{"id":49967,"date":"2025-10-24T13:15:28","date_gmt":"2025-10-24T13:15:28","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/10\/24\/springsteen-deliver-me-from-nowhere-fact-checking-the-bruce-biopic\/"},"modified":"2025-10-24T13:15:28","modified_gmt":"2025-10-24T13:15:28","slug":"springsteen-deliver-me-from-nowhere-fact-checking-the-bruce-biopic","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/10\/24\/springsteen-deliver-me-from-nowhere-fact-checking-the-bruce-biopic\/","title":{"rendered":"&#8216;Springsteen: Deliver Me From Nowhere&#8217;: Fact-Checking the Bruce Biopic"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMost music biopics take place in a world of alternative facts where <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/freddie-mercury-queen-biopic-bohemian-rhapsody-movie-fact-check-746195\/\">Queen<\/a> broke up before Live Aid<a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/freddie-mercury-queen-biopic-bohemian-rhapsody-movie-fact-check-746195\/\">,<\/a> <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/rocketman-fact-check-elton-john-biopic-842902\/\">Elton John<\/a> named himself after John Lennon<a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/rocketman-fact-check-elton-john-biopic-842902\/\">,<\/a> <a href=\"https:\/\/www.rollingstone.com\/feature\/motley-crue-the-dirt-fact-check-808838\/\">M\u00f6tley Cr\u00fce<\/a>\u2018s Vince Neil sang Billy Squier\u2019s \u201cMy Kind of Lover\u201d before it was released, <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/amy-winehouse-back-to-black-movie-whats-fact-fiction-1235019717\/\">Amy Winehouse<\/a> didn\u2019t thank \u201cBlake Incarcerated\u201d at the Grammys, and <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/bob-dylan-movie-a-complete-unknown-fact-check-1235194229\/\">Bob Dylan<\/a> hooked up with Joan Baez the night of the Cuban Missile Crisis. These movies stretched the truth so thin that \u201cWeird Al\u201d Yankovic was inspired to make a <a rel=\"nofollow\" href=\"https:\/\/al-yankovic-daniel-radcliffe-movie-interview-1234618684\/\" target=\"_blank\">glorious film<\/a> about his life that was 100 percent factually inaccurate, culminating in a scene where (spoiler alert!) he\u2019s gunned down at the 1985 Grammys by a hitman working for Madonna.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tEvery once in a while, however, a movie comes along that sticks shockingly close to the truth. It happened in 2014 with the Brian Wilson biopic <em>Love &amp; Mercy,<\/em> even though the timeline was occasionally massaged a bit, and it\u2019s happened again with the upcoming movie <em>Springsteen: <a href=\"https:\/\/www.rollingstone.com\/t\/deliver-me-from-nowhere\/\" id=\"auto-tag_deliver-me-from-nowhere\" data-tag=\"deliver-me-from-nowhere\">Deliver Me From Nowhere<\/a><\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMuch like <em>Love &amp; Mercy<\/em>, <em>Deliver Me From Nowhere<\/em> makes no attempt to tell the entire story of a great artist\u2019s life. It instead focuses squarely on the narrow window of time between 1981 and 1982 when Springsteen recorded his lo-fi masterpiece <em>Nebraska,<\/em> convinced his label to release it without modifications, and struggled with depression and his inability to connect with a romantic partner. Along the way, it flashes back to the Fifties and Springsteen\u2019s difficult relationship with his father.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWe normally focus on factual errors when music biopics roll out, but we\u2019re taking a different course this time since this one got all the big things right, and only cheated around the margins, most notably with the creation of a composite character. It should be noted that Springsteen was involved in this movie from the very beginning, and was present on set for much of the filming. He clearly helped them make most everything in the film accurate to his life and experiences. (This article is packed with spoilers, so we encourage you to only read after you\u2019ve seen the movie.)<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Springsteen: Deliver Me From Nowhere | Official Trailer\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/oQXdM3J33No?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<h3 id=\"did-an-adolescent-bruce-really-have-to-walk-into-bars-and-collect-his-father-at-the-urging-of-his-mother\" class=\"heading larva \/\/      \">\n\t\t<strong>Did an adolescent Bruce really have to walk into bars and collect his father, at the urging of his mother?<\/strong>\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tYes. The movie begins in the 1950s with Springsteen\u2019s mother, Adele (Gabby Hoffman), driving a young Bruce (Matthew Anthony Pellicano) up to a dingy bar and asking him to go inside. \u201cDaddy,\u201d he says. \u201cMom said it\u2019s time to go home.