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\n\tBruce Springsteen<\/a>\u2019s Nebraska<\/em> was always an album that people loved to argue about. So it makes sense that we\u2019re arguing about it now. Springsteen: Deliver Me From Nowhere <\/a><\/em>underwhelmed at the box office, pulling in $16.1 million in its opening weekend. That might seem like a colossal success to you or me, except the budget was somehow $55 million, for a movie about an album made on a $400 tape deck. The reviews have been wildly mixed<\/a>. Electric Nebraska<\/em> has given fans a whole new perspective <\/a>on this classic 1982 acoustic album, and how it could have been different if he\u2019d gotten the E Street Band involved. That\u2019s why the Springsteen arguments are blowing up like the Chicken Man.<\/p>\n \n\tJust like Radiohead\u2019s Kid A<\/em>, an extremely similar move that dropped 18 Octobers later, Nebraska<\/em> gave great entertainment value whether you loved it or hated it, because it was so intensely fun to debate. In the movie\u2019s funniest scene, we hear Jimmy Iovine over the phone, screaming at manager Jon Landau over how idiotic it is to release this folk record. (Iovine plays himself, which is brilliant.) There\u2019s also a moment where Landau says he\u2019s going to play it for Iovine and Stevie Nicks; tragically, the movie does not depict Stevie\u2019s reaction.<\/p>\n \n\tThe movie has Oscar-bait performances from Jeremy Allen White as the Boss and Jeremy Strong as Landau. But it\u2019s a divisive movie, as befits a divisive album, and even those of us who loved Deliver Me From Nowhere<\/em> can find plenty to bitch about. It\u2019s a whole movie of men talking about Bruce Springsteen\u2019s problems, one of whom is Bruce. There\u2019s also a couple of women for empathetic nodding. The mastering guy gets more lines than the entire E Street Band. The message is that men will literally make acoustic concept albums about psycho killers instead of going to therapy.<\/p>\n \n\tThere\u2019s an old-school show-biz melodrama at the heart of the Nebraska<\/em> story \u2014 the evil corporate suits screaming, \u201cIt\u2019ll never sell,\u201d while the renegade rocker replies, \u201cAn artist\u2019s gotta do what an artist\u2019s gotta do.\u201d But that\u2019s why it makes such a great legend. That\u2019s why there\u2019s a movie about Nebraska<\/em> and not the Grammy winner for Album of the Year, which was Toto<\/a> IV<\/em>. (I, for one, would watch the hell out of the \u201cYou know what this song needs? Wild dogs crying out in the night\u201d scene.)<\/p>\n