\n<\/p>\n
\n\tThe score soundtrack<\/a> for Marty Supreme<\/em> <\/a>has arrived alongside the film\u2019s release today, Dec. 25. <\/p>\n \n\tThe project is composer Daniel \u201cOneohtrix Point Never<\/a>\u201d Lopatin\u2019s latest collaboration with filmmaker Josh Safdie<\/a> and spans 23 tracks, drawing from \u201cneoclassical orchestration, widescreen synth ecstasy, and tactile 80s hardware,\u201d per a press release. The soundtrack also includes performances from Laraaji and vocal layers from Weyes Blood.<\/p>\n \n\t\u00a0\u201cThe music came from an obsession with rhythm, buoyancy, and motion\u2014compiling hundreds of mallet and bell sounds to mirror Marty\u2019s mercurial, fast, and kinetic nature, which is like a table tennis ball itself,\u201d said Lopatin in a statement. \u201cI wanted the score to live between tradition and invention, with neoclassical elements grounding the world around him as he finds it with rules, limits, and pressure. The electronic textures lean into the future he imagines, even as those forces begin to contend with each other.\u201d<\/p>\n \n\tEarlier this week, Tiesto delivered \u201cI Love You, Tokyo\u201d from the soundtrack during his performance in front of the Pyramids of Giza. In addition to Safdie, Lopatin has worked with a host of\u00a0boundary-pushing artists throughout his career including David Byrne, FKA Twigs, Anohni, and DJ Earl.<\/p>\n \n\tMarty Supreme<\/em>, now in theaters, stars Oscar nominee Timoth\u00e9e Chalamet, who has led a wild marketing campaign for the film \u2014 appearing atop the\u00a0Las Vegas\u00a0Sphere<\/a>, which had been transformed into a giant ping pong ball, days before the movie\u2019s release.<\/p>\n