\u201d This might seem like a Hollywood flourish, but it\u2019s taken straight from the script of <em>Bruce on Broadway<\/em>, the star\u2019s successful one-man show that premiered in 2017.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThis both thrilled and terrified me,\u201d Springsteen told the crowd every night. \u201cIt thrilled me because I had been given the license by my mother, the law, to go into the bar! I\u2019m a kid! But it terrified me because to enter the bar is to enter my father\u2019s privileged, private, and sacred space. He was not to be disturbed when he\u2019s down at the bar. Everybody knew that\u2026 I would stand there lost in the noise and the hustle of the crowd and I would drink in that dim smell of beer and booze and aftershave. Now, to a kid, that was the scent of adulthood. It was the scent of manhood. I wanted some of that.\u201d<\/p>\n<h3 id=\"did-the-nebraska-sessions-start-right-after-the-tour-for-the-river-wrapped-up-in-cincinnati-ohio\" class=\"heading larva \/\/      \">\n\t\t<strong>Did the <em>Nebraska<\/em> sessions start right after the tour for <em>The<\/em> <em>River<\/em> wrapped up in Cincinnati, Ohio?<\/strong>\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tYes. The movie jumps from young Bruce at the bar right to the Riverfront Coliseum in Cincinnati on Sept. 14, 1981. As the film correctly states, this was the last stop of the <em>River <\/em>tour. It\u2019s our first glimpse of Jeremy Allen White as adult Springsteen, and he\u2019s playing \u201cBorn to Run\u201d with the E Street Band. This was indeed one of the last songs of the set, though he closed out with \u201cQuarter to Three\u201d and the \u201cDetroit Medley.\u201d In a dressing room, a winded Bruce is met by manager Jon Landau (Jeremy Strong) and given the keys to a rental house in Colt\u2019s Neck, New Jersey, where he\u2019ll record <em>Nebraska.<\/em><\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn real life, Springsteen first went to Honolulu, Hawaii, to serve as the best man at saxophonist Clarence Clemons\u2019 wedding. The full E Street Band played at the reception. We can forgive <em>Deliver Me From Nowhere<\/em> for not mentioning this, since it has nothing to do with the <em>Nebraska<\/em> narrative. Also, it would have meant giving Clemons a speaking role in the film. Actor Judah Sealy looks very much like Clemons circa 1981, but no member of the E Street Band says a single word in this movie. This wasn\u2019t done out of cruelty. The movie is just simply not their story.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Bruce Springsteen w\/ Cats on a Smooth Surface - SWEET SOUL MUSIC 1982  live\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/3-jayZEZ0d0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<h3 id=\"did-springsteen-actually-play-unannounced-shows-at-the-stone-pony-throughout-1982\" class=\"heading larva \/\/      \">\n\t\t<strong>Did Springsteen actually play unannounced shows at the Stone Pony throughout 1982?<\/strong>\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tYes. Springsteen had a lot of free time on his hands throughout 1982, and he often hung out at the Stone Pony and other bars throughout New Jersey, like Big Men\u2019s West or Royal North Manor. It didn\u2019t take much to coax him onto the stage with whoever happened to be playing in Asbury Park. In May of that year, he began a Sunday night tradition of jamming with Stone Pony house band Cats on a Smooth Surface, led by guitarist Bobby Bandiera, that carried on through October.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn <em>Deliver Me From Nowhere<\/em>, we see Springsteen performing \u201cLucille\u201d at the Pony before he even starts creating <em>Nebraska.<\/em> To be a stickler, he started recording the album in December 1981, and the Cats on a Smooth Surface residency didn\u2019t start until May 1982. But \u201cLucille\u201d was indeed in their live repertoire. (As long as we\u2019re being sticklers, their portrayal of Bandiera as a long-haired, Bob Seger-like wild man is a bit off-model compared to the real guy.)<\/p>\n<h3 id=\"did-he-meet-the-little-sister-of-a-former-high-school-classmate-outside-the-pony-and-began-a-relationship-with-her\" class=\"heading larva \/\/      \">\n\t\t<strong>Did he meet the little sister of a former high school classmate outside the Pony and began a relationship with her?<\/strong>\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNo. A major plot point of <em>Deliver Me From Nowhere<\/em> is Springsteen\u2019s relationship with a young single mother named Odessa Young, played by Faye Romano. This is a composite character based on several girlfriends Springsteen had during this period. Model\/actress Joyce Hyser isn\u2019t mentioned in the movie, but she was with him from 1978 through 1982. When they split, he had a series of short-term relationships. In his 2016 memoir, <em>Born to Run<\/em>, he refers only to a \u201clovely 20-year-old girlfriend\u201d from this time. Hyser was 25 years old in 1982, so he\u2019s presumably referring to someone else that he didn\u2019t want to make a character in the film for understandable reasons.