{"id":50364,"date":"2025-10-29T14:04:55","date_gmt":"2025-10-29T14:04:55","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/10\/29\/lifeguard-singer-talks-solo-project-beatles-influence\/"},"modified":"2025-10-29T14:04:55","modified_gmt":"2025-10-29T14:04:55","slug":"lifeguard-singer-talks-solo-project-beatles-influence","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/10\/29\/lifeguard-singer-talks-solo-project-beatles-influence\/","title":{"rendered":"Lifeguard Singer Talks Solo Project, Beatles Influence"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMusical inspiration can be a funny thing. Sometimes, the songs only emerge after months of work in a high-end studio packed with expensive gear and just the right mix of collaborators. Other times, all you need is one brain overflowing with ideas in a tiny room. That\u2019s how it is for Kai Slater when he records as <a href=\"https:\/\/www.rollingstone.com\/t\/sharp-pins\/\" id=\"auto-tag_sharp-pins\" data-tag=\"sharp-pins\">Sharp Pins<\/a>. The <a href=\"https:\/\/www.rollingstone.com\/t\/chicago\/\" id=\"auto-tag_chicago\" data-tag=\"chicago\">Chicago<\/a>-based musician, who recently celebrated his 21st birthday, has spent the last few years rocking out as the lead singer and guitarist of <a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-features\/lifeguard-interview-chicago-band-debut-album-1235323447\/\">Lifeguard<\/a>, a loud, jittery trio who released a terrific <a rel=\"noreferrer noopener\" data-id=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/lifeguard-ripped-and-torn-review-1235355400\/\" target=\"_blank\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/lifeguard-ripped-and-torn-review-1235355400\/\">debut album<\/a> this summer. All the while, he\u2019s been quietly crafting one incandescently catchy DIY pop hook after another on the side with his solo project \u2014 and with <a href=\"https:\/\/sharppins.bandcamp.com\/album\/balloon-balloon-balloon-2\" rel=\"nofollow\" target=\"_blank\"><em>Balloon Balloon Balloon<\/em><\/a>, the superb new Sharp Pins album he\u2019s releasing on Nov. 21 through <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/krecs.com\/\">K<\/a>\/<a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.perennialdeath.com\/\">Perennial<\/a>, you\u2019ll get to hear more of them than ever.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI recorded this album basically whenever I had time, which was not that much, compared to the average Joe,\u201d Slater explains over Zoom from the bedroom where he makes all of Sharp Pins\u2019 music. He was home for a while in between back-to-back <a href=\"https:\/\/www.rollingstone.com\/t\/lifeguard\/\" id=\"auto-tag_lifeguard\" data-tag=\"lifeguard\">Lifeguard<\/a> tours when he knocked out most of the songs on the album in early 2025, \u201cjust working on stuff in a kind of therapeutic way, having fun with it.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Balloon Balloon Balloon<\/em> is fun for you, too \u2014\u00a0a sheer delight for any fan of homemade guitar pop. Every song on this album is full of psychedelic sunshine and jangly joy, teeming with melodies that snuck into Slater\u2019s head and wouldn\u2019t leave until he got them down on tape. There are ample echoes of the Beatles and the Byrds, to the point that if someone told you this was a lost private-press LP by an unknown band from the mid-to-late Sixties, you\u2019d probably buy it.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Sharp Pins &quot;Queen Of Globes And Mirrors&quot;\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/f6ZkiEZzhdY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSlater got that sound by embracing the limitations of his home-recording setup, wedging a snare drum into an open dresser drawer and playing nimbly tumbling electric riffs on two guitars that he describes as \u201ca fake Vox Phantom\u201d and \u201ca fake Rickenbacker\u201d \u2014 affordable knockoffs of two of the most iconic British Invasion models. He recorded the majority of the album on a boombox-style cassette deck that his friends in the Chicago band Answering Machines turned him on to. \u201cWhen you\u2019re recording on a four-track at home, you have to think creatively,\u201d he says.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tA student of classic recording techniques, Slater has read Beatles engineer Geoff Emerick\u2019s 2006 memoir, <em>Here, There, and Everywhere<\/em>, \u201ca few times, because it\u2019s just so inspiring for me.\u201d For this album, he tried to get into a <em>Revolver<\/em> mindset, taking the songs as far as they could go with his makeshift equipment. \u201cA lot of stuff on this record, my four-track was breaking,\u201d he adds. \u201cI was bouncing so many harmonies on it, in a very Sixties Beatles way, and you can sometimes hear it kind of melting a little bit. I don\u2019t think that would\u2019ve stopped the Beatles.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMany of the songs on <em>Balloon Balloon Balloon<\/em> were written for his girlfriend, photographer\/director Grace Bader Conrad, who was living more than 700 miles away in New York at the time. \u201cI\u2019d be like, \u2018I want to wake her up with a new song.\u2019 Just something very purely romantic like that,\u201d Slater says. \u201cOr she\u2019d be like, \u2018I\u2019ll call you in 30 minutes.\u2019 And I was like, \u2018OK, I\u2019ll have a song in 30 minutes.\u2019 Just love letters or whatever \u2014 songs written in a state of being in love.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAt the same time, he was seeking a release from the pressures of touring as the frontman of a buzzy <a href=\"https:\/\/www.rollingstone.com\/t\/rock\/\" id=\"auto-tag_rock\" data-tag=\"rock\">rock<\/a> band. \u201cYou play a show and you\u2019re seeing all your friends,\u201d he says. \u201cI can get very introverted, so I\u2019m like, \u2018OK, I\u2019m ready to crawl into my shell and go crazy for a bit.\u2019 But I\u2019m also feeling inspired by all this music. It\u2019s a perfect combination for me to go on the four-track in the middle of the night and see what happens.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe first song on the album, \u201cPopafangout,\u201d began as a nonsense phrase he was humming to himself, before he decided to take it in an undead direction (classic goth literature and vampire movies are a big interest of his). He estimates that the Lennon-esque \u201cEx-Priest\/In a Hole of a Home\u201d came together in about 15 minutes, while the radiant \u201cQueen of Globes and Mirrors\u201d took more like a day. \u201cReally, all the songs you hear on this record are my initial thoughts,\u201d he says. \u201cThat was how I pictured them in my head. The first idea is the best idea. First take is the best take.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNext month, Slater will be back on the road with Lifeguard on a run of dates opening for fellow Matador Records torchbearers <a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-features\/bar-italia-new-album-interview-1235423448\/\">Bar Italia<\/a>. In the meantime, he\u2019s made an album that feels like a secret AM-radio broadcast from another world. Before logging off, Slater explains the title he chose for the album with a smile. Sharp Pins, <em>Balloon Balloon Balloon<\/em>: \u201cIf you put it together\u2026 <em>pop!\u201d<\/em><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/sharp-pins-lifeguard-new-album-interview-1235449302\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Musical inspiration can be a funny thing. Sometimes, the songs only emerge after months of work in a high-end studio packed with expensive gear&#8230;<\/p>\n","protected":false},"author":5,"featured_media":50365,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-50364","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/50364","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=50364"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/50364\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/50365"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=50364"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=50364"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=50364"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}