{"id":54363,"date":"2025-12-23T08:08:35","date_gmt":"2025-12-23T08:08:35","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2025\/12\/23\/taylor-swifts-eras-tour-docu-series-what-was-missing\/"},"modified":"2025-12-23T08:08:35","modified_gmt":"2025-12-23T08:08:35","slug":"taylor-swifts-eras-tour-docu-series-what-was-missing","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2025\/12\/23\/taylor-swifts-eras-tour-docu-series-what-was-missing\/","title":{"rendered":"Taylor Swift&#8217;s Eras Tour Docu Series: What Was Missing"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/taylor-swift\/\" id=\"auto-tag_taylor-swift\" data-tag=\"taylor-swift\">Taylor Swift<\/a>\u2018s Eras Tour will go down in history as a record-breaking feat that managed to bring tremendous amounts of joy to millions of fans, even when that didn\u2019t seem possible. In the Disney+ <a data-id=\"https:\/\/www.rollingstone.com\/music\/music-news\/taylor-swift-end-of-an-era-finale-teaser-1235488672\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-news\/taylor-swift-end-of-an-era-finale-teaser-1235488672\/\">documentary series<\/a>, <em><a data-id=\"https:\/\/www.rollingstone.com\/music\/music-features\/taylor-swift-the-end-of-an-era-doc-series-takeaways-1235482312\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-features\/taylor-swift-the-end-of-an-era-doc-series-takeaways-1235482312\/\">The End of an Era<\/a><\/em>, filmmakers Don Argott and Sheena M. Joyce, along with the star subject herself attempt to chronicle all the many facets of the tour. \u201cEvery single night, no matter what\u2019s going on, we\u2019re going to do everything in our power to blow your mind,\u201d Swift says in the series, referring to the show. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tShe might as well be referring to the series itself, too. Over six, nearly hour-long episodes, <em>The End of an Era <\/em>takes fans behind-the-scenes of some <a data-id=\"https:\/\/www.rollingstone.com\/music\/music-news\/taylor-swift-reputation-gold-reputation-bodysuit-doc-series-1235487475\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-news\/taylor-swift-reputation-gold-reputation-bodysuit-doc-series-1235487475\/\">crucial moments<\/a> and shows just how the magic came together. Despite the series\u2019 length and scope, there\u2019s still a lot of questions left unanswered. Maybe in 50 years this will all be declassified version, but, for now, we\u2019re left wondering about some major moments and logistics, compiled below.<\/p>\n<h3 id=\"why-did-filming-start-in-the-middle-of-the-european-leg-of-the-tour\" class=\"heading larva \/\/      \">\n\t\t<strong>Why did filming start in the middle of the European leg of the tour?<\/strong>\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn the first episode of <em>The End of the Era<\/em>, Taylor reveals to Ed Sheeran that the crew filming them at that very moment was supposed to start rolling in <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/taylor-swift-vienna-terror-plot-eras-doc-1235482119\/\">Vienna, Austria<\/a>. Of course, Swift and her team were forced to <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/taylor-swift-austria-shows-men-arrested-planning-attack-1235075717\/\">cancel three nights<\/a> in the city after a <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/teen-convicted-terror-attack-taylor-swift-vienna-concerts-1235416956\/\">terrorist plot<\/a> was foiled. It makes sense that the team began filming in London, instead, but it\u2019s not totally clear why filming for the docu-series in general began in the middle of the European leg of the tour. Footage from the first day of rehearsal for <a href=\"https:\/\/www.rollingstone.com\/t\/the-eras-tour\/\" id=\"auto-tag_the-eras-tour\" data-tag=\"the-eras-tour\">the Eras Tour<\/a> or general planning is included, which would have been well before the tour opener in March 2023. There\u2019s so much that happened in the <a href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/best-taylor-swift-eras-tour-moments-1234807544\/we-find-out-the-show-is-3-hours-long-1234807739\/\">first year of the tour<\/a>, from surprise guests to album announcements, it feels like a missed opportunity to not have documented it.<\/p>\n<h3 id=\"why-wasn-t-taylor-s-self-titled-debut-included-in-the-official-set-list\" class=\"heading larva \/\/      \">\n\t\t<strong>Why wasn\u2019t Taylor\u2019s self-titled debut included in the official set list?<\/strong>\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe allure of the Eras Tour has always been about how the show chronicles Taylor\u2019s music and life, moving through each definitive chapter\u2019s songs and vibe. In the doc series, Taylor talks about how <a href=\"https:\/\/www.rollingstone.com\/pro\/features\/taylor-swift-plans-to-re-record-her-hits-heres-what-she-might-be-facing-923019\/\" data-type=\"link\" data-id=\"https:\/\/www.rollingstone.com\/pro\/features\/taylor-swift-plans-to-re-record-her-hits-heres-what-she-might-be-facing-923019\/\">re-recording<\/a> her first six albums after the <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/taylor-swift-buys-original-album-recordings-1235351164\/\" data-type=\"link\" data-id=\"https:\/\/www.rollingstone.com\/music\/music-news\/taylor-swift-buys-original-album-recordings-1235351164\/\">masters were sold<\/a> in a controversial deal helped her to recast the whole ordeal as \u201ccelebrating your past\u201d and \u201call the different girls I was until I was this one.