{"id":50072,"date":"2025-10-25T15:04:50","date_gmt":"2025-10-25T15:04:50","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/10\/25\/the-droptines-on-hard-work-tiktok-and-texas-country-music\/"},"modified":"2025-10-25T15:04:50","modified_gmt":"2025-10-25T15:04:50","slug":"the-droptines-on-hard-work-tiktok-and-texas-country-music","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/10\/25\/the-droptines-on-hard-work-tiktok-and-texas-country-music\/","title":{"rendered":"The Droptines on Hard Work, TikTok, and Texas Country Music"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/the-droptines\/\" id=\"auto-tag_the-droptines\" data-tag=\"the-droptines\">The Droptines<\/a> were used to playing simple dive bars and rock rooms. Their worldview changed this\u00a0summer when they went on an amphitheater tour with <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/whiskey-myers-whomp-whack-thunder-album-1235435386\/\">Whiskey Myers<\/a>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBy the time the Texas roots-rock band\u2019s opening run for Whiskey Myers ended with a sold-out show in Nashville earlier this summer, the five-piece \u2014\u00a0named after a deer\u2019s antler that, through genetics or injury, grows downward \u2014\u00a0nearly had whiplash over how far they had come.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt feels like an acid trip,\u201d Conner Arthur, the band\u2019s singer, tells <em>Rolling Stone<\/em>. \u201cThere will be a lot to unpack after it\u2019s all done. I need to start journaling, because I feel like I\u2019ve forgotten a lot already.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe Droptines are Arthur, bassist Dillon Sampson, drummer Johnny Sheets, pedal steel player Tony Rincon, and guitarist Donny Parkinson. Collectively, they are a group of veteran musicians from the Texas Hill Country, heavy on Texas and Red Dirt, with a wildly prolific catalog they are hell-bent on sharing at every concert.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIf you look at our setlist, there\u2019s a shitload of songs on there,\u201d Arthur says. \u201cWe\u2019re not dragging out a song that should be three minutes and making it nine minutes, relying on every lick our guitar player has. We punch in, and we punch out. We\u2019re trying to sell the songs.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tA native of Concan, Texas, Arthur grew up \u201cat the foot of the state\u201d at House Pasture Co., a major venue in the Texas music scene, run by Arthur\u2019s parents. He started taking music seriously as a teenager, leaving home at 18 and busking around the country for the better part of a year. He formed the Droptines in 2019 and released an EP, but the pandemic shelved any real growth until 2021.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe first few years of the band were \u201cfilled with dumb shit\u201d as Arthur recalls now. The band took nearly any gig it was offered, even when travel costs outweighed the pay. Their approach, he says, was grassroots, aiming to win over fans one-by-one. The first place he recalls it taking hold was in Lubbock, Texas. The band celebrated the release of a single, \u201cBill of Sale,\u201d at the Blue Light \u2014\u00a0a music room on Buddy Holly Ave. \u2014\u00a0in 2023, and were greeted with a full house.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThe biggest chapter turn was in Lubbock,\u201d Arthur recalls. \u201cWe walked in the damn door and it was sold out. That\u2019s when I went, \u2018God almighty, this is working.\u2019 People started paying attention after they saw that.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cBill of Sale\u201d made it onto the band\u2019s self-titled 2024 album, one which raised the group\u2019s profile significantly. Once impressive shows \u2014 such as an afternoon set at the 2024 Jackalope Jamboree in Pendleton, Oregon, to an overflow crowd \u2014\u00a0became routine. This year, the group landed a slot at Bonnaroo as well as a pair of afterparties at Lollapalooza (one with Luke Combs and one with Wyatt Flores), plus runs with Dwight Yoakam and <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/american-aquarium-new-album-bj-barham-politics-1235450208\/\">American Aquarium<\/a>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe Lollapalooza show, the group says, was apparently manifested by the guitarist Parkinson.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe got the news we were gonna play Lollapalooza, and Donny was still asleep,\u201d Sampson says. \u201cI go upstairs, and I wake him up and say, \u2018Donny! We\u2019re gonna play Lollapalooza!\u2019 and he opens his eyes and says, \u2018I always knew I\u2019d play Lollapalooza,\u2019 and rolls back over and goes back to sleep.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSuch confidence did not extend across the group. Ahead of their show at Nashville\u2019s Ascend Amphitheater, Arthur admitted he wasn\u2019t \u201cused to this type of shit.\u201d Success, he said, felt \u201clike I stole something.\u201d In the wake of the Droptines\u2019 self-titled record, the calls from record labels began. Major outfits like Warner Records felt too big, but when representatives from Big Loud Texas showed up to a bar show in College Station, the group found its match.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"The Droptines - Take Too Much (Lyric Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/OITNZ0ocgWQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/dylan-gossett-coal-song-tour-dates-1235014014\/\">Big Loud Texas<\/a> was co-founded by Miranda Lambert and Jon Randall in 2023, and, a year later, the imprint named Brendon Anthony, then director of the Texas Music Office, as vice-president. Immediately, Anthony and Randall realized they both had the Droptines on their radars.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cConner is a special songwriter and frontman,\u201d Anthony tells <em>Rolling Stone<\/em>. \u201cThat comes across to me on the releases and onstage. His mind and interests and talents \u2014 beyond music as well \u2014\u00a0are so unique. The band behind him is tightly in tune and gets more locked in as they tour.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe group announced their signing by the label at their Nashville show, which coincided with the release of the single \u201cTake Too Much.\u201d The song combines love at first sight, drugs, and death. Arthur\u2019s initial delivery of, \u201cI met a girl and it\u2019s too soon to talk about her,\u201d over heavy electric guitar, is a chilling tone-setter.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAt the end of September, the Droptines released the follow-up \u201cCalling All Cars,\u201d a cover of a Mike McClure (The Great Divide) song about an alcohol-fueled fatal car crash and its impact on the first responders. The group will spend the rest of 2025 alternating between a headlining tour of theaters, along with more of those high-profile opening slots, including dates with the Turnpike Troubadours, plus another show with Whiskey Myers at the rockers\u2019 annual Moon Crush festival in Miramar Beach, Florida, on Nov. 7.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"The Droptines - Calling All Cars (Lyric Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/bauMy2lEbYk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor the Droptines, it\u2019s all the result of their on-the-grind mentality.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cHard work is hard for a reason. I\u2019m not mad at anybody who went from TikTok to a tour bus right away,\u201d Arthur says, \u201cbut I feel like what we\u2019re doing has a little bit more dignity.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Josh Crutchmer is a journalist and author whose latest books, <\/em><a href=\"https:\/\/neversayneverbook.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>Never Say Never<\/em><\/a><em> and <\/em><a href=\"https:\/\/reddirt-unplugged.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>Red Dirt Unplugged<\/em><\/a><em> are available via Back Lounge Publishing.<\/em><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/the-droptines-calling-all-cars-texas-country-1235453982\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Droptines were used to playing simple dive bars and rock rooms. Their worldview changed this\u00a0summer when they went on an amphitheater tour with&#8230;<\/p>\n","protected":false},"author":5,"featured_media":50073,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-50072","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/50072","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=50072"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/50072\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/50073"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=50072"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=50072"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=50072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}