{"id":51303,"date":"2025-11-09T16:05:04","date_gmt":"2025-11-09T16:05:04","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/11\/09\/the-disaster-that-killed-the-clash\/"},"modified":"2025-11-09T16:05:04","modified_gmt":"2025-11-09T16:05:04","slug":"the-disaster-that-killed-the-clash","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/11\/09\/the-disaster-that-killed-the-clash\/","title":{"rendered":"The Disaster That Killed The Clash"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHappy 40th birthday to <a href=\"https:\/\/www.rollingstone.com\/t\/the-clash\/\" id=\"auto-tag_the-clash\" data-tag=\"the-clash\">the Clash<\/a>\u2019s <em>Cut the Crap<\/em>, the most hated album of the Eighties. History is full of cases where great bands make terrible records, yet history stands speechless at what the Clash accomplished here. <em>Cut the Crap <\/em>came out in November 1985, and got instantly repudiated by Joe Strummer and anyone else involved with it. It\u2019s the all-time case of a legendary group with a previously impeccable discography who make one flop so mind-blowingly awful it kills off the brand forever. As Strummer <a href=\"https:\/\/www.courant.com\/2001\/10\/07\/different-strummer\" rel=\"nofollow\" target=\"_blank\">said <\/a>a few years later, \u201cYou probably could put it under the flogging-a-dead-horse file.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Cut the Crap<\/em> has gotten erased from the Clash\u2019s official history. It\u2019s not listed in the <a href=\"https:\/\/www.theclash.com\/discography\" rel=\"nofollow\" target=\"_blank\">discography <\/a>or timeline on the band\u2019s official website. It goes unmentioned in the documentary <em>Westway to the World, <\/em>left out of almost all their reissues and compilations. Never has such a great band gone out with such a humiliating disaster. How did this happen? How did the Only Band That Matters stumble into one of the most infamous rock &amp; roll fiascos?<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt was a complete fuck up,\u201d Joe Strummer <a href=\"https:\/\/www.rocksbackpages.com\/Library\/Article\/joe-strummer-good-ol-joe\" rel=\"nofollow\" target=\"_blank\">told the NME <\/a>in the summer of 1986, admirably taking the blame. \u201cWhat you must realize is that a large percentage of people like me are idiots. I sit in a room and write ditties while others are selling stocks to Malaysia on the vodophone. It\u2019s easy to manipulate people like me. What I do best is write doggerel so a part of me must be very childish.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe Clash were coming off one of history\u2019s all-time great five-album runs. The London punk rebels seized the revolutionary spirit of 1977 with their raw manifesto <em>The Clash<\/em>, then refined their sound with the flawed <em>Give \u2018Em Enough Rope<\/em>. They peaked with their classic <em>London Calling<\/em>, the one Rolling Stone proclaimed the best album of the Eighties, but then reached even higher with their sprawling epic <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/rob-sheffield-clash-sandinista-tribute-1121704\/\"><em>Sandinista!<\/em> <\/a>They finally broke the U.S. with <em>Combat Rock<\/em>, with hits like \u201cRock the Casbah\u201d and \u201cStraight to Hell.\u201d Crucial and influential albums, every one of them. Four horsemen, on top of the world.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut in a shocker move in September 1983, Joe Strummer kicked guitarist Mick Jones out of the band, denouncing his former mate as a rock-star sellout. Since Jones was the guy who wrote the actual songs, this might have been a danger sign. But Strummer and bassist Paul Simonon announced they were going back to basics, hiring a new band of unknown kids: guitarists Nick Sheppard and Vince White, drummer Pete Howard.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAnd then\u2026well, it\u2019s hard to overstate how bizarre it sounded to drop the needle on <em>Cut the Crap<\/em>. After replacing Jones, Strummer and manager\/producer Bernie Rhodes replaced the band with drum machines and synths. Simonon didn\u2019t play bass at all. The result was a total mess full of failed radical anthems like \u201cDictator\u201d and \u201cDirty Punk.