\u201d And yet, in that celebration she missed the album that kickstarted her career: her 2006 self-titled debut. Despite shots in the doc of a Post-It note wall  of the setlist that features some pivotal <em>Taylor Swift<\/em> tracks like \u201cPicture to Burn\u201d and \u201cTim McGraw,\u201d the official setlist never featured any songs from the album. Sure, Taylor chose those songs for some surprise song moments throughout, but the album never got its due with a fully produced era in the show. As the singer explains the <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/eras-tour-setlist-taylor-swift-stadium-tour-podcast-1234701729\/\" data-type=\"link\" data-id=\"https:\/\/www.rollingstone.com\/music\/music-features\/eras-tour-setlist-taylor-swift-stadium-tour-podcast-1234701729\/\">40-song setlist<\/a> to the crew in the doc, she still never mentions her self-titled LP or the reasons why she didn\u2019t include it. Justice for debut!<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<h3 id=\"how-exactly-did-she-make-the-song-cuts-to-fit-the-tortured-poets-department\" class=\"heading larva \/\/      \">\n\t\t<strong>How exactly did she make the song cuts to fit <em>The Tortured Poets Department?<\/em><\/strong>\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSo, yeah about that setlist\u2026 When Taylor decided to debut <em><a data-id=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/taylor-swift-the-tortured-poets-department-review-1235006977\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/taylor-swift-the-tortured-poets-department-review-1235006977\/\">The Tortured Poets Department<\/a><\/em> era in <a data-id=\"https:\/\/www.rollingstone.com\/music\/music-news\/taylor-swift-tortured-poets-department-paris-eras-tour-1235018095\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-news\/taylor-swift-tortured-poets-department-paris-eras-tour-1235018095\/\">Paris<\/a>, she told the crowd, \u201cLet it be said about the Eras Tour, we\u2019re tricksy\u2026we enjoy good, healthy set list hijinks.\u201d And there sure were hijinks \u2014 \u201cThe Archer,\u201d \u201cLong Live,\u201d \u201c\u2018Tis the Damn Season,\u201d \u201cTolerate It,\u201d \u201cThe 1,\u201d and \u201cThe Last Great American Dynasty\u201d were all cut from the official setlist. In the doc series, she mentions the \u201centirely new order of the chapters\u201d and how \u201cit feels crazy to take all of the pieces apart and then put them together in a different order.\u201d Well, yes, it was crazy. But it\u2019s crazier that Taylor doesn\u2019t walk us through the difficulty of\u00a0those cuts and swaps.<\/p>\n<h3 id=\"how-did-taylor-select-different-costumes\" class=\"heading larva \/\/      \">\n\t\t<strong>How did Taylor select different costumes?<\/strong>\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn episode three, audiences get a true behind-the-scenes look at discussions Taylor has with her longtime stylist Joseph Cassell. Just before the second U.S. leg of the tour, Cassell shows the singer the swath of new looks and designs. At one point, Taylor grabs an orange and pink gown and decides, \u201cYeah this probably should be first\u201d as Cassell remarks on the sunset-like colors, which feel perfect for the kick-off shows in Miami. But beyond that moment, we don\u2019t get a comprehensive look at the decision process for each night\u2019s rotation of color options. Were the <em>1989 <\/em>sets and surprise song gowns Easter Eggs or picked on a whim? We may never know.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<h3 id=\"the-reputation-bodysuit-change-gets-runtime-but-not-an-official-explanation\" class=\"heading larva \/\/      \">\n\t\t<strong>The <em>Reputation <\/em>bodysuit change gets runtime, but not an official explanation<\/strong>\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSimilarly, the doc spends a lot of time on the momentous change to the <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/taylor-swift-reputation-gold-reputation-bodysuit-doc-series-1235487475\/\" data-type=\"link\" data-id=\"https:\/\/www.rollingstone.com\/music\/music-news\/taylor-swift-reputation-gold-reputation-bodysuit-doc-series-1235487475\/\">gold <em>Reputation <\/em>bodysuit\u00a0<\/a> \u2014 and fans\u2019 reactions to it. But neither Taylor or Cassell share many details on why the change occurred in the first place, or what took so long. We find out that the bodysuit was made of an exclusive fabric that ran and out and designers scrambled to get it done in time with Miami. As for <em>why<\/em> the new bodysuit had to be debuted in Florida (!!!), that\u2019s a mystery.<\/p>\n<h3 id=\"no-real-acknowledgement-of-the-errors-tour\" class=\"heading larva \/\/      \">\n\t\t<strong>No real acknowledgement of the \u201cErrors Tour<\/strong>\u201d\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tA tour as ambitious and stellar like the Eras Tour doesn\u2019t go off without a hitch \u2014 or two. Throughout the 149 shows, there were many mishaps and some people online even jokingly dubbed the mistakes as the <a href=\"https:\/\/www.youtube.com\/watch?v=lfOVWgHm3l4\" rel=\"nofollow\" target=\"_blank\">\u201cErrors Tour.