{"id":49717,"date":"2025-10-22T08:30:42","date_gmt":"2025-10-22T08:30:42","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/10\/22\/watch-tame-impala-perform-my-old-ways-dracula-for-a24-live-series\/"},"modified":"2025-10-22T08:30:42","modified_gmt":"2025-10-22T08:30:42","slug":"watch-tame-impala-perform-my-old-ways-dracula-for-a24-live-series","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/10\/22\/watch-tame-impala-perform-my-old-ways-dracula-for-a24-live-series\/","title":{"rendered":"Watch Tame Impala Perform &#8216;My Old Ways,&#8217; &#8216;Dracula&#8217; for A24 Live Series"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"\">\n<p>The set, directed by filmmaker Sean Durkin, featured three songs from the group&#8217;s new LP, <em>Deadbeat<\/em><\/p>\n<\/p><\/div>\n<div>\n\t\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/tame-impala\/\" id=\"auto-tag_tame-impala\" data-tag=\"tame-impala\">Tame Impala<\/a> showcased three songs off their new album <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/tame-impala-deadbeat-review-1235448413\/\" data-type=\"link\" data-id=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/tame-impala-deadbeat-review-1235448413\/\">Deadbeat<\/a><\/em> for <a href=\"https:\/\/www.rollingstone.com\/t\/a24\/\" id=\"auto-tag_a24\" data-tag=\"a24\">A24<\/a>\u2018s \u201cSound Check\u201d live series. The set, held at New York\u2019s Cherry Lane Theatre and directed by <em>The Iron Claw<\/em> filmmaker Sean Durkin, featured renditions of \u201cMy Old Ways,\u201d \u201cDracula,\u201d and \u201cLoser.\u201d <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe Australian group, led by Kevin Parker, set up on the empty theater\u2019s stage in a circle to perform the sprawling tracks. The performance stayed largely true to the album, released last week, focusing on its psychedelic rock vibe. Durkin gave the clip a moody feel with low lighting that kept the musicians in the shadows on the stage for some of the performance.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Tame Impala | Sound Check at Cherry Lane Theatre\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/-kRVr62Ee88?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Deadbeat <\/em>is Tame Impala\u2019s highly-anticipated fifth studio album. Last week, Parker and company <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/tame-impala-acoustic-npr-tiny-desk-set-deadbeat-1235449522\/\">visited NPR\u2019s Tiny Desk<\/a> to deliver the band\u2019s first-ever all-acoustic performance. Armed with six acoustic guitars \u2014 one of which was used as the percussion \u2014 Tame Impala played four songs over 20 minutes, opening with\u00a0<em>The Slow Rush<\/em>\u2019s \u201cBorderline\u201d before performing two tracks off <em>Deadbeat<\/em>, \u201cLoser\u201d and \u201cDracula.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tParker previously described his long-awaited follow-up to 2020\u2019s\u00a0<em>The Slow Rush<\/em>\u00a0as \u201ckind of a future primitive rave act,\u201d and an accompanying press release for\u00a0<em>Deadbeat<\/em>\u00a0reiterated that compelling musical aesthetic, citing Western Australia\u2019s rave scene and bush doof culture as inspiration.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTame Impala <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/tame-impala-tour-united-states-1235422455\/\">will hit the road<\/a> later this month on their six-city U.S. tour in support of\u00a0<em>Deadbeat<\/em>, beginning Oct. 27 with a four-night stand at Brooklyn\u2019s Barclays Center and concluding Nov. 17 with the third of three gigs at Los Angeles\u2019 Kia Forum.<\/p>\n<\/div><\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/tame-impala-my-old-ways-dracula-a24-sound-check-series-1235451925\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The set, directed by filmmaker Sean Durkin, featured three songs from the group&#8217;s new LP, Deadbeat Tame Impala showcased three songs off their new&#8230;<\/p>\n","protected":false},"author":5,"featured_media":49718,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-49717","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/49717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=49717"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/49717\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/49718"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=49717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=49717"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=49717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}