\u201d If you listen to <em>Cut the Crap <\/em>today, you might find it tough to believe this got released, like, for money. Especially \u201cWe Are The Clash,\u201d a cartoon theme song with a sing-along choir of robot voices chanting, \u201cWe ain\u2019t gonna be treated like trash \/ We got one thing \/ We are the Clash!\u201d\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"We are the Clash\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/gnGolF10XRE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTo make it worse, <em>Cut the Crap<\/em> came out almost simultaneously with the debut from Mick Jones\u2019 new band Big Audio Dynamite, infused by hip-hop, with the clever dance-floor hit<a href=\"http:\/\/youtube.com\/watch?v=cHTDkJ-bQqM\" rel=\"nofollow\" target=\"_blank\"> \u201cE = MC2.\u201d<\/a> It made Strummer look even more obsolete. The silliness was amplified by the \u201cClash Communique\u201d on the sleeve, as if delivering a top-secret urgent message. \u201cWise MEN and street kids together make a GREAT TEAM\u2026but can the old system be BEAT??\u2026no\u2026not without YOUR participation\u2026RADICAL social change begins on the STREET!!\u2026so if you\u2019re looking for some ACTION\u2026CUT THE CRAP and Get OUT There.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThis album was so traumatizing for teenage Clash fanatics like me. Over the years, it\u2019s been tempting for some partisans to claim it doesn\u2019t count as a real Clash album \u2014 it was all the manager\u2019s fault. But no, alas, it\u2019s not that simple, because it\u2019s not merely a bad album, but a bad album made out of passionate conviction and devout belief. That\u2019s why <em>Cut the Crap<\/em> has gone down in history. It\u2019s not just another lousy Eighties rock-star fiasco. It\u2019s the kind of bad album that can only happen when true believers get all the wrong ideas and pursue them with absolute dedication.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tStrummer and Jones originally looked like the heirs to the Jagger\/Richards or Lennon\/McCartney legacy. They played off each other brilliantly: Joe the hot-hearted blowhard, snarling and slobbering in streetwise rage, while Mick brought a flair for melody and guitar flash. Mick was the one who sang the poppier tunes \u2014 \u201cTrain In Vain (Stand By Me),\u201d \u201cSomebody Got Murdered,\u201d \u201cShould I Stay Or Should I Go?\u201d Their different styles meshed beautifully, as in \u201cSpanish Bombs,\u201d \u201cClampdown,\u201d or the unbeatable 1978 single \u201cComplete Control,\u201d where Mick chants the \u201cC-O-N, control\u201d hook while Joe screams his lung out. Joe was the hardcore punk who brought the heart and soul; Mick was the music guy.\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"The Clash - Complete Control (Official Video)\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/JeTw_p_WglY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut Strummer always had a puritanical zeal about his punk mission and a terror of getting corrupted by fame. Even in the early days, he was defensive about their major-label contract. \u201cEven though we\u2019ve signed with CBS we aren\u2019t going to float off into the atmosphere like the Pink Floyd or anything,\u201d he told Melody Maker\u2019s Caroline Coon in 1977. \u201cI\u2019ve been fucked about for so long I\u2019m not going to suddenly turn into Rod Stewart just because I get \u00a325.00 a week. I\u2019m much too far gone for that, I tell you.\u201d But he turned on Jones in 1983, accusing him of pop heresies that betrayed the band\u2019s punk roots. According to the band\u2019s official statement, \u201cIt is felt that Jones drifted away from the original idea of the group.\u201d As Jones told Rolling Stone a couple of years later, \u201cThe first thing I did was go home and go boohoo for half an hour.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn those days, bands had yet to learn the importance of taking time off. Whether it was the Beatles in 1969 or the Smiths in 1987, great bands kept splitting up when all they really needed was a few months apart from each other. The Clash in 1983 were definitely in that category, as Strummer and Simonon kept seething at Jones\u2019 prima-donna airs. \u201cNo fun at all,\u201d Strummer complained in the doc <em>Westway to the World<\/em>. \u201cHe wouldn\u2019t show up, then when he did it was like Elizabeth Taylor in a filthy mood.