<\/p>\n<h3 id=\"did-springsteen-struggle-to-connect-with-women-around-the-time-of-nebraska\" class=\"heading larva \/\/      \">\n\t\t<strong>Did Springsteen struggle to connect with women around the time of <em>Nebraska<\/em>?<\/strong>\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tYes. In <em>Born to Run<\/em>, Springsteen writes bluntly about the trouble he had maintaining relationships with women. \u201cTwo years inside of any relationship and it would simply stop,\u201d he wrote. \u201cAs soon as I got close to exploring my frailties, I was gone. You were gone. One pull of the pin, it\u2019d be over and I\u2019d be down the road, tucking another sad ending in my pack. It was rarely the women themselves I was trying to get away from. I had many lovely girlfriends I cared for and who really cared for me. It was what they triggered, the emotional exposure, the implications of a life of commitments and family burdens\u2026 With the end of each affair, I\u2019d feel a sad relief from the suffocating claustrophobia love had brought me.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"My Father&#039;s House\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/r0NKGaPSSBQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<h3 id=\"did-a-young-springsteen-attack-his-father-with-a-baseball-bat-to-protect-his-mother\" class=\"heading larva \/\/      \">\n\t\t<strong>Did a young Springsteen attack his father with a baseball bat to protect his mother?<\/strong>\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tYes. In one of the most harrowing scenes in the movie, a drunken Douglas Springsteen cajoles a young Bruce into a bedroom slapping game that begins to border on genuine physical abuse. (It\u2019s unclear if this ever happened.) He then sneaks up behind his father during a vicious argument with his mother and smacks him in the back with a baseball bat.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAccording to <em>Born to Run<\/em>, this actually happened. \u201cThey were standing in the kitchen, my father\u2019s back to me, my mother inches away from his face while he was yelling at the top of his lungs,\u201d Springsteen wrote. \u201cI shouted at him to stop. Then I let him have it square between his broad shoulders, a sick thud, and everything grew quiet. He turned, his face barroom red; the moment lengthened, then he started laughing. The argument stopped; it became one of his favorite stories and he\u2019d always tell me, \u2018Don\u2019t let anybody hurt your mom.&#8217;\u201d This is the exact line that Douglas says to Bruce in the movie.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Badlands (1973) Trailer #1 | Movieclips Classic Trailers\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/eITb-5R76TU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<h3 id=\"did-terrence-malick-s-badlands-really-inspire-springsteen-to-write-the-nebraska-title-track\" class=\"heading larva \/\/      \">\n\t\t<strong>Did Terrence Malick\u2019s <em>Badlands<\/em> really inspire Springsteen to write the <em>Nebraska<\/em> title track?<\/strong>\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tYes. Once movie Bruce settles into his Colt\u2019s Neck home, he flips through the channels and comes across an hilariously Eighties exercise class, <em>The Price Is Right<\/em>, a split-second of original VJ Mark Goodman on MTV, and then a broadcast of the 1973 Terrence Malick film <em>Badlands.<\/em> The movie is a fictionalized account of real-life serial killer Charles Starkweather and his teenage accomplice, Caril Ann Fugate. This captures Springsteen\u2019s attention, and we later see him reading a book about the murders, and even scrolling through archival newspaper accounts on microfiche at the library. He begins writing a song called \u201cStarkweather\u201d that he eventually retitles \u201cNebraska,\u201d shifting it from third person to first person. This is exactly how it all went down.<\/p>\n<h3 id=\"did-he-record-nebraska-on-a-four-track-tape-recorder-in-a-bedroom\" class=\"heading larva \/\/      \">\n\t\t<strong>Did he record <em>Nebraska<\/em> on a four-track tape recorder in a bedroom?