.<\/p>\n Released in March of 1975, Dressed to Kill<\/em> was Kiss’ third studio album, released just five months after November 1974’s Hotter Than Hell<\/em><\/a> and just thirteen months after their February 1974 self-titled debut<\/a>.<\/p>\n The album is home to the band’s signature anthem and traditional show-closing song “Rock and Roll All Nite<\/a>,” as well as longtime concert staples such as “She” and “C’mon and Love Me.”<\/p>\n Although the band was building a strong live following due to their unique look and stage show, their first two albums had failed to make much of a dent on the sales charts, leaving their label so short on money that Casablanca president Neil Bogart produced Dressed to Kill<\/em> himself.<\/p>\n The band had to borrow most of their suits and ties from the album’s now-iconic cover photo<\/a>, which was shot on the corner of 8th Avenue and 23rd Street in New York City.<\/p>\n Recorded in just 10 days, Dressed to Kill<\/em> clocks in at seven seconds over the\u00a030-minute mark, and featured unusually long pauses between its tracks to help pad that time.<\/p>\n Under pressure from Bogart to write a defining anthem, Paul Stanley<\/a> came up with the chorus for “Rock and Roll All Nite,” to which Gene Simmons<\/a> added a section from a song he wrote, successfully filling their label’s mandate.<\/p>\n