{"id":51297,"date":"2025-11-09T14:55:25","date_gmt":"2025-11-09T14:55:25","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/11\/09\/derek-and-the-dominos-layla-retro-review\/"},"modified":"2025-11-09T14:55:25","modified_gmt":"2025-11-09T14:55:25","slug":"derek-and-the-dominos-layla-retro-review","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/11\/09\/derek-and-the-dominos-layla-retro-review\/","title":{"rendered":"Derek and the Dominos, &#8216;Layla&#8217;: Retro Review"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>What if someone released an impassioned twin-guitar genius record and nobody cared? That&#8217;s basically what happened \u2013 at least initially \u2013 with the only album from <a href=\"https:\/\/ultimateclassicrock.com\/tags\/derek-and-the-dominos\/\">Derek and the Dominos<\/a>. Issued on Nov. 9, 1970, <em><a href=\"https:\/\/ultimateclassicrock.com\/derek-and-the-dominos-layla\/\">Layla and Other Assorted Love Songs<\/a><\/em> wouldn&#8217;t earn gold-selling certification for almost 10 months. The LP wouldn&#8217;t chart for decades in the U.K.<\/p>\n<p>In time, however, a one-off group that included both <a href=\"https:\/\/ultimateclassicrock.com\/tags\/eric-clapton\/\">Eric Clapton<\/a> and <a href=\"https:\/\/ultimateclassicrock.com\/tags\/duane-allman\/\">Duane Allman<\/a> found its audience, as the album returned to the U.S. charts in 1972 then again in 1974 and 1977. Their signature single &#8220;Layla&#8221; stalled at a mind-boggling No. 51 in 1971, only to roar into the Top 10 the following year.<\/p>\n<p>Listeners \u2013 eventually \u2013 discovered a searing blues-rock masterpiece, born out of jam sessions around <a href=\"https:\/\/ultimateclassicrock.com\/tags\/george-harrison\/\">George Harrison<\/a>&#8216;s <em><a href=\"https:\/\/ultimateclassicrock.com\/george-harrison-all-things-must-pass\/\">All Things Must Pass<\/a><\/em> and powered by Clapton&#8217;s unrequited love for Harrison&#8217;s wife, Pattie Boyd. Though he ended up on 11 songs, Allman was a late arrival. The core of the band \u2013 and the record \u2013 was drummer Jim Gordon, bassist Carl Radle and keyboardist Bobby Whitlock, who&#8217;d recently anchored a guest-packed Delaney and Bonnie tour that also included turns by Clapton, Harrison and Allman.<\/p>\n<p><strong>READ MORE:<\/strong> <a href=\"&quot;https:\/\/ultimateclassicrock.com\/duane-allman-studio-sessions\/\">Top 10 Duane Allman Studio Sessions<\/a><\/p>\n<p>The first two Derek and the Dominos studio cuts were completed during sessions for <em>All Things Must Pass<\/em>, after Clapton and Whitlock had written most of the <em>Layla<\/em> album at the guitarist&#8217;s Hurtwood Edge estate. They&#8217;d already completed three more songs before Allman arrived. Together, they laced in choice covers like &#8220;Have You Ever Loved a Woman&#8221; &#8220;Little Wing&#8221; that sounded completely of a piece with the heartbroken centerpiece title track. It was going to be a great record, with or without Allman. He just added another (often lyrical, simply gorgeous) voice to the conversation.<\/p>\n<p>Things came together so quickly that Derek and the Dominos&#8217; debut actually arrived before Harrison&#8217;s LP. His sold millions while theirs languished. Eventually, everyone <a href=\"https:\/\/somethingelsereviews.com\/2011\/04\/27\/something-else-interview-bobby-whitlock-of-derek-and-the-dominoes\/\" target=\"_blank\">went their separate ways<\/a>. Clapton got the girl (then lost her). What remained was his very best album, as <em>Layla and Other Assorted Love Songs<\/em> was propelled by so much musical camaraderie and sheer emotion that Clapton didn&#8217;t have a time to indulge his usual tendency to coast.<\/p>\n<div class=\"photogallery-wrapper blog-photogallery \">\n<h2 class=\"photogallery-title\">Top 40 Blues Rock Albums<\/h2>\n<div class=\"photogallery-description\">\n<p>Inspired by giants like Muddy Waters, Robert Johnson and B.B. King, rock artists have put their own spin on the blues.<\/p>\n<\/div>\n<p class=\"photogallery-credit\">Gallery Credit: UCR Staff<\/p>\n<\/div>\n<p style=\"text-align:center\"><strong>See Eric Clapton\u2019s Guitar Hero Yearbook Picture<\/strong><\/p>\n<\/div>\n<p><script src=\"https:\/\/ultimateclassicrock.com\/rest\/carbon\/api\/scripts.js?mver=160&#038;gver=9&#038;bid=295&#038;urls[]=https%3A%2F%2Fbtloader.com%2Ftag%3Fo%3D5642230212591616%26upapi%3Dtrue&#038;urls[]=https%3A%2F%2Fcdn.p-n.io%2Fpushly-sdk.min.js%3Fdomain_key%3DmxuuNIMSzp6MHphJEoAGlLFQ3qmwQguzkGZl&#038;urls[]=https%3A%2F%2Ftownsquare.media%2Fpublic%2Fresources%2Fjs%2Fpubcid.min.js&#038;urls[]=https%3A%2F%2Fplatform.twitter.com%2Fwidgets.js&#038;urls[]=https%3A%2F%2Fapis.google.com%2Fjs%2Fplatform.js&#038;urls[]=https%3A%2F%2Fconnect.facebook.net%2Fen_US%2Fsdk.js&#038;urls[]=https%3A%2F%2Fassets.pinterest.com%2Fjs%2Fpinit.js\" type=\"text\/javascript\" async defer data-osano=\"ESSENTIAL\"><\/script><br \/>\n<br \/><br \/>\n<br \/><a href=\"https:\/\/ultimateclassicrock.com\/derek-and-the-dominos-layla-review\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>What if someone released an impassioned twin-guitar genius record and nobody cared? That&#8217;s basically what happened \u2013 at least initially \u2013 with the only&#8230;<\/p>\n","protected":false},"author":3,"featured_media":51298,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-51297","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rock","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/51297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=51297"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/51297\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/51298"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=51297"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=51297"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=51297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}