\u201d<\/a> In the doc, Taylor does reference one moment where she tripped backstage during a costume change and she cut her hand, only to emerge right on time for the <em>Reputation<\/em> set. But there is no acknowledgement of the onstage moments where things didn\u2019t go as planned. What was going on in Taylor\u2019s mind when her stage malfunctioned and didn\u2019t open for her to dive off or her <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/taylor-swift-piano-damaged-during-massachusetts-eras-tour-rain-show-1234739472\/\">piano went haywire<\/a> after a rain show? Well, in true showgirl fashion, she keeps those details to herself.<\/p>\n<h3 id=\"how-did-the-surprise-song-mash-ups-come-together\" class=\"heading larva \/\/      \">\n\t\tHow did the surprise song mash-ups come together?\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWe get to see plenty of great moments of Taylor at the piano, tinkering through surprise song mash-ups like \u201cThis Is Me Trying\u201d and \u201cDaylight\u201d or that final gut-punch of \u201cLong Live,\u201d \u201cNew Year\u2019s Day,\u201d and \u201cThe Manuscript.\u201d It\u2019s a special glimpse into the inner workings of the musician\u2019s artistry, but there\u2019s no explanation of the song selections. There were so many brutal and beautiful\u00a0 mash-ups (still not over the unhinged \u201cCassandra,\u201d \u201cMad Woman,\u201d \u201cI Did Something Bad\u201d <a href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/best-taylor-swift-eras-tour-moments-1234807544\/the-unhinged-the-prophecy-x-mad-woman-x-i-did-something-bad-mash-up-1235198529\/\" data-type=\"link\" data-id=\"https:\/\/www.rollingstone.com\/music\/music-lists\/best-taylor-swift-eras-tour-moments-1234807544\/the-unhinged-the-prophecy-x-mad-woman-x-i-did-something-bad-mash-up-1235198529\/\">one<\/a>), it would have been cool to hear more about the process. How much in advance did Taylor choose mash-ups and surprise songs? How did she get the inspiration for two songs to be paired; was it always tracks in the same key or did she select them based upon lyrical parallels between songs? So many questions, so little answers!<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<h3 id=\"how-does-a-showgirl-stay-grounded-after-such-a-tremendous-spectacle\" class=\"heading larva \/\/      \">\n\t\tHow does a showgirl stay grounded after such a tremendous spectacle?\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThroughout the doc series, we see Taylor discuss the dichotomy of being Taylor Alison Swift, the person, and Taylor Swift\u2122, the larger-than-life persona and billion-dollar business. Unsurprisingly, it\u2019s not easy \u2014 especially as life continues to toss challenges on both ends of the spectrum, from thwarted terror plots to <a data-id=\"https:\/\/www.rollingstone.com\/music\/music-news\/taylor-swift-talks-breakups-travis-kelce-eras-tour-doc-1235487167\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-news\/taylor-swift-talks-breakups-travis-kelce-eras-tour-doc-1235487167\/\">breakups<\/a>. Taylor credits the tour with giving her the strength to keep going. \u201cThe tour has never been the hard thing in my life, the tour has been the thing that has allowed me to find purpose,\u201d she says in the series. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut the success of the Eras Tour catapulted Swift, the conglomerate, into a new echelon of success. In one scene, Gracie Abrams texts Taylor a picture of the singer plastered on the side of a hotel in Indianapolis. \u201cI used to have this joke\u2026 I\u2019m a 5\u201910 woman followed around by a five hundred foot monster shadow,\u201d she says, adding, \u201cMe being that size tall on a hotel\u2026 That\u2019s kind of how it feels sometimes.\u201d Even as Taylor touches on this, <em>The End of an Era<\/em> doesn\u2019t show how she keeps keeps her sense of self. We see Taylor lean on fianc\u00e9 Travis Kelce, her mom, and her brother for emotional support but there\u2019s never a moment where audiences are privy to the Taylor that works through the emotions felt on songs like \u201cI Can Do It With a Broken Heart\u201d and \u201cThe Life of a Showgirl.\u201d<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/taylor-swift-the-end-of-an-era-questions-1235488071\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Taylor Swift\u2018s Eras Tour will go down in history as a record-breaking feat that managed to bring tremendous amounts of joy to millions of&#8230;<\/p>\n","protected":false},"author":5,"featured_media":54364,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-54363","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/54363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=54363"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/54363\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/54364"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=54363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=54363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=54363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}