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut it went deeper than that, because for Strummer, it was an ideological divide between popness versus punk purity. Jones had tried turning the band on to New York club sounds, obsessed with dance music and rap, bringing them into tracks like \u201cThis Is Radio Clash,\u201d which now sounded counterrevolutionary to Strummer. \u201cPop will die and rebel rock will rule,\u201d Strummer predicted in the NME in early 1984, vowing to rid the world of new-wave synth poseurs. \u201cDo you get off on these duos with tape machines? Look. Don\u2019t buy a ticket to the machine show.\u201d For him, Jones\u2019 taste \u201cwasn\u2019t our music. He was playing around with beat boxes and synthesizers.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tStrummer hit the road with his new Jones-free Clash, for the Out of Control tour. Bob Dylan, Strummer\u2019s ultimate hero, loved this lineup of the band. \u201cI think they\u2019re great,\u201d he<a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/the-rolling-stone-interview-bob-dylan-43446\"> told <em>Rolling Stone <\/em><\/a>in mid-1984. \u201cIn fact, I think they\u2019re greater now than they were.\u201d Better <em>without<\/em> Mick Jones? \u201cYeah. It\u2019s interesting. It took two guitar players to replace Mick.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut Joe was ranting with a weirdly megalomaniacal air \u2014 he was newly drug-free, but maybe chugging a little too much coffee on the road. \u201cI\u2019ve been elected,\u201d he told <em>Rolling Stone<\/em>, slamming his fist for emphasis. \u201cI seriously believe I\u2019ve been elected to say the truth and stamp out all the bull.\u201d During the post-show interview, he gets interrupted by a female fan yelling, \u201cWhat happened to Mick?\u201d Strummer scoffs, \u201cHe\u2019ll be rocking around with some kind of piano nonsense, you\u2019ll see.\u201d But he loses his temper when she keeps going. \u201cI miss him,\u201d the fan says. \u201cWhy did you kick him out?\u201d Strummer turns off the reporter\u2019s tape recorder and says, \u201c\u2018Cause he\u2019s an asshole.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAs a Clash kid I saw this band in April 1984, in Providence, Rhode Island, and much as I loved Mick Jones, these guys were absolutely ferocious. No radio hits, just the punk bangers, kicking off with \u201cLondon Calling\u201d and \u201cSafe European Home.\u201d For the finale, Strummer invited the kids to jump onstage and crowd around the mic to sing \u201cGarageland.\u201d They did only three new tunes: \u201cAre You Ready For War?,\u201d \u201cSex Mad War,\u201d and \u201cThree Card Trick.\u201d Live bootlegs of this tour (like <em>Patriots of the Wasteland<\/em> or <em>Five Alive<\/em>) definitely make the case that this lineup had a worthy album in them. Check out this fantastic \u201cThree Card Trick,\u201d from the 1984 Chicago show. [youtube.com\/watch?v=tUG7QeONOBU] Whatever you think of Chairman Joe\u2019s Cultural Revolution trip, or his anti-Mick rants, this is a genuinely nasty little Clash song, played by an actual band.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"The Clash - Three Card Trick (Live in Chicago 1984)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/tUG7QeONOBU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThen compare it to the<a href=\"http:\/\/youtube.com\/watch?v=2zN1hVy0kEQ\" rel=\"nofollow\" target=\"_blank\"> studio version <\/a>and weep \u2014 on the album, \u201cThree Card Trick\u201d became cocktail reggae with the band replaced by synthesized castanets. <em>Cut the Crap<\/em> sounded nothing like a rock band \u2014 with its digital blare and clown-choir\u00a0vvocal overdubs, it sounded uncannily like Andrew WK\u2019s 2002 dance-floor novelty \u201cParty Hard.\u201d The keeper was \u201cThis Is England,\u201d where Strummer roams the streets over beatbox handclaps, seeing the effects of employment, racism, industrial decay, the Falklands War, and a woman who pulls a switchblade on him and says, \u201cThis is England, this knife of Sheffield steel.\u201d But it was too little, too late.