{"id":49745,"date":"2025-10-22T15:06:35","date_gmt":"2025-10-22T15:06:35","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/10\/22\/fall-out-boy-talk-from-under-the-cork-tree-20th-anniversary\/"},"modified":"2025-10-22T15:06:35","modified_gmt":"2025-10-22T15:06:35","slug":"fall-out-boy-talk-from-under-the-cork-tree-20th-anniversary","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/10\/22\/fall-out-boy-talk-from-under-the-cork-tree-20th-anniversary\/","title":{"rendered":"Fall Out Boy Talk &#8216;From Under the Cork Tree&#8217; 20th Anniversary"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTwenty years ago, <a href=\"https:\/\/www.rollingstone.com\/t\/fall-out-boy\/\" id=\"auto-tag_fall-out-boy\" data-tag=\"fall-out-boy\">Fall Out Boy<\/a> found themselves at odds with reality. Their everyday lives consisted of slogging through an <a data-id=\"https:\/\/www.rollingstone.com\/music\/music-news\/fall-out-boy-rise-up-190771\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-news\/fall-out-boy-rise-up-190771\/\">intense tour schedule<\/a> and stuffing all four members into one hotel room \u2014 sometimes, lead singer <a href=\"https:\/\/www.rollingstone.com\/t\/patrick-stump\/\" id=\"auto-tag_patrick-stump\" data-tag=\"patrick-stump\">Patrick Stump<\/a>, bassist <a href=\"https:\/\/www.rollingstone.com\/t\/pete-wentz\/\" id=\"auto-tag_pete-wentz\" data-tag=\"pete-wentz\">Pete Wentz<\/a>, guitarist Joe Trohman, and drummer Andy Hurley even slept on the hotel room floor. But in the world of Billboard charts and MySpace blogs, Fall Out Boy was interstellar, skyrocketing into <a data-id=\"https:\/\/www.rollingstone.com\/music\/music-news\/how-fall-out-boy-went-from-heartbreak-to-stardom-233426\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-news\/how-fall-out-boy-went-from-heartbreak-to-stardom-233426\/\">mainstream success<\/a>. All of it was because of their 2005 breakout record, <em><a data-id=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/from-under-the-cork-tree-255290\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/from-under-the-cork-tree-255290\/\">From Under the Cork Tree<\/a><\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWith Stump\u2019s penchant for pop hooks and Wentz\u2019s clever wordplay, <em>Cork Tree<\/em> turned the Chicago hardcore scenesters into full-blown rock stars. The LP debuted at No. 9 on the Billboard 200 chart, yielded the band\u2019s first Top 10 hit with \u201cSugar We\u2019re Going Down,\u201d and even earned Fall Out Boy a Best New Artist Grammy nomination. But perhaps more importantly, <em>Cork Tree<\/em> helped the band become the therapists pumping through the speakers of a whole generation of skinny jean-wearing teens, igniting the pop-punk and emo music scene into a blazing force for the masses. It\u2019s the kind of cultural moment that remains dizzying.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe had no perspective on it at the time,\u201d Wentz tells <em>Rolling Stone<\/em>.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tStump is equally bewildered when he recalls that time. \u201cNo one expected it,\u201d he says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNow, two decades later, Fall Out Boy are celebrating <em>From Under the Cork Tree<\/em> in all its glory. Last week, the band released a <a data-id=\"https:\/\/www.rollingstone.com\/music\/music-news\/fall-out-boy-from-under-cork-tree-20-anniversary-edition-1235416755\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-news\/fall-out-boy-from-under-cork-tree-20-anniversary-edition-1235416755\/\">special anniversary edition<\/a> of the album with remastered tracks and special box sets. Earlier this year, <em>Rolling Stone<\/em> named <em>Cork Tree<\/em> as one of the <a href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/best-albums-21st-century-1235177256\/fall-out-boy-from-under-the-cork-tree-1235185176\/\">250 Greatest Albums of the 21st Century<\/a> and \u201cSugar\u201d made it onto the list of<a href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/best-songs-of-the-21st-century-1235410452\/\"> 250 Greatest Songs of the 21st Century<\/a>.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t We caught up with Wentz and Stump, the mastermind duo behind the songs on <em>Cork Tree<\/em>, to reflect on  making the album, its lasting impact, and all the crazy memories it created.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>This year, <em>From Under the Cork Tree<\/em> is celebrating 20 years. How does it feel to look back on this record decades later?\u00a0<\/strong><br \/><strong>Wentz: <\/strong>It\u2019s interesting when you\u2019re in something that is so spontaneous. It was not an overnight thing, but we were coming out of<em> Take This to Your Grave <\/em>and going right into this. It was our first record we did that had a big machine that was part of a label. At the time it was kind of like, \u201cOh, I wonder if this thing will come out. I hope they don\u2019t shelf it or whatever.\u201d [<em>Laughs<\/em>] It\u2019s interesting to talk about it 20 years later from that perspective where you\u2019re like, \u201cWell, it did.