{"id":52795,"date":"2025-11-28T14:15:59","date_gmt":"2025-11-28T14:15:59","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/11\/28\/treaty-oak-revival-on-beer-throwing-west-texas-degenerate-album\/"},"modified":"2025-11-28T14:15:59","modified_gmt":"2025-11-28T14:15:59","slug":"treaty-oak-revival-on-beer-throwing-west-texas-degenerate-album","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/11\/28\/treaty-oak-revival-on-beer-throwing-west-texas-degenerate-album\/","title":{"rendered":"Treaty Oak Revival on Beer Throwing, &#8216;West Texas Degenerate&#8217; Album"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSam Canty knows the power of a <a href=\"https:\/\/www.rollingstone.com\/t\/treaty-oak-revival\/\" id=\"auto-tag_treaty-oak-revival\" data-tag=\"treaty-oak-revival\">Treaty Oak Revival<\/a> concert, but he long ago stopped trying to make any sense of it. \u201cI can\u2019t believe I\u2019m making somebody feel like this or act like this,\u201d says the band\u2019s frontman of the crowd-surfing and beer-hurling that seems to follow the five-piece on the road.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAfter a two-year run in which the group went from clubs to theaters to arenas, buoyed by a string of platinum and gold singles and one of the most exciting live experiences in all of music, Treaty Oak Revival are on the brink of bona fide superstardom. The independent outfit\u2019s third studio album, the 14-track <em>West Texas Degenerate<\/em> that dropped on Friday, is poised to remove that \u201cbrink\u201d caveat for good.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt\u2019s also an album that finds a band who rocketed to fame in Texas with songs about prostitutes (\u201cFishnets\u201d) and whiskey (\u201cOde to Bourbon\u201d), growing up.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThe point of this record was to show growth and what that means,\u201d Canty tells <em>Rolling Stone<\/em>. \u201cOvercoming addiction, finding love, just stuff we haven\u2019t really talked about in our songs. We come from a small town where, when you were young it was drinking and partying and having a good time, and not really caring about the world or having any responsibility. Eventually, you get thrown into the real world and you realize that the real world doesn\u2019t care about your plans. You\u2019re going to assimilate whether you want to or not.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhat that real world even is for Treaty Oak seems to change by the hour.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe band consists of Canty on lead vocals and Jeremiah Vanley on lead guitar, along with Vanley\u2019s nephew, Lance Vanley, on rhythm guitar. Cody Holloway plays drums and Dakota Hernandez stepped in on bass this summer after founding bassist Andrew Carey <a href=\"https:\/\/www.instagram.com\/p\/DLf_RcnxKT5\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">left<\/a> the band in June. They came together in Odessa, Texas, in late 2018, playing music as a hobby. They\u2019ll close out 2025 with back-to-back headlining gigs at Oklahoma City\u2019s Paycom Center and Dickie\u2019s Arena in Fort Worth, along with a New Year\u2019s Eve show at the Toyota Center in Houston. They\u2019re managed by the same management team \u2014 Bob Doyle &amp; Associates, the only managers Garth Brooks has ever had \u2014\u00a0that oversaw Zach Top\u2019s rise to stardom. Four years ago, Treaty Oak were a local bar band in Odessa, so you\u2019d have to forgive the group for not yet fully grasping what it means to play to thousands, or on occasion, tens of thousands of fans every night.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cAt the beginning of this year, our stage manager yelled at me for the first three shows because I kept wrapping up cables to put up in the box,\u201d Lance Vanley says. \u201cHe would go, \u2018Stop touching stuff! That\u2019s why you hired me!\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBefore Treaty Oak played the first show of a three-night stand at the 5,600-capacity Whitewater Amphitheater in New Braunfels, Texas, in August, the members gathered in the green room to reflect on their breakthrough moment and look ahead to <em>West Texas Degenerate<\/em>. By then, Treaty Oak had already released a pair of songs, \u201cHappy Face\u201d and \u201cBad State of Mind,\u201d that also made the cut for the new record. Both songs cracked the top 30 on <em>Billboard<\/em>\u2019s country chart, and \u201cHappy Face\u201d has been certified gold.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Treaty Oak Revival - Happy Face (Official Lyric Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/ZoCEGAcR6zM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe chose those two because it\u2019s kind of both sides,\u201d Canty says. \u201cI feel like there\u2019s two sides to this record \u2014 there\u2019s a really heavy, dark side, and there\u2019s a lighter, upside of the record. \u2018Happy Face\u2019 was a good representation of the light side and \u2018Bad State\u2019 was a good representation of the heavier stuff.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tCanty grew up the son of a journalist and with a grandmother who was an author, but music was the only writing that made sense to him. Sure, he was heavily influenced by the Texas and Red Dirt scene that dominated his region. He cites Randy Rogers, the Turnpike Troubadours, Reckless Kelly, and Ryan Bingham as influences. But he was also fascinated by old-school hip-hop, particularly freestyle. He also knew he wanted to play for a living. \u201cI\u2019d always wanted a band, I just didn\u2019t know where to look,\u201d he says. \u201cI didn\u2019t know there was one 15 minutes from my house playing in the back of a shop.