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tStrummer was humiliated by the whole album. \u201cSome of the tunes were fair but really I hated it,\u201d he told the NME a few months later, in June 1986. \u201cI fell out with Bernie before the final mix \u2014 I didn\u2019t hear\u00a0<em>Cut The Crap<\/em>\u00a0until it was in the shops.\u201d He blamed the production on his manager, but took the blame for the songs. \u201cGive me a spliff, a drink, a guitar, a foreign city at night, and let me scribble something,\u201d he explained. \u201cThose are the things that get me. I\u2019m a romantic, not a dialectic theoretician. The rebel chic, the Belfast photos, H-Block T-shirts, and Baader Meinhof shirts; they were all my fault. When you\u2019re gung ho, you\u2019re gung ho, and I was certainly gung ho.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHe also had to see his old mate Mick Jones ride high with Big Audio Dynamite. \u201cI felt terrible when B.A.D. made it,\u201d he admitted. \u201cNot because all the old punks were making it and I wasn\u2019t, I deserved that, I had not acted honourably, but because Jonesy had played me the rough mixes of the album and I said, \u2018It\u2019s the worst load of shit I\u2019ve ever heard in my life. Don\u2019t put it out, man, do yourself a favour.\u2019\u201d But Jones didn\u2019t listen to him, wisely, and scored a hit. <\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt has to be said: Mick was extremely magnanimous in victory. He refused to kick Strummer when he was down, when nobody would have blamed him. \u201cI would never say anything bad about the Clash,\u201d he told Rolling Stone\u2019s David Fricke in late 1985, when the albums were out. \u201cI\u2019ve done a few interviews where people try to get tight with me saying what assholes Strummer and those guys were. It doesn\u2019t work with us. When that happens, me and Don [Letts] immediately jump to the defense of the Clash.\u201d The two old friends made up and reteamed for B.A.D.\u2019s 1986 album<em> No 10, Upping St<\/em>, writing and producing together\u2014no worthwhile songs, but still a heartwarming reunion.The two old friends made up and reteamed for B.A.D.\u2019s 1986 album<em> No 10, Upping St<\/em>, writing and producing together\u2014no worthwhile songs, but still a heartwarming reunion.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut Strummer learned his lesson from <em>Cut the Crap<\/em>. He retired the \u201cClash\u201d brand name and spent the rest of his life avoiding the spotlight. After fighting so hard to grab his rock-star crown, he let go of it. \u201cI wouldn\u2019t say it was that noble,\u201d he told Musician in 1988. \u201cIt\u2019s more like I dropped it on the floor and broke it.\u201d <a href=\"https:\/\/www.youtube.com\/watch?v=i4LilJ03xWY\" rel=\"nofollow\" target=\"_blank\">\u201cTrash City,\u201d <\/a>a minor MTV <em>120 Minutes<\/em> hit in the summer of 1988, from the <em>Permanent Record<\/em> soundtrack, was Joe\u2019s last great shot. But to the Clash\u2019s credit, they became one of the only bands of their era to resist the temptation to do any reunions \u2014 no album, no tour, not even a one-off gig. It was a statement of principle that did wonders for their posthumous reputation. By the time Joe Strummer died in 2002 \u2014 way too young, only 50, of a heart condition \u2014 he was one of the most beloved and respected figures in the music world. It\u2019s one of his greatest achievements that he managed to outlive the curse of <em>Cut the Crap<\/em>.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/the-clash-cut-the-crap-1235459488\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Happy 40th birthday to the Clash\u2019s Cut the Crap, the most hated album of the Eighties. History is full of cases where great bands&#8230;<\/p>\n","protected":false},"author":5,"featured_media":51304,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-51303","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/51303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=51303"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/51303\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/51304"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=51303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=51303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=51303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}