\u201d\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Stump:<\/strong> To your point, Pete, about the overnight thing. It didn\u2019t feel that way, but then it kind of was. The thing about it that\u2019s so fascinating is you can be on a little journey, you can be slugging it along one show at a time, and there\u2019s this really gradual slow burn, but then the jump can be overnight. I mean, in that period we played something like 530 shows in a two-year span. I didn\u2019t live anywhere officially. It was one of these things where we were so deep in it and then the jump was crazy.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What do you guys remember the most about making the album?\u00a0<\/strong><br \/><strong>Wentz: <\/strong>There were all these different iterations of \u201cSugar, We\u2019re Going Down.\u201d I remember there were a couple of moments where we went back to the most simple version. At one point, I think the chorus was thrown out and we were like, \u201cPatrick play the last thing you played. No, the thing before that!\u201d This is before voice notes on a cell phone so we\u2019re just in a room together and it\u2019s like, \u201cNo, the last one!\u201d And you\u2019re just desperately hoping that the guy remembers the part that was probably a throwaway part to them.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Stump: <\/strong>It was actually the verse. It was really brutal. [Producer] Neal Avron is no nonsense. He\u2019s brilliant, he\u2019s incredible to work with, but he\u2019s also going to tell you the truth. He sat us down and he goes, \u201cI like this song a lot. I don\u2019t think you have the verse that you want.\u201d I gave him some rough ideas of what I would do differently. They weren\u2019t really dramatic enough. I didn\u2019t understand how big a change it needed. Basically, we kept everything from the song except the verse and that sounds like not that much, but it was the whole meat of the song. [<em>Sings<\/em>]: \u201cAm I more than you bargained for yet?\u201d All that stuff was new.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThat was one of the hardest writing experiences I think I\u2019ve ever had. Usually, I work better by myself, taking somebody\u2019s idea and hashing it out. The four of us don\u2019t usually write in the room together but for that one, we tried so many different things. We had no choice but to really pull it together in this practice space. It was like when you do that game in gym class with the parachute where everyone has to hold it up and go underneath it. We were all holding this thing up somehow and making the song happen, but it barely existed. I get asked about that song on a daily basis, and I still never really understand how it happened. I know where the rest of it came from. I remember reading Pete\u2019s lyrics and writing the rest of the song. I remember sitting in this corridor and being like, \u201cOkay, that makes sense,\u201d and \u201cI\u2019ll repeat this.\u201d But the verse, I don\u2019t know. That\u2019s kind of magic.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>You wrote the melody in 10 minutes, right?<\/strong><br \/><strong>Stump: <\/strong>Yeah. Most of the song, the pre-chorus, chorus, all that stuff, that was really quick. When Pete writes lyrics, they\u2019re not really in lyric form, it\u2019s like this stream of consciousness. Sometimes they go together really well, and then sometimes it\u2019s a little bit more work. He\u2019ll have this one genius sentence and it\u2019s just floating out there in space. I have to go through his other lyrics to find stuff that fits it. \u201cSugar\u201d was this thing where I was just following along and as I\u2019m reading it, the song was just there. But the verses took forever.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>This album was so pivotal because it showed where pop punk could grow. What was the thought process when it came to the sound?<\/strong><br \/><strong>Stump: <\/strong>Pete said something to me at the beginning of <em>Cork Tree<\/em> because I wanted to make something really weird and out there. I was like, \u201cWe\u2019re not going to get to make another major label debut and we\u2019re probably going to get dropped.\u201d That\u2019s what usually happens. I wanted to throw everything at the wall. Pete was like, \u201cDon\u2019t do that, just do you. A lot of those things will come out.\u201d I stayed with the idea that we were sort of a pop punk band, but asked what could that be in different ways? I actively tried to do some weird things. I tried to push as far as I could without anyone noticing. Opening the record with \u201cOur Lawyer,\u201d you got a 6\/8 [time signature] that was weird at the time. \u201cGet Busy Living\u201d has some kind of dark folky stuff to it. There were these little elements that I was trying to push.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>The new box set features a concert ticket from the career-defining Nintendo Fusion Tour. What were some of the most memorable moments from that tour?<\/strong><br \/><strong>Wentz:<\/strong> I remember there was this moment where it\u2019s like you\u2019re the biggest band that gets file-traded in peoples\u2019 parents\u2019 houses, and there\u2019s a moment where you kind of reach critical mass and things can go different ways. On that tour, we ended up playing one arena and I remember thinking people would start with the idea of \u201cselling out\u201d or something. It was like, \u201cWhy not?