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tJeremiah Vanley had been in a cover band in Odessa, but the lead singer lost interest. In late 2018, he\u2019d been playing for fun with Holloway and Carey in the back of a vacuum repair shop, when the owner suggested he invite Canty to jam. His gravelly, metallic vocals brought the cover songs to life. By 2019, Lance Vanley had joined. They named themselves after the Treaty Oak in Austin, a sacred meeting place for the Comanche and Tonkawa natives. Soon after, they realized Canty couldn\u2019t just sing. He could write too.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWhen I joined, I wasn\u2019t even aware if we were going to be a band or if we were just hanging out for that one night a week,\u201d Lance Vanley says. \u201cAnother month or two into it, learning more cover songs, we started talking: Do we want to maybe be a cover band, or start to play at bars? Then Sam said, \u2018I write songs.\u2019 I hadn\u2019t heard his originals, and I said, \u2018Let\u2019s hear \u2019em.\u2019 Turns out, they weren\u2019t half bad.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe band recorded its first album, <em>No Vacancy<\/em>, in 2021, not intending for it to be released beyond the group\u2019s merchandise tables. Canty says he got tired of being asked at shows if the band had music on streaming services, so they decided to record a record to shut up the fans clamoring for Treaty Oak music. <em>No Vacancy<\/em> has since gone platinum, as have two of its singles, \u201cOde to Bourbon\u201d and \u201cMissed Call.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe found a guy in Odessa in like this home studio and recorded it,\u201d Jeremiah Vanley says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cHe actually came over the other day, because I told him I had some stuff for him. I gave him three gold records. He\u2019s like, \u2018What <em>is<\/em> this?\u2019 We kind of feel the same way.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThey followed that with 2023\u2019s <em>Have a Nice Day<\/em>. It debuted in the Billboard 200, and suddenly Treaty Oak became much more than a bar band. They began climbing festival bills and opening for the likes of Koe Wetzel. They caught the attention of Pat Fielder, a senior buyer for Mammoth Live, an independent promotion company heavily focused on the Midwest that had a history of booking Texas acts in places like Kansas City and Des Moines. In 2024, Fielder experienced Treaty Oak\u2019s growth firsthand. He\u2019d book the band for a certain-size venue and then find they had outgrown it exponentially by the time the concert happened.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cTreaty started out doing what most bands do as they head north on I-35,\u201d Fielder recalls. \u201cPlay the clubs and sell them out. Play the theaters and then sell them out. They did that quickly. We did some shows with them where they supported acts like <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/koe-wetzel-9-lives-album-arrest-taco-bell-1235061665\/\">Koe Wetzel<\/a>, <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/ian-munsick-eagle-feather-western-music-1235320992\/\">Ian Munsick<\/a>, and <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/whiskey-myers-whomp-whack-thunder-album-1235435386\/\">Whiskey Myers<\/a> throughout the year. As each one played out, you could see more and more fans there specifically to see Treaty Oak.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFielder recalls a sold-out show in Des Moines as a high-water mark. \u201cThe band broke just about every record you could break in the room that night, and they did it with a punk rock work ethic, which I think really contributes to their success,\u201d he says. \u201cThese guys are as much a punk rock band as they are a country band.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen it came time to record <em>West Texas Degenerate<\/em>, Treaty Oak Revival collectively realized they were here for the long haul. But they also had families and children, and Canty swore off alcohol in late 2023.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBy the time <em>Have a Nice Day<\/em> was released, Canty had already moved on to what eventually became <em>West Texas Degenerate<\/em>. In a bout of homesickness, he scribbled down lines like \u201cOkay, I fucking love and you know sometimes I miss you too,\u201d which became \u201cHappy Face.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI wrote that the day we uploaded <em>Have a Nice Day<\/em>,\u201d Canty says. \u201cWe were in Gulf Shores, and I had called my wife. We had been on the road for a long time through the Southeast and I hadn\u2019t seen her in a while. I hung up the phone, and the guys were all in a restaurant. I remember thinking, \u2018It\u2019s crazy that here I am having the time of my life with my friends, but I am wishing I was with my wife, wishing my family was here.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tCanty wrote all 14 songs on <em>West Texas Degenerate<\/em>, with three co-writes. William Clark Green helped Canty write the title track when the two men holed up one afternoon in the green room at Billy Bob\u2019s Texas. Gannon Fremin, whose group, Gannon Fremin &amp; CCREV will open Treaty Oak\u2019s Oklahoma City and Houston shows, co-wrote \u201cWithdrawals.\u201d Gary Stanton of Muscadine Bloodline co-wrote \u201cMisery\u201d along with \u201cArsonist,\u201d which made the cut on Muscadine\u2019s <em>Longleaf Lo-Fi<\/em> record released earlier in November. All three co-writers also sing with Treaty Oak on this record.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe just wanted to make some cool music with our cool friends and put it out for the world to hear,\u201d Canty says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOne of those friends is Austin Meade, another Texas country-rock hybrid who opened the first Whitewater Show for Treaty Oak in August. Meade and Canty have been friends for nearly a decade, and they host a series of holiday shows every year they have termed the \u201cMeade-E-Oak\u2019r Christmas Vacation Tour.