{"id":55291,"date":"2026-01-10T00:29:34","date_gmt":"2026-01-10T00:29:34","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/01\/10\/los-lobos-sues-for-la-bamba-and-desperado-soundtrack-royalties\/"},"modified":"2026-01-10T00:29:34","modified_gmt":"2026-01-10T00:29:34","slug":"los-lobos-sues-for-la-bamba-and-desperado-soundtrack-royalties","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/01\/10\/los-lobos-sues-for-la-bamba-and-desperado-soundtrack-royalties\/","title":{"rendered":"Los Lobos Sues For \u2018La Bamba\u2019 and \u2018Desperado\u2019 Soundtrack Royalties"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLegendary Los Angeles rock band <a href=\"https:\/\/www.rollingstone.com\/t\/los-lobos\/\" id=\"auto-tag_los-lobos\" data-tag=\"los-lobos\">Los Lobos<\/a> is suing over allegedly unpaid royalties tied to soundtrack recordings for the 1987 Richie Valens biopic <em>La Bamba<\/em> and the 1995 Richard Rodriguez-directed film <em>Desperado<\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn two lawsuits quietly filed late last year and obtained by <em>Rolling Stone<\/em>, one of which surfaced Friday after being moved to federal court, the Grammy-winning Chicano band accuses Sony Pictures Entertainment and Sony Music Entertainment of breaching their contracts and failing to properly account for worldwide royalties. Los Lobos is seeking damages and a new global accounting, alleging that the unpaid amounts total at least $1.5 million and could reach as much as $2.75 million, or more.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn the first lawsuit, the band says the <em>La Bamba<\/em> soundtrack album reached double platinum status, with its rendition of \u201cLa Bamba\u201d topping charts in at least 15 countries. Despite the album\u2019s commercial success, Los Lobos contends it has never been paid streaming royalties for the recordings outside the United States and Canada. The band says it discovered the \u201cmassive deficiency\u201d in the royalty statements last March. According to the filing, unpaid royalties tied to the soundtrack range from $1 million to $2 million, with Sony Pictures Entertainment responsible for the payments.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe second lawsuit, which moved to federal court Friday, alleges that in 1993, Los Lobos agreed to provide several soundtrack songs for <em>Desperado<\/em> and recorded the song \u201cCanci\u00f3n del <a href=\"https:\/\/www.rollingstone.com\/t\/mariachi\/\" id=\"auto-tag_mariachi\" data-tag=\"mariachi\">Mariachi<\/a>\u201d with the movie\u2019s lead actor, <a href=\"https:\/\/www.rollingstone.com\/t\/antonio-banderas\/\" id=\"auto-tag_antonio-banderas\" data-tag=\"antonio-banderas\">Antonio Banderas<\/a>. Los Lobos member Cesar Rosas \u201cwrote the composition in its entirety,\u201d the lawsuit states.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn 2004, the independent record company Milan Entertainment released a compilation album entitled <em>Robert Rodriguez\u2019s Mexico and Mariachis <\/em>that included the song with liner notes that said it was included \u201ccourtesy of Columbia Pictures,\u201d the lawsuit says. In 2018, Milan allegedly released the song again on Spotify and YouTube with the shortened title \u201cMexico and Mariachis.\u201d That release purportedly garnered 150 million streams on Spotify and another 150 million streams on YouTube, the lawsuit claims.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAccording to the complaint, interest in the song has skyrocketed in recent years after popular UFC fighter Ilia \u201cEl Matador\u201d Topuria adopted it as his \u201cwalkout\u201d song and \u201canthem.\u201d Topuria\u2019s popularity purportedly caused the song to be used in TV programming in many countries, the lawsuit claims.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tStill, \u201cdespite all of these millions of streams of the recording worldwide, the various uses by Topuria, and his endorsement and involvement, there has never been a single royalty statement rendered by Sony to Los Lobos that reports any streaming of the recording, as used in the 2018 Milan Streaming Release, or any licensing activity,\u201d the band alleges. It calls the lack of accounting \u201cegregious.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn 2019, Sony Music Masterworks purchased Milan. Both companies were \u201cwell aware of the value of Topuria\u2019s endorsement\u201d of the song because they allegedly changed the title of the recording on Spotify to \u201cCanci\u00f3n del Mariachi (Ilia Topuria \u2018El Matador\u2019 Anthem),\u201d the lawsuit claims.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLos Lobos says worldwide streams of the song have topped 600 million, and based on the band\u2019s contract, its revenue share of those streams would be $500,000 to $750,000. It\u2019s asking the court for a chance to determine the precise amount through discovery and, if necessary, a trial. The band also wants a 24 percent cut of net revenues collected from any licensing deals related to the song.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLawyers on both sides did not respond to a request for comment. Los Lobos, which was formed in East Los Angeles in 1973, has been nominated for 12 Grammy Awards and won four.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/los-lobos-sues-sony-la-bamba-desperado-soundtrack-royalties-1235497109\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Legendary Los Angeles rock band Los Lobos is suing over allegedly unpaid royalties tied to soundtrack recordings for the 1987 Richie Valens biopic La&#8230;<\/p>\n","protected":false},"author":5,"featured_media":55292,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-55291","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/55291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=55291"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/55291\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/55292"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=55291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=55291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=55291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}