<\/strong>\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tYes. In the movie, Paul Walter Hauser portrays Springsteen\u2019s guitar tech Mike Batlan, who sets him up with a four-track TEAC Tascam Series 144 tape recorder in a bedroom of the Colt\u2019s Neck property. They run the tape through a Gibson guitar echo unit to give it reverb. Despite his limited recording knowledge, Batlan sets this all up himself, and records Springsteen while sitting on a bed. It\u2019s presented in the movie exactly how it happened, though the real Batlan was considerably slimmer than the actor playing him. (Later, in 1987, Batlan and fellow guitar tech Douglas Sutphin sued Springsteen for unpaid overtime, unlawful fines, and emotional distress. The case dragged on for years before they finally settled out of court in 1991. In more recent years, Batlan fell on some <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.gofundme.com\/f\/yn8aa4-help-after-covid-to-get-back-to-work\">hard times.<\/a>)<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Light of Day trailer 1987\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/e6EMnRhPqE4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<h3 id=\"did-taxi-driver-screenwriter-paul-schrader-really-give-springsteen-the-idea-to-call-a-song-born-in-the-u-s-a\" class=\"heading larva \/\/      \">\n\t\t<strong>Did <em>Taxi Driver<\/em> screenwriter Paul Schrader really give Springsteen the idea to call a song \u201cBorn in the U.S.A.\u201d?<\/strong>\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tYes. In 1981, screenwriter Paul Schrader had the idea for a movie about two brothers playing in a bar band; he called it <em>Born in the U.S.A. <\/em>He passed the script onto Jon Landau in the hopes that Springsteen would play one of the lead roles. Springsteen had little interest in an acting career, but he did like the title enough to use it for an in-progress song he\u2019d been calling \u201cVietnam.\u201d The movie presents this the way it happened.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt doesn\u2019t mention that Schrader eventually had to rename the movie since people would presume he took the title from Springsteen, as opposed to the other way around. It came out in 1987 as <em>Light of Day<\/em>, with Michael J. Fox and Joan Jett in the lead roles. Springsteen contributed a song of that name to the movie soundtrack, and it\u2019s a part of his live repertoire to this day. Schrader has no hard feelings about Bruce taking his title, and even attended the premiere of <em>Deliver Me From Nowhere.<\/em><\/p>\n<h3 id=\"did-the-e-street-band-attempt-to-record-the-nebraska-songs\" class=\"heading larva \/\/      \">\n\t\t<strong>Did the E Street Band attempt to record the <em>Nebraska<\/em> songs?<\/strong>\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tYes. Springsteen briefly <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/bruce-springsteen-biopic-new-album-interview-1235367320\/\">forgot about this<\/a> when he spoke to <em>Rolling Stone<\/em> earlier this year, but he did attempt to record many of these songs with the E Street Band; those \u201celectric <em>Nebraska<\/em>\u201d versions were then put aside for decades, growing to mythic status for many fans, before being released this fall as part of a <a rel=\"noreferrer noopener\" data-id=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/bruce-springsteen-nebraska-82-expanded-edition-review-1235449733\/\" target=\"_blank\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/bruce-springsteen-nebraska-82-expanded-edition-review-1235449733\/\">new box set<\/a>. The film shows how it all went down. \u201cWe\u2019re losing everything I like about the demo tape,\u201d movie Bruce tells Landau and his engineers after trying the full-band arrangements. \u201cThis [demo tape] has something. It\u2019s got the atmosphere, rawness, the right kind of echo. This just doesn\u2019t have it. The band is overpowering the material and we\u2019re losing what makes it special. We gotta strip it down, let it breathe.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Bruce Springsteen - Born in the U.S.A. (Electric Nebraska - Official Audio)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/9YNufvgPP20?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<h3 id=\"did-springsteen-record-many-of-the-born-in-the-u-s-a-songs-at-the-same-time-as-nebraska\" class=\"heading larva \/\/      \">\n\t\t<strong>Did Springsteen record many of the <em>Born in the U.S.A.<\/em> songs at the same time as <em>Nebraska<\/em>?<\/strong>\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tYes. In a moment of great frustration, movie Bruce takes Landau outside of the recording studio and vents that the sessions aren\u2019t working. \u201cWe\u2019ve got an incredible take on \u2018Cover Me,\u2019 which thankfully we didn\u2019t give to Donna Summer,\u201d says movie Landau. \u201cWe have \u2018Glory Days,\u2019 \u2018I\u2019m Going Down,\u2019 and a knockout \u2018I\u2019m on Fire.\u2019 Don\u2019t forget you\u2019ve got \u2018Born in the U.S.A. Did I tell you what [producer Jimmy Iovine] said about \u2018Born in the U.S.A.?\u2019 He was blown away. He said the album is done. It can be \u2018Born in the U.S.A.\u2019 and 10 other tracks and nobody would care. He said with that song leading, nothing else matters.