\u201d Listen, we grew up in hardcore bands and with the idea of leaning into and creating satire and provoking conversations about it. At one point we were like, \u201cWhat would be the most \u2018pop\u2019 thing we could do?\u201d We thought, \u201cWhat if we did a costume change?\u201d On that tour we did a little intermission and a costume change, which was so ridiculous. The rooms were not designed around that. I remember thinking, \u201cThis will get people talking.\u201d It was just more confusing for people than anything else.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Stump: <\/strong>Speaking of costume changes, I remember that was Panic\u2019s first tour, right?<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>I was going to say, that\u2019s very <a data-id=\"https:\/\/www.rollingstone.com\/music\/music-features\/panic-at-the-disco-a-fever-you-cant-sweat-out-anniversary-1235435672\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-features\/panic-at-the-disco-a-fever-you-cant-sweat-out-anniversary-1235435672\/\">Panic! at the Disco-coded<\/a>.<\/strong><br \/><strong>Stump: <\/strong>It was really funny. They were touring in a van. At this point, we had the bus and we were starting to have production, and we could put in all these ideas. This was their first tour ever. So they rolled out of the van in suits and everything.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Wentz: <\/strong>They had a crazy thing where they didn\u2019t want to be seen not wearing the paisley suits. So when the rest of us would fly to Europe and wear basketball shorts, they would fly in the paisley suits.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Stump: <\/strong>I remember this one drive we did. It was through the desert in Arizona or something, and they popped out of the van in the paisley vests. I\u2019m like, \u201cDude, it\u2019s hot. You don\u2019t have to do that.\u201d But they were committed to it. I wish people could have seen that.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What was it like for the band to take off in 2005 and balance playing on Warped Tour while hitting up <em>TRL<\/em> between stops?\u00a0<\/strong><br \/><strong>Wentz: <\/strong>You couldn\u2019t really feel it most of the time that year, even though we were breaking. We were traveling, and so we\u2019d be in airports or going to a hotel and then going to morning radio. Most of the time, we were in beige waiting rooms with bad lighting and our publicists being like, \u201cDon\u2019t screw this up, blah, blah, blah.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tI can\u2019t speak for the other bands that were on that Warped Tour, but our record\u2026 They tried to work it at the label, but they were like, \u201cIt\u2019s kind of not doing anything.\u201d Our fans literally made it happen by making the [\u201cSugar, We\u2019re Going Down\u201d] video go up <em>TRL<\/em>. That Warped Tour, I feel like that was the moment where it reached critical mass. It was the first time where you would get off the bus to brush your teeth, and there were just people there and it was like, \u201cOh, there\u2019s something happening.\u201d You wouldn\u2019t feel it in the beige waiting rooms.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Stump: <\/strong>It was surreal because so much of it was really unexpected. I know that sounds silly because it\u2019s always unexpected when you succeed. But there was something about it that really didn\u2019t match the experience that we were having where we were just kind of smelly and barely covering the price of the one hotel room we would all sneak into and sleep on the floor. Then I remember we got nominated for a Grammy. I got a text on my phone, and it was like, \u201cOh, congrats on the Grammy nomination.\u201d I thought someone was teasing me. I thought they were kidding.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tEven when we went to the VMAs\u2026 It was crazy. I don\u2019t think what that was like really translates into modern culture anymore. It was this massive event. So we go there and we\u2019re like, \u201cExcuse me, we probably shouldn\u2019t be here. We probably don\u2019t belong here.\u201d And then they announced our category and the camera people all pan to other artists. When they announced Fall Out Boy, the camera people were running over to us scrambling to get the shot. The whole thing from Warped Tour on\u2026 I felt like I was watching it happen to somebody else.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Fall Out Boy Winning the MTV2 Award at the VMAs 2005 HD\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/fctS29U9z4E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>I know Oceans Calling was the last Fall Out Boy show of the year but I have to ask\u2026 Are there any plans to do a dedicated <em>From Under the Cork Tree<\/em> anniversary tour?