\u201d This year, they\u2019ll play those shows in Ardmore, Oklahoma, and Lubbock, Texas, the weekend before Treaty Oak\u2019s Oklahoma City concert.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAlong with the friendship, Meade sees a model in Treaty Oak Revival for his own career.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI get a lot of hope for what we\u2019re doing when I see so many people in the world grasping on to what they\u2019re doing,\u201d Meade says. \u201cThose people are looking for something real. That can be said about many genres, but what these guys are doing and what Koe\u2019s doing \u2014 it\u2019s just real shit. They\u2019re super nice folks, but they still got that dog in them. Like, don\u2019t get on their wrong side.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tUntil this year, Treaty Oak barely had a reason to have a wrong side at all. But with success has come criticism \u2014\u00a0mostly of the band\u2019s beer-throwing live shows. The group isn\u2019t girded for a fight the way <a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/gavin-adcock-concerts-beer-throwing-1235413491\/\">Gavin Adcock seems to be<\/a> on the same topic, but they are aware they\u2019ve put some people off as they\u2019ve grown. The members have largely avoided confrontation, but that\u2019s because their day-to-day manager, Eli Kidd, watches over them, particularly on social media. Canty calls Kidd the Gavin Adcock of Treaty Oak for his habit.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIf I see false information, I will talk shit,\u201d Kidd says. \u201cI don\u2019t care if <em>you<\/em> talk some shit, but make sure that your information is accurate.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tCanty says bogging down in negative comments online would take away the sheer joy of the ride that Treaty Oak have been on.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cNow we\u2019re getting haters \u2014 quite a bit of haters, actually,\u201d he says. \u201cI don\u2019t mind it, man, but I feel it adds fuel to the fire, gives you something to work towards. You just take it with a grain of salt. Most of the time, a few people say it\u2019s shit, but millions of people say it\u2019s badass. Who cares? It\u2019s your music. If people like it, cool. If not, there\u2019s a bajillion other artists you could go listen to.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Boomtown in Chicago @TreatyOakRevival\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/AuZDSnViZ94?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tRegardless of how people feel about beer throwing, a Treaty Oak Revial show is one of the most high-energy concerts around at the moment. Fans show up to sing along, crowd surf, and drink to the backdrop of a dizzying light show. During the group\u2019s recent headlining set at the Red Bull Jukebox concert in Nashville, the crowd went wild for their signature, \u201cBoomtown,\u201d and a cover of Blink-182\u2019s \u201cAll the Small Things.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe band can sense a crowd\u2019s energy even before the show starts. And they feed off it. Before they took the stage at another Nashville show in 2024, at the sold-out Brooklyn Bowl, band members worked themselves into a frenzy just out of the crowd\u2019s view, crushing beers and yelling, \u201cFuck shit up!\u2019 to each other before walking on.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe all lean in every night,\u201d Hernandez says, \u201cbut there are some nights that you can tell, there\u2019s something in the air. You\u2019ll hear that guy in the background go \u2018Awoooooo!\u2019 and you\u2019re like, \u2018They\u2019re ready!\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor Treaty Oak to have reached this point in five years\u2019 time serves as much as a reality check as it does a measure of success. The sheer joy the band gets from playing to whichever sold-out crowd it happens upon is always going to be juxtaposed against the fact Treaty Oak Revival almost happened by accident. The band is only around at all because a group of friends in Odessa wanted to jam once a week. That they somehow parlayed it into a way of life is not lost on the group. It\u2019s why they promise to keep playing songs as long as Canty keeps writing them.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI\u2019ll take it to my grave as long as it\u2019s helping people,\u201d Holloway says. \u201cIf it\u2019s still out there and it\u2019s helping somebody, getting somebody through the day, I\u2019ll keep playing \u2018til the day I die.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Josh Crutchmer is a journalist and author whose book <\/em><a href=\"https:\/\/backloungepublishing.com\/almostalmostfamous\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>(Almost) Almost Famous<\/em><\/a><em> will be released April 1 via Back Lounge Publishing.<\/em><\/p>\n<\/div>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><br \/>\n<br \/><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/treaty-oak-revival-beer-throwing-west-texas-degenerate-1235473698\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sam Canty knows the power of a Treaty Oak Revival concert, but he long ago stopped trying to make any sense of it. \u201cI&#8230;<\/p>\n","protected":false},"author":5,"featured_media":52796,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-52795","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/52795","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=52795"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/52795\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/52796"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=52795"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=52795"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=52795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}