\u201d Springsteen did indeed have all these songs at this point, and \u201cCover Me\u201d was indeed initially written for Donna Summer. (Notice now movie Landau didn\u2019t mention \u201cDancing in the Dark.\u201d That one wasn\u2019t written until 1984.)<\/p>\n<h3 id=\"did-springsteen-s-father-get-arrested-and-then-disappear-for-three-days-in-los-angeles\" class=\"heading larva \/\/      \">\n\t\t<strong>Did Springsteen\u2019s father get arrested and then disappear for three days in Los Angeles?<\/strong>\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tYes. Midway through the movie, Springsteen\u2019s mother calls him in a panicked state. \u201cHe\u2019s lost somewhere in Los Angeles,\u201d she says. \u201cWe can\u2019t find him. It\u2019s been three days. He was arrested out in the desert over a traffic ticket. They took him down to the county jail. The last thing I heard, they let him out. He was in an alley in Chinatown. Can you come find him?\u201d Springsteen describes this exact situation in his book, but it\u2019s unclear when it happened, and it\u2019s quite likely the film moved it to 1982 so Springsteen could have a scene with his father as an adult.<\/p>\n<h3 id=\"did-douglas-springsteen-suffer-from-mental-health-problems\" class=\"heading larva \/\/      \">\n\t\t<strong>Did Douglas Springsteen suffer from mental health problems?<\/strong>\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tYes. For many years, Bruce made it seem like his struggles to connect with his father were largely a result of an immense generation gap. It was only after Douglas Springsteen died in 1998 that Bruce slowly began to reveal that his father suffered from a deep mental illness. Things finally changed in the last decade of his life. \u201cModern pharmacological medicine gave my father 10 extra years of life and a peace he might never have had,\u201d Springsteen wrote in <em>Born to Run<\/em>. \u201cHe and my mother got to celebrate their 50th wedding anniversary. He got to know his grandchildren and we became much closer. He became easier to reach, to know and love. I\u2019d always heard my father in his youth described as \u2018full of the devil,\u2019 \u2018rakish,\u2019 \u2018full of fun,\u2019 as someone who loved to dance. I had never seen it. I only saw the lonely brooding man, always on edge, disappointed, never at home or at rest. But in the last years of his life, his softness came to the fore.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<h3 id=\"did-springsteen-and-buddy-matt-delia-drive-cross-country-in-1982-and-move-bruce-to-l-a\" class=\"heading larva \/\/      \">\n\t\t<strong>Did Springsteen and buddy Matt Delia drive cross-country in 1982 and move Bruce to L.A.?<\/strong>\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tYes. Springsteen\u2019s lifelong buddy Steve Van Zandt is a mute presence in the movie, and it\u2019s easy to miss his scenes if you blink. But a lot of screen time is given to Springsteen\u2019s childhood friend Matt Delia, portrayed by Australian actor Harrison Sloan Gilbertson. When <em>Nebraska<\/em> was done, they packed up a \u201969 Ford XL and moved Bruce out to Los Angeles, where he\u2019d remain for much of the next decade.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSomewhere along the way, they stop at a county fair, where Springsteen is overcome with emotion and nearly loses consciousness. This seems like a screenwriter\u2019s fantasy, but Springsteen describes the moment in his book. \u201cA despair overcomes me,\u201d Springsteen writes. \u201cI feel an envy of these men and women and their late-summer ritual, the small pleasures that bind them and this town together. Now, for all I know, these folks may hate this one-dog dump and each other\u2019s guts and be screwing one another\u2019s husbands and wives like rabbits. Why wouldn\u2019t they? But right now, all I can think of is that I want to be amongst them, of them, and I know I can\u2019t. I can only watch.\u201d<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/bruce-springsteen-deliver-me-from-nowhere-movie-fact-check-1235446132\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Most music biopics take place in a world of alternative facts where Queen broke up before Live Aid, Elton John named himself after John&#8230;<\/p>\n","protected":false},"author":5,"featured_media":49968,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-49967","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/49967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=49967"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/49967\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/49968"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=49967"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=49967"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=49967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}