<\/strong><br \/><strong>Wentz: <\/strong>I don\u2019t think that there\u2019s an anniversary tour planned. We\u2019ve always been the kind of band that shies away from that. The idea of nostalgia is a funny thing, right? I\u2019m so nostalgic for so many films and music, we all are. We\u2019ve just always wanted to create new art and not lean into the nostalgia of it. That being said, we went out and we did <a href=\"https:\/\/www.youtube.com\/shorts\/fyo24P2Hlqg\" rel=\"nofollow\" target=\"_blank\">Days of Fall Out Boy Past<\/a> and it was so much fun because we revisited songs that we hadn\u2019t played. Some of \u2018em we\u2019ve never played before, and I realized there were some deeper cuts that were really important to people. It was shocking when people would sing along and I was like, \u201cOh, I didn\u2019t even think people cared about this song.\u201d It was really revitalizing. The thing that I could see\u2026 Should I pitch Patrick right here?<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Stump: <\/strong>Let\u2019s do this. Let\u2019s see what you got.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Wentz: <\/strong>I was listening to Metallica <em>S&amp;M<\/em>, and I was thinking it would be so fun to hear Fall Out Boy songs with a symphonic element of some kind. I don\u2019t know if that would be <em>From Under the Cork Tree<\/em>, but I think it would be our greatest songs or whatever.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Stump: <\/strong>I\u2019m the orchestra guy, I\u2019d do that.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Wentz:<\/strong> <a href=\"https:\/\/www.ravinia.org\/\" rel=\"nofollow\" target=\"_blank\">Ravinia<\/a>\u2026 a bottle of wine\u2026<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Stump: <\/strong>That\u2019d be fun. I say that, and then I\u2019m like, \u201cI\u2019m going to have to do a lot of orchestration. That\u2019s going to be a lot of work for me.\u201d It sounds fun, though.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Wentz:<\/strong> This is <em>not<\/em> a Ravinia announcement.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Stump: <\/strong>But also hey, Ravinia, bring us there. We\u2019ll do it in an orchestra\u2026<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tA lot of bands do anniversary tours. I\u2019ve seen amazing ones where bands have done really great tours where they play the record, but I\u2019ve also seen people do it in a really cynical, money grab way. I can\u2019t wrap my head around how to do it in an earnest way. I know this sounds funny, I make pop music and people believe that the only reason you could possibly want to do pop music is for money. But I swear to God, I\u2019m not motivated by money. What\u2019s the <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/paul-mccartney-one-for-the-road-43295\/\">old Beatles joke<\/a>? The one where John Lennon\u2019s like, \u201cLet\u2019s write a swimming pool.\u201d I\u2019m never going to do that. If people want to see us perform <em>Cork Tree<\/em>, they should come see us now.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What do you think it is about <em>Cork Tree<\/em> that continues to have an impact?<\/strong><br \/><strong>Stump: <\/strong>One of the things that has always been important to me, and speaks to the longevity of\u00a0this record, is that we never really stopped playing any of those songs. I never wanted to. There are records that tanked, and it was really hard to play those songs because it hurt to think about \u2018em. But in general, I never like to pretend a record didn\u2019t happen. I never like to play a show without touching a record. Ever since <em>Cork Tree <\/em>came out, our sets have a substantial amount of the album. I have more respect for the album now than I did when I was a kid. Now, when I play those songs, I care about \u2019em a lot more than I did in 2007 because I understand what it means to people. It creates this responsibility.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Wentz: <\/strong>So much of this album\u2019s impact is a testament to the way alternative music has always thrived and created this counterculture. It just echoes on forever. There are some records that were so important to me and to us growing up and to see other people embrace \u2019em\u2026 Now when you go out and you see someone wearing a Screeching Weasel t-shirt or The Descendants. It\u2019s like, wow, it lives on. The kids are all right.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/fall-out-boy-from-under-the-cork-tree-20-year-anniversary-1235451851\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Twenty years ago, Fall Out Boy found themselves at odds with reality. Their everyday lives consisted of slogging through an intense tour schedule and&#8230;<\/p>\n","protected":false},"author":5,"featured_media":49746,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-49745","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/49745","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=49745"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/49745\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/49746"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=